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A collection of the greatest poetry from the Victorian era, read by some of the 20th century’s most renowned actors. Science, religion and sexuality are played out in these timeless readings of poetry written during the Romantic period.

A collection of the best-known poems by Gerard Manley Hopkins (1844-1889). One of the Victorian era's greatest writers, Hopkins' reputation has continued to grow since his death. This collection includes "The Windhover", "The Caged Skylark", "Carrion Comfort", "Spring", and "Fall and Inversnaid".

In January 1866 Hopkins composed his most ascetic poem, The Habit of Perfection, but a few days later he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic, and by May 1868 Hopkins firmly 'resolved to be religious'. Less than a week later, he made a bonfire of his poems and ceased to write for almost seven years.

During his lifetime, Hopkins, who was ordained as a Jesuit priest, was best known as a scholar and a teacher of languages. In his youth, he composed poetry prolifically, but destroyed all his juvenile work in 1867. In 1874, he commenced writing poetry again, but little of his verse was published in his lifetime. His work was rescued from obscurity by his friend and supporter, Robert Bridges, who later became poet laureate.

This poem was composed in 1875 and 1876, but was not published until 1918. It is considered by many to be Hopkins' masterpiece. One hundred and sixty-eight passengers and crew died when the steamship Deutschland ran aground on the Kentish Knock. Hopkins weaves many Christian themes into his poetic retelling of the tragedy, including the inevitability of suffering, divine providence, salvation, and the hiddenness of God.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of the poets and their musings on this remarkable age. Many are world-renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some are almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

The sun has descended below the far horizon. The inky blackness of night begins to envelop the land. Day has gone, and the nocturnal times reveal themselves. But above the dark blanket the moon, whether waxing or waning, stands sentry, and around it vast clouds and swirls of stars regiment themselves. We look up in awe and wonder, frail beneath their vista. Our gloried poets are on hand, though, to capture word and deed, emotion and feeling, friend and foe.

The turn of the 20th century saw radical developments in all art forms and particularly in poetry. The first volume of this series features the work of nine significant poets whose careers cover the period from the late 19th century to the early 20th century.

Gerard Manley Hopkins was born in Essex, England, in 1844. During his lifetime, his work, at his own insistence, remained unpublished. Hopkins died in 1889, aged just 45, but it was not until 1918 that his work was first published and until 1930 that he first received acclaim. Here, Margaret Rawlings reads a selection of his finest work, including "Starlight Night", "Spring", "Pied Piper", and "Inversnaid".

May - the fifth month of the year in the Gregorian calendar and popular for May Day and Workers Rights celebrations. for our poets, including Milton, Hopkins, Von Goethe, Wordsworth, and Longfellow, much else is on their minds, and of course, it's beautifully put.

It is often said that two things are unavoidable: death and taxes.Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s eternal journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell.

Silence is rare in Nature. When we really listen, Nature is conducting symphonies of sound as her world goes about the day and night. Her invisible heartbeat is everywhere, for everyone. Our eyes are constantly bathed in the wonder of her ways, the soft drizzle of rain from soft grey clouds, the bleached harsh desert sand of a noon day, a wave caressing the shore, to the ravenous colours of a departing sunset. Indeed, whenever we look and listen to the vastness of our world Nature’s beauty is always there for us..