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Paul Laurence Dunbar was born on 27th June 1872 in Dayton, Ohio. His parents had been slaves in Kentucky before the Civil War. Dunbar wrote his first poem at age six and gave his first public recital at age nine. By 16, he was already published as a poet in The Herald, a local newspaper. After completing his formal schooling in 1891, Dunbar was employed as an elevator operator, at four dollars a week. His hopes of a legal career floundered on a lack of funds and racial discrimination. However, he wrote his poetry and took every opportunity to publish.

Across fifty poems our classic poets including Christina Georgina Rossetti, Percy Bysshe Shelley, Paul Laurence Dunbar, Thomas Hardy & Dante Gabriel Rossetti find verse and tender words to match the occasion. Their descriptions of nature’s ever-evolving landscape and humanity’s ever-changing lives emblazon the page with the lively ink that shapes us all.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

This classic collection of essays, edited by Booker T. Washington and with contributions from many of post-Civil War America's other prominent African-American thinkers, sought to redefine the role of Black persons in the new Jim Crow era and beat back white supremacy through racial uplift. Seven essays include Charles Chesnutt's "The Disfranchisement of the Negro", W. E. B. DuBois "The Talented Tenth", and Wilford Horace Smith's "The Negro and the Law" .

The first African American poet to achieve international fame, Paul Laurence Dunbar used his prodigious literary gifts to chronicle and celebrate Black life as he saw it. He utilized both traditional poetic forms and contemporary dialect in a range of styles—lyrical, conversational, and playful—as diverse as his themes. This collection, containing the entirety of Dunbar’s poetry, captures his still vital expressions of love, work, and family. It also serves as a revelatory expression of Dunbar’s frustrations with racial injustice and oppression.

When The Sport of the Gods opens, the Hamilton family is doing relatively well. They have stable jobs and good reputations as servants for a wealthy Southern family - but they also have little sense of how tenuous their existence has become. When money goes missing, the supposed victim points a finger at patriarch Berry Hamilton, and Berry is sentenced to ten years of hard labor. In response, Berry’s wife, Fannie, and his two children, Joe and Kit, migrate to New York City. Their hope is that the great city of the North will provide them with a fresh start.

After Douglass’ death, Paul Laurence Dunbar laments his passing and the problems experienced by African Americans in the elegiac poem "Frederick Douglass". The poem provides valuable insights into the situation of the African-American community in the late 19th century.

Poetry can sometimes be elusive, the real meaning layered beneath another. In this volume American poets give voice to their nation, their hopes, and their aspirations. Whitman, Emerson, and Dickinson are joined by Poe, Holmes, Dunbar, and others to pleasure our ears and minds with a rambling stroll through their works. It doesn’t define America, but it captures her mood and the flavours of her soul in the early days of the American dream.

Here are a baker's dozen of Paul Laurence Dunbar's poems brought to life in the medium he always wrote for - the spoken word. As narrated by Bobby Norfolk, these poems evoke the range of moods, from elegy to wonder to celebration, that the poet is remembered for.