African American English

Born to a poor couple who were tenant farmers on a plantation in Mississippi, Anne Moody lived through some of the most dangerous days of the pre-civil rights era in the South. The week before she began high school came the news of Emmet Till's lynching. Before then, she had "known the fear of hunger, hell, and the Devil. But now there was…the fear of being killed just because I was black." In that moment was born the passion for freedom and justice that would change her life.

When souls are tied, it's never goodbye. A boy I was that summer evening I met you, pulling your belongings out of the truck and into your new home. I knew it was love then. A whole man I was the day that you met me at the altar and agreed to love me until death do us part. A shell of a man I've become since it did, unable to move on, move forward, or progress in any way until I discovered that not even death was permanent enough to keep us apart. A better man I'm destined to be, knowing that, at some capacity, you're still with me. Our love is one that never dies.

A collection of Christmas stories written by African American journalists, activists, and writers from the late 19th century to the modern civil rights movement. This landmark collection features writings from well-known black writers, activists, and visionaries such as Pauline Hopkins, Langston Hughes, and John Henrik Clark along with literary gems from rediscovered writers. Originally published in African American newspapers, periodicals, and journals between 1880 and 1953, these enchanting Christmas tales are part of the black literary tradition that flourished after the Civil War.

The stark grief of a brother mourning a brother opens this novel with a stunning, unforgettable experience. Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that inflames his nonfiction work.

Desire raises the stakes - and the danger. This collection includes Desperate Housewife, Sinful, and L.A. Confidential.

Maddie and Theo have two things in common: 1. Alexa is their best friend. 2. They hate each other. After an "oops, we made a mistake" night together, neither one can stop thinking about the other. With Alexa's wedding rapidly approaching, Maddie and Theo both share bridal party responsibilities that require more interaction with each other than they're comfortable with.

A chorus of extraordinary voices comes together to tell one of history’s great epics: the 400-year journey of African Americans from 1619 to the present - edited by Ibram X. Kendi, author of How to Be an Antiracist, and Keisha N. Blain, author of Set the World on Fire.

Teenage beauty Johnnie Wise has seen her share of hardship. Sold into prostitution at an early age, she is an accessory to a murder that sparks terrible race riots. Her boyfriend, Lucas, wants to give her a better life, but Johnnie has a powerful effect on men, and gangster Napoleon Bentley will stop at nothing to have her.

From the outside looking in, the residents of Sand Cove are perfect, but their countless secrets and lies are under the guise of expensive perfumes and honey-sweet smiles. Summer has come around again, yet it doesn't feel like summer. The sky isn't blazed in blue, and the sun isn't a celebration of oranges and yellows. It has been eight months since Luca Moretti's murder, and Agent Tyler must deal with the fact that Luca's murder may never be solved.

Dontay Walker had it rough growing up in the projects with a drug-addicted mother who forced him to become a man at the young age of 15. His father was a rolling stone, having multiple children with many women. Dontay always fought for his father's attention - until taking his spot became more important than gaining his love. Now, at the age of 30, Don is the leader of one of the most successful and most feared drug organizations in the city of Philadelphia.

Kayla, Evelyn, and Trina have been on-and-off-again girlfriends for many years, but the lines of true friendship will be crossed, the knives that go into another friend's back will cut deep, trust will not apply, and no one will share their dirty little secrets. With enough backstabbing, finger-pointing, and disrespect to go around, this trio sticks to their motto of "What she can do, I can do better; and whatever she has, I want a piece of it too." Much competition is thrown in the mix, and jealousy is so thick that there will be no place for anyone to run when the mess hits the fan.

When David first hears the Senator from Illinois speak, he feels deep ambivalence. Intrigued by the Senator’s idealistic rhetoric, David also wonders how he’ll balance the fervent belief and inevitable compromises it will take to become the United States’ first Black president. Great Expectations is about David’s eighteen months working for the Senator's presidential campaign.

At the height of the ideological antagonism of the Cold War, the US State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

In this anthology, Black Queer Feminist editors Cara Page and Erica Woodland guide listeners through the history, legacies, and liberatory practices of healing justice—a political strategy of collective care and safety that intervenes on generational trauma from systemic violence and oppression. They call forth the ancestral medicines and healing practices that have sustained communities who have survived genocide and oppression, while radically imagining what comes next.

Summer 1995: Ten-year-old Joan, her mother, and her younger sister flee her father’s explosive temper and seek refuge at her mother’s ancestral home in Memphis. This is not the first time violence has altered the course of the family’s trajectory. Half a century earlier, Joan’s grandfather built this majestic house in the historic Black neighborhood of Douglass—only to be lynched days after becoming the first Black detective in the city. Joan tries to settle into her new life, but family secrets cast a longer shadow than any of them expected.

In the stunning first novel in Marlon James' Dark Star trilogy, myth, fantasy, and history come together to explore what happens when a mercenary is hired to find a missing child. Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy.

Aspiring hairstylist, Logan Taylor, has put her dreams on hold to see her sister through school, per her parents' last wishes. Stressed and working two jobs—barely making ends meet and on the brink of burnout, she's faced with no other choice; get another job and hope things let up… soon.

Smartly dressed and smiling, Canada’s black train porters were a familiar sight to the average passenger - yet their minority status rendered them politically invisible, second-class in the social imagination that determined who was and who was not considered Canadian. Drawing on the experiences of these influential black Canadians, Cecil Foster’s They Call Me George demonstrates the power of individuals and minority groups in the fight for social justice and shows how a country can change for the better.

Some of the best-known and most influential pieces of crime fiction have been from African American writers. Be it Walter Mosley's great Detective Easy Rawlins, or the mean streets of Harlem at the hands of Chester Himes, the stories and characters in this anthology have shaped the mystery genre with their own unique viewpoints and styles. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview 86-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage 50 years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile.