Résultats lu par "Dave Herman" dans Toutes les catégories

Jack Flanders and his crew sail to a mysterious island known as Key Diablo. When a fog moves in, all color seems to vanish, and everything turns into black and white. The islanders, dressed in clothes from the 1940s and '50s, appear to have stepped out of an old Hollywood film noir. And soon our heroes, Jack, Claudine, Mojo, Dominique, and Rose, find themselves playing characters that are dressed to kill.

Lucas Trust has it all - money, a mansion, an island, a gorgeous girlfriend. But his shadowy past returns and Willie, who has been painting Luke's house, suddenly finds himself trying to solve a murder mystery. Meanwhile Short Top Detroit, a fictional paperback detective, has taken up residence in Willie's head. But Short Top isn't a very good detective, and Willie finds himself in some bizarre and dangerous situations.

Ruby, Teru, and Kapoor arrive on the planet of Mobius-Morpheus, a planet of Dreamers. Someone is tampering with their dreams. While Ruby is attempting to discover who is behind this, she stumbles upon her old friend, the Tookah, a shrewd observer of the Dream Weavers.

Jack and his crew accept an invitation from an eccentric billionaire who has built a castle on a Carribbean island. What first appears to be a replica of a medieval fortress turns out to be a very high tech castle, with robot valets, and rooms with floor-to-ceiling plasma screens. In the middle of the night, Jack's crew begins to encounter their own "personal demons", first in their dreams and then right before their eyes.

Wherever Rodant Kapoor attempts to hide in this vast universe of ours, his Mother always find him. So when the Techno-Witches, Onoffon and Offonoff ask Kapoor to try out "The Rapturizer", a device they're invented that's based on "The Rapture" (where one ascends into Heaven), Kapoor gladly accepts. He steps into, "The Rapturizer", and Poof, Rodant is Rapturized! But Mother Kapoor, claiming she's about to kick the bucket, convinces Ruby, along with Teru & And/Or, to go after her wayward son.