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Award-winning jokesmith and self-confessed idiot Stephen K. Amos teams up with some of the world's sharpest comic minds to compile a dummies' guide to being a modern human. From raising children and having a mid-life crisis, to first impressions and facing your fears, who better than a bunch of comedians to lead us through life's existential maze?

Warning: strong language and adult content.

Warning: strong language and adult content.

Recorded live at the Edinburgh Festival, legendary comedian Stephen K Amos invites some of his favourite stand ups to sit down for a chat about life, comedy and all the funny stuff in between. This is the closest you can get to being an insider at the world's biggest comedy festival, via the banter of some of the funniest people on the planet.

Growing up in a large Nigerian family in South London, Stephen K. Amos learnt early on to find the humour in every situation. Raised by his parents and extended family of 'aunts' and 'uncles', I Used to Say My Mother was Shirley Bassey tells the story of Stephen's chaotic upbringing in the carnival atmosphere of the late '70s and early '80s. Stephen describes his awkward beginnings as the only black kid in his class, where he told everyone his mum was Shirley Bassey to break the ice.

One of Britain's best comics, recorded down under at the Enmore Theatre Sydney. Stephen K. Amos has become an assured comedy performer with great material and a superb relationship with his audience.

From festivals in Melbourne, Montreal and Edinburgh, Stephen K Amos has won audiences over with his unique style and superb material. This recording was made at London's Hammersmith Apollo.

From South Africa to Aviemore, this recording spans a year in the life of a busy and talented stand-up comedian. Whether it's the Edinburgh Fringe Festival or the Melbourne Comedy Festival, Stephen K Amos will lavish his charm and cutting wit on everyone lucky enough to witness this brilliant comic.

Comedian Stephen K Amos is one of eight children, whose parents came to London from Nigeria in the 60s. In these three series, co-written with multi-award-winning British playwright Jonathan Harvey, he takes us back in time to the 1980s, as he reminisces about his dysfunctional childhood and formative experiences, and shares the dramas and traumas of his teenage years.