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James Earl Jones (New Testament reading) and Jon Sherberg (Old Testament) combine their incredible vocal talents in one of the most critically acclaimed Holy Bible recordings ever. These two lush baritone vocals are the perfect complement to one another. Mr. Jones’ skilled and resonating reading has been hailed as one of the greatest New Testament recordings of all time. Combined with Jon Sherberg’s powerful and passionate delivery of the Old Testament, this beautiful audio rendition of The Holy Bible will leave your heart full and spirt nourished.

In a voice as rich as it is recognized, James Earl Jones lends his narrative talents to the King James Version of the New Testament. In over 19 hours enhanced with a complete musical score, James Earl Jones interprets the most enduring book of our time utilizing the acclaimed actor's superb storytelling and skilled characterizations. Hailed as the greatest spoken-word Bible version ever, and with almost half a million copies sold, this exquisite audio treasury is certain to enthuse and inspire.

Two giants of the theater, five-time Tony Award® winner Angela Lansbury and three-time Tony Award winner James Earl Jones, star in 1988’s Pulitzer Prize-winner for Drama. Driving Miss Daisy is Alfred Uhry’s tale that follows the complicated friendship between a feisty Jewish widow and her Black chauffeur in mid-century Atlanta over the course of 20 years.

To celebrate the millionth copy sold of Howard Zinn's A People's History of the United States, Zinn drew on the words of Americans - some famous, some little known - across the range of American history. These words were read by a remarkable cast at an event held at the 92nd Street Y in New York City that included James Earl Jones, Alice Walker, Kurt Vonnegut, Alfre Woodard, Marisa Tomei, Danny Glover, Harris Yulin, Andre Gregory, and others.

Legendary actor James Earl Jones lends his eloquent voice to this dramatic version of one of the most popular stories of all time, with a dynamic, breathtaking score composed, produced, and performed by Grammy-winner Stewart Copeland (of The Police).

In the mid-1950s, the House Un-American Activities Committee began investigating the communist influence in the entertainment industry. This searing docudrama from actual transcripts of the hearings reveals how decent people were persuaded to "name names", and the steep price paid by those who refused.

This star-studded rendition of Ogden Nash's humorous verses backed by a full-orchestra performance of Saint-Saens' Carnival of the Animals will surely delight adults and children of all ages.