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There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

A man seeking peace in a Parisian church encounters something far more sinister. During the service, he notices a mysterious, pale figure with a dark, menacing gaze that seems to be following him. Soon, reality begins to blur as he’s drawn into a nightmare filled with haunting visions and unanswered questions. Forced to confront his deepest fears, he slowly realizes that some forces cannot be escaped… especially when they lead him to the fabled gates of Carcosa.

The King in Yellow is a book of short stories by the American writer Robert W. Chambers, first published by F. Tennyson Neely in 1895. The book is named after a play with the same title which recurs as a motif through some of the stories. The first half of the book features highly esteemed horror stories, and the book has been described by critics such as E. F. Bleiler, and T. E. D. Klein as a classic in the field of the supernatural.

HorrorBabble's complete, dramatic telling of Robert W. Chambers' classic collection, The King in Yellow. The book comprises 10 individual tales, several of which are thematically linked by a controversial play with which the novel shares its title.

The King in Yellow is a collection of 10 short stories on supernatural subjects first published 1895. The title refers to a mysterious play which causes derangement in the minds of those who read or see it, and which is mentioned in the first four stories.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

Hildred Castaigne is a young man who lives in New York City whose life changes drastically after he falls from his horse and injures his head. Castaigne gets unjustly confined to a mental institution, where Dr. Archer treats him. However, the doctor soon realizes, that this is a mistake and the young man’s condition is not as bad as he was told. During Hildred’s treatment, the United States have prospered and improved their infrastructure, a new aristocratic elite has been formed and suicide has been legalized.

This collection by Robert W. Chambers was first published in 1895 and features stories loosely tied together with one theme, the supernatural. Many of the stories in The King in Yellow were not received well by the critics of the time due to their supernatural undertones. Some of the stories mention a play by the same name that had been outlawed in some regions of the world. It was thought that the play could induce madness in those who viewed it. Two of the stories in this book take place in a fictional world of the future 1920s and are macabre in tone.

While taking a break from his latest painting, an artist casually stands at his window, looking at the street below. Much to his horror he sees a hideously disfigured man, a man whose features draw a repulsive shudder - the artist recognizes him from a nightmare foretelling his own death.

Ghosts, ghouls, witches, and other unearthly creatures promise to chill the blood and raise the hair of even the most courageous listener. Volume Two in this series presents more classic horror to enjoy beyond the spooky season. Brought to you by the slightly unhinged Utah Audiobook Narrators.

Carcosa is a fictional land that first appeared in Bierce’s 1886 story “An Inhabitant of Carcosa” (included in this collection), and later is appeared Robert W. Chambers’s The King in Yellow. It has since been used by many other fantasy and horror writers and poets. This collection explores Carcosa and other fictional cities found in nineteenth-century poetry and short stories. The works of these classic and innovative writers are given new life, and a new generation of listeners will have the chance to voyage to Carcosa … and beyond.

In the shadowy woods beneath Mount Saint Helena, Halpin Frayser awakens from a nightmare, whispering the name “Catherine LaRue.” His restless dreams entwine with haunting memories of a complex bond with his mother, leading him into a chilling past filled with love and tragedy. After years apart, Halpin journeys to California, where a dark fate awaits him. As detectives stumble upon a body shrouded in sinister echoes of the past, a game of life and death unfolds, revealing the terrifying influence of unseen forces.

In the heart of Boris Yvain's mysterious studio, a haunting tale unfolds, blurring the line between life and art. Boris discovers a secret that allows him to transform living beings into marble, capturing them in eternal form beyond the reach of any sculptor. But the cost of this power is steep—when Geneviève, beautiful and changeable as an April day, becomes ensnared in feverish obsession, their fates intertwine in a tragic web of love and betrayal. The Mask by Robert W. Chambers is a story of art, madness, and the perilous secrets concealed behind marble facades.

What is the terrible secret at the heart of The King in Yellow? The forbidden play’s second act is said to drive all those who read it mad. And the sinister text casts its shadow of dread over Robert W. Chambers’s collection of weird, supernatural stories of the same name. Threaded with elements of fantasy, science fiction, the supernatural, and gothic horror, this cult classic continues to inspire the imagination of artists - from H. P. Lovecraft to the writers of HBO’s True Detective - and delight connoisseurs of the macabre.

Barred from life and death alike, she waited - waited for the key that could unlock the sinister talisman that held her prisoner of eternity. Taken from The King in Yellow, often referred to in "True Detective" this is one creepy short story.

In the heart of Paris, amidst the bohemian world of artists and dreamers, a chilling tale of mystery and the macabre unfolds. Louis De Cressac, a gifted painter, lives a life of solitude and obsession, haunted by a dark legacy tied to the sinister Black King. When his friend, Jack Scott, visits, he is drawn into a world where art and the supernatural intertwine in terrifying ways.

America is fat and prosperous. We’ve warred with the world and come out on top. We’ve gotten rid of the riff-raff. A new era is arising, change is in the air, and to top it all off, the first Government Lethal Chamber is now open and ready for its first occupant. The future looks bright in 1895.

"The Yellow Sign" is considered to be Robert Chambers’ horror masterpiece. He introduces us to Mr. Scott, an artist living in New York City. One day, Scott sees an overweight young man, who looks like a lawn grub to him. The artist’s is working on a painting of a girl named Tessie. When the girl falls ill, Scott tries to cure her, so he can finish his work as fast as possible. However, Tessie’s condition gets worse and she starts having very strange dreams.

In this dark story by Robert W. Chambers we are introduced to a detective, who is tasked to uncover a hoax in the Pacific Northwest. There he investigates the possible existence of a terrible porpoise-skinned humanoid with an insatiable hunger for human females. If you like reading dark and weird stories, then "The Harbor Master" from 1904 is the right one for you. Do not hesitate to embark on this journey and solve the mystery of the porpoise-skinned humanoid. B. J.

“Have you seen the Yellow Sign?” mumbles a cadaverous hearse driver with a soft, squishy head. He’s been skulking about Scott’s painting studio, where he and Tessie have been developing a tangled relationship between artist and model. But as this ever-present watchman resembling a coffin worm begins to distract Scott, his portrait of Tessie takes on a deathlike pallor. How can they forever rid themselves of this hearse stalker? And what precisely does he mean by a “Yellow Sign”?