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In the beautiful North Yorkshire countryside of the 1960s, Constable Nick’s roles are as varied as the eccentric villagers. He handles every encounter with his characteristic humor, humanity, and professionalism. His investigations include the case of a clever pony who keeps escaping, a woman running through town naked, and a pack of Canadian timber wolves hanging out in a bus shelter. He soon gets to know all the characters on his beat, from his superior officer, Sergeant Blaketon, to Claude Jeremiah Greengrass, whose lurcher, Alfred, lands him with a summons.

In this delightful collection of tales of daffodil duty and sheep worrying, his duties are as varied and humorous as ever. Young Nick joins Albert Potter for a drink and discovers his homemade moorland wines are a headache in every sense of the word. When a farmer fits an ejector seat to his tractor, Constable Nick is forced to cope with the rumors of Roman soldiers racing their chariots across the moors.

Constable Nick has come to know and love the host of characters who live and work on the beautiful North Yorkshire Moors. The amiable constable handles every encounter with his characteristic humor and professionalism, whether he’s investigating a plot to scare away a troublesome suitor or helping a neighbor return his late wife’s ashes to her beloved moors. But when Ted Williamson’s sheep start disappearing, can Rhea find the culprit without making enemies of the farmers of Yorkshire?

Alone in the midnight hours with nothing but dead leaves, stray cats, and legends of ghosts and ghoulies to accompany him. A sleeping village doesn’t mean a simple shift, though. Between the early risers of the farming community, a badger with a sweet tooth, and getting to know his new workmates, there’s no time for Nick to kick his feet up in the station. And of course there’s Claude Jeremiah Greengrass! Why did he have to retreat hastily down a ladder from a lady’s bedroom and what happened to his trousers and shirt?

Constable Nick patrols his rural Yorkshire beat on foot or on his trusty Francis Barnett motorcycle. But as beautiful as the villages are, they conceal real human drama. Nick is on hand to help out when Aidensfield decides to enter the Best Kept Village competition and finds itself the victim of a dirty tricks campaign by its rivals. Then there is the mystery of the spontaneously combusting hen-house, and Nick has to cope with the consequences when the vicar tries a novel way of keeping the churchyard tidy.

A hay barn is set on fire at Low Dale Farm. It seems that an arsonist is targeting isolated barns. Arnold Merryweather’s ancient bus helps catch a car thief. And when Nick arrests not only a pig thief but also the expectant pig, the police station cleaner is not very pleased. But it’s not all crime. A glider crashes into a romance in a thatched cottage, and then Constable Nick is involved in a plot to force a penny-pincher to spend money. In the beautiful North Yorkshire countryside of the 1960s, Constable Nick’s roles are as varied as the eccentric villagers.

Not when missing sheep need locating, stray dogs need homing, and thieves need identifying! As Britain’s most popular copper continues his work around the village, he has to cope with an array of eccentric characters: a postman who can’t read, a helpful lady who steals from the elderly people in her care, and a delightful small-time villain called Tin Lid Talbot. Winning an aged tin of sardines in a local raffle and upsetting the villagers by getting first prize at the local whist drive, PC Nick Rhea must contend with the variety and humorous exploits of a Yorkshire village.

During a break from his usual village beat, young Police Constable Nick finds himself involved with holidaymakers and their problems. As well as the normal seaside duties, how does he cope with a man who’s lost his false teeth in the sea and another who wants to give away thousands of pounds when drunk? Then there’s the stray Labrador that thinks he’s a police dog and accompanies police officers on night patrols, and the anxious fisherman who daren’t tell his wife that he owns a racehorse.

Nick is settling into his role as a police constable in Aidensfield, getting to grips with rural life and his new colleagues and neighbors. But Nick soon finds himself facing a canine crisis. Farmer Lowe’s overworked sheepdog is feigning deafness. Without the dog, the cows cannot be milked, bringing his farming business to a screeching halt. Meanwhile, five sheep turn up dead, and Sidney Chapman’s dog is accused of the crime, much to his dismay. Can Nick salvage Aidensfield’s farming future, not to mention the reputations of two dogs, while juggling his other cases?

The villagers are quite a handful, from the rogue that is Claude Jeremiah Greengrass and his wily dog, Alfred, to the mysterious spinster Adelaide Bowes. Even some of the newcomers seem to be a little odd. But thankfully for Constable Nick, they are mostly law-abiding characters. But when old conflicts between villages flare up, it’s Constable Nick who has to sort things out.

Nick joins the Criminal Investigation Department to learn about the work of the detectives in civilian clothes. Asked to keep a watchful eye on a house thought to be used as a brothel, Nick quietly climbs the roof and sends a tile crashing through the window. When the woman inside and her five brothers attack the neighbors for causing the damage, the police turn out in force and arrest everybody. Meanwhile Nick lies low on the roof.

Constable Nick’s beat is modernized, with his police bike replaced by a mini-van. He gets more than he bargained for as his work draws him into closer contact with villagers, in more ways than one. There are compromising positions aplenty in this next charming installment of Aidensfield life. Nick finds himself lost in heavy fog and runs across a couple of illicit lovers trapped in their car. He advises the village grocer about his very respectable lady shoplifter and discovers how farmer Owens copes with his bossy wife.