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Molière wrote some of the most durable and penetrating comedies of all time. The Imaginary Cuckold and The School for Husbands are two of his grand farces of marriage and misunderstanding, one set in Paris and the other in the provinces. In The School for Husbands, a tyrannical husband-to-be seeks to isolate his ward, while unwittingly carrying her messages of devotion to her lover. In The Imaginary Cuckold, an enraged husband imagines his wife is unfaithful, but is reluctant to defend his honor.

Initially banned in France by King Louis, Molière's celebrated social satire Tartuffe exposes false piety and hypocrisy in the Catholic Church. When a pious fraud worms his way into a wealthy family and manipulates the patriarch into giving up his fortune, it’s up to his family to expose the truth before they end up in the poorhouse!

This timeless comedy of manners is considered one of Molière's most probing and mature works. While it's still an exemplar of 17th century farce, Molière went beyond his usual comic inventiveness to create a world of rich, complex characters, especially in the cynical title character Alceste, played here by the Tony Award-winning actor Brian Bedford.

In 17th-century Sicily, a clever valet named Mascarille tries to help his boss, Lélie, win the girl of his dreams – only to find that Lélie is a monumental dunce who ruins every one of his intricate schemes. Undaunted, Mascarille invents progressively wilder plots, only to see his best-laid plans go very awry in Molière’s The Bungler, translated by Richard Wilbur.

In this biting comedy of errors, the hapless Arnolphe is undone by his own double dealing and double standards. The School for Wives was first performed at the Palais Royal theatre on December 26, 1662, and is considered by many to be Moliere's masterpiece. Richard Wilbur's subtle verse translation illuminates the great master of comedy at his wittiest.