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Set in South India during the British colonial period but with powerful resonance to the present day, One Part Woman tells the story of a couple, Kali and Ponna, who are unable to conceive. Kali and Ponna try anything to have a child, including making offerings at temples, atoning for past misdeeds of dead family members, and even circumambulating a mountain supposed to cure barren women, but all to no avail. A more radical plan is required, and the annual chariot festival, a celebration of the god Maadhorubaagan, who is one part woman, one part man, may provide the answer.

Saroja and Kumaresan are in love. After a hasty wedding, they arrive in Kumaresan's village, harboring a dangerous secret: Their marriage is an inter-caste one, likely to upset the village elders should they get to know of it. Kumaresan is naively confident that all will be well. But nothing is further from the truth. Despite the strident denials of the young couple, the villagers strongly suspect that Saroja must belong to a different caste. It is only a matter of time before their suspicions harden into certainty and, outraged, they set about exacting their revenge.

As he did in the award-winning One Part Woman, in his newest novel, The Story of a Goat, Perumal Murugan explores a side of India that is rarely considered in the West: the rural lives of the country’s farming community. He paints a bucolic yet sometimes menacing portrait, showing movingly how danger and deception can threaten the lives of the weakest through the story of a helpless young animal lost in a world it naively misunderstands.

Late at night, Kumarasurar’sphone rings shrilly. His teenage son is calling. What could he want? A seemingly simple demand torments Kumarasurar, who fears it might put his finances - and perhaps his son’s life - in jeopardy. As a father’s anxieties unravel, his memories undermine his self-worth, and imaginary scenes of damnation taunt him.