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From one of the most important contemporary voices to emerge from the Middle East comes a gripping tale of love and betrayal, honesty and artifice, which asks whether it is possible to truly reinvent ourselves, to shed our old skin and start anew.

Kashua's nameless antihero has big shoes to fill, having grown up with the myth of a grandfather who died fighting the Zionists in 1948, and with a father who was jailed for blowing up a school cafeteria in the name of freedom. When he is granted a scholarship to an elite Jewish boarding school, his family rejoices, dreaming that he will grow up to be the first Arab to build an atom bomb. But to their dismay, he turns out to be a coward devoid of any national pride.

In his debut, Dancing Arabs, Sayed Kashua established himself as one of the most daring voices of the Middle East. In his searing new novel, a young Arab journalist returns to his hometown - an Arab village within Israel - where his already vexed sense of belonging is forced to crisis when the village becomes a pawn in the never-ending power struggle that is the Middle East. Hoping to reclaim the simplicity of life among kin, the prodigal son returns home to find that nothing is as he remembers: Everything is smaller; the people are petty and provincial.

Hailed as "an unusually gifted storyteller with exceptional insight" (Jewish Tribune), Bernstein award-winning writer Sayed Kashua presents his masterful fourth novel Track Changes, which follows an Arab-Israeli man as he reckons with the weight of his past, his memories, and his cultural identity.

Sayed Kashua has been praised by The New York Times as "a master of subtle nuance in dealing with both Arab and Jewish society". An Arab-Israeli who lived in Jerusalem for most of his life, Kashua started writing with the hope of creating one story that both Palestinians and Israelis could relate to, rather than two that cannot coexist together. He devoted his novels and his satirical weekly column published in Haaretz to telling the Palestinian story.