African American Anthology

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

Cleis Press's Best Lesbian Erotica and Best Women's Erotica series top bestseller lists, raising and exceeding the standards and expectations of readers of erotic fiction with each new edition. Now the African-American women's erotica market will discover the same level of literate, provocative sex writing in this debut collection of a new series. Best Black Women's Erotica showcases the hottest, most arousing, and most surprising erotic literature by African-American women writers.

Some of the best-known and most influential pieces of crime fiction have been from African American writers. Be it Walter Mosley's great Detective Easy Rawlins, or the mean streets of Harlem at the hands of Chester Himes, the stories and characters in this anthology have shaped the mystery genre with their own unique viewpoints and styles. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.

In Holler, Child’s eleven brilliant stories, LaToya Watkins presses at the bruises of guilt, love, and circumstance. Each story introduces us to a character irrevocably shaped by place and reaching toward something—hope, reconciliation, freedom. In “Cutting Horse,” the appearance of a horse in a man’s suburban backyard places a former horse breeder in trouble with the police. In “Holler, Child,” a mother is forced into an impossible position when her son gets in a kind of trouble she knows too well from the other side.

Carl Weber brings the best of urban street lit authors together, all telling their own dramatic tales of life in the streets in known cities across the USA. The second installment continues with Treasure Hernandez telling the tale of the Dirty South.

Transgressive, foulmouthed, and brutally funny, Brontez Purnell’s 100 Boyfriends is a revelatory spiral into the imperfect lives of queer men desperately fighting the urge to self-sabotage. As they tiptoe through minefields of romantic, substance-fueled misadventure - from dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama - Purnell’s characters strive for belonging in a world that dismisses them for being Black, broke, and queer. In spite of it - or perhaps because of it - they shine.

For over thirty years, The Journey Prize Stories has consistently introduced audiences to the next generation of great Canadian writers. The 33rd edition of Canada's most prestigious annual fiction anthology proudly continues this tradition by celebrating the best emerging Black writers in the country, as selected by a jury comprising internationally acclaimed, award-winning writers David Chariandy, Esi Edugyan, and Canisia Lubrin.

The stories in Five-Carat Soul - none of them ever published before - spring from the place where identity, humanity, and history converge. They’re funny and poignant, insightful and unpredictable, imaginative and authentic - all told with McBride’s unrivaled storytelling skill and meticulous eye for character and detail. McBride explores the ways we learn from the world and the people around us. An antiques dealer discovers that a legendary toy commissioned by Civil War General Robert E. Lee now sits in the home of a black minister in Queens.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

From the universally acclaimed author of Breath, Eyes, Memory and Krik? Krak!, a brilliant, deeply moving work of fiction that explores the world of a "dew breaker", a torturer, a man whose brutal crimes in the country of his birth lie hidden beneath his new American reality.

Zane’s erotic writing has captivated a legion of fans. Her previous short story collection not only became a best seller but also delivered fully on its promise—exploding the myth that men are more sexual in nature than women and that African American women are particularly inhibited. This second volume of Sex Chronicles is Zane’s hottest collection yet. Smart, witty, and extremely sexy, these stories are tailored to women—but perfect for lovers to share.

Like Gloria Naylor’s The Women of Brewster Place, Sidik Fofana’s electrifying collection of eight interconnected stories showcases the strengths, struggles, and hopes of one residential community in a powerful storytelling experience. Each short story follows a tenant in the Banneker Homes, a low-income high rise in Harlem where gentrification weighs on everyone’s mind. We root for these characters and more as they weave in and out of each other’s lives, endeavoring to escape from their pasts and blaze new paths forward for themselves and the people they love.

A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver’s insightful stories reverberate into the present day.

A finalist for the National Book Award, Lost in the City features 15 poignant short stories, each set in Washington, D.C. Far removed from marble monuments and the offices of rich politicians, the nation's capital that Jones captures is inhabited by self-willed African-Americans struggling to live their lives as best they can.

In a daring and fierce debut work of fiction - the likes of which comes along once in a generation - Virginia’s landscapes, emblems, and Thomas Jefferson’s historic plantation set the stage for a cast of unforgettable characters fighting for their right to exist in America. Jocelyn Nicole Johnson’s precisely imagined debut explores burdened inheritances and extraordinary pursuits of belonging.

Shannon Sanders’s sparkling debut brings us into the company of the Collins family and their acquaintances as they meet, bicker, compete, celebrate, worry, keep and reveal secrets, build lives and careers, and endure. Moving from Atlantic City to New York to DC, from the 1960s to the 2000s, from law students to drag performers to violinists to matriarchs, Company tells a multifaceted, multigenerational saga in thirteen stories.

When Desa Rae Jenkins ended her tumultuous relationship with Roc, it seemed like the appropriate thing to do; but now she's second-guessing her decision. Roc moved away to Kansas City, leaving street life back in St. Louis up to the brothas who can handle it. He continues to live his life on the edge, though, and when he returns to St. Louis, Desa Rae shows up at his doorstep to reconcile. Roc is reluctant to go there with the one woman who ripped his heart from his chest.

There's a saying in Brooklyn that if you come from my part of town, you're from around the way. Around the Way Girls is a fast-paced look at the life of some street-smart women who think they know it all but are about to get the lessons of their lives.

Urban Books' popular Girls from da Hood series is back, bringing listeners more dramatic tales about the lives of some tough, resourceful women who can hold their own when things get rough on the streets. This time, Redd, Nikki-Michelle, and Erick S. Gray deliver the stories with their trademark flair. Like a hood-rich Bonnie and Clyde, Candy and Raynail have their hands on all of the drugs that run through the veins of Westwood. When Raynail is set up to take the fall for a crime he didn't commit, Candy goes on a mission to take down everyone involved.

Finally available after three decades, a lost classic of the Harlem Renaissance that Langston Hughes acclaimed for its "hard poetic beauty". Eric Walrond (1898 - 1966), in his only book, injected a profound Caribbean sensibility into black literature. His work was closest to that of Jean Toomer and Zora Neale Hurston with its striking use of dialect and its insights into the daily lives of the people around him.