African American Families

Loretha Curry’s life is full. A little crowded sometimes, but full indeed. On the eve of her 68th birthday, she has a booming beauty-supply empire, a gaggle of lifelong friends, and a husband whose moves still surprise. True, she’s carrying a few more pounds than she should be, but Loretha is not one of those women who think her best days are behind her - and she’s determined to prove wrong her mother, her twin sister, and everyone else with that outdated view of aging wrong. It’s not all downhill from here.

All hell has broken loose, and the McPhearson clan is right in the middle of the chaos. After finding out their beloved foster mother, Claudette McPhearson, was anything but the sweet old woman they thought her to be, Javon, Shanelle, and the rest of their siblings hit the ground running in order to keep the Syndicate operating and to keep themselves alive. That also means they have to lose some of the people they love the most.

Family ties no longer bind the once close King siblings, Zach and Jay. Their desire for the same woman transforms them from loving brother and sister to bitter arch rivals. Jamaican beauty Jillian Bessette is Jay's lover, but Zach's uncontrollable yearning to have her overpowers him, causing him to commit the ultimate act of betrayal against his flesh and blood. For his sin, Jay orders a hit on her brother, but her plan for revenge backfires, and she is exposed. Her only way to avoid justice is to flee. In exile, Jay's hatred and resentment for Zach and Jill consumes her every waking moment.

From the time he was a boy in Georgia, LC Duncan, patriarch and leader of the Duncan clan, has battled racism. Even now that he and his family are truly successful, the racism can still be in-your-face. Maybe it's the political climate or perhaps it's just bad timing, but LC and the rest of the Duncans are being challenged by the ultimate power-hungry racist, Sheriff KD Shrugs.

At 40, Lena Baker is at a steady and stable moment in life—between wine nights with her two best friends and her wedding just weeks away, she’s happy in love and in friendship—until a confession on her wedding day shifts her world.

The Warmest December is the incredibly moving story of one Brooklyn family and the alcoholism that determined years of their lives. Narrated by Kenzie Lowe, a young woman reminiscent of Jamaica Kincaid's Annie John, as she visits her dying father and finds that choices she once thought beyond her control are very much hers to make.

When she was twenty-six and broke, Skye didn’t think twice before selling her eggs and happily pocketing the cash. Now approaching forty, Skye still moves through life entirely—and unrepentantly—on her own terms, living out of a suitcase and avoiding all manner of serious relationships. Maybe her junior high classmates weren’t wrong when they voted her “Most Likely to Be Single” instead of “Most Ride-or-Die Homie,” but at least she’s always been free to do as she pleases.

When the seventh child of the Peace family, named Perfect, turns eight, her mother, Emma Jean, tells her bewildered daughter, "You was born a boy. I made you a girl. But that ain't what you was supposed to be. So from now on, you gon' be a boy. It'll be a little strange at first, but you'll get used to it, and this'll be over after while." From this point forward, his life becomes a bizarre kaleidoscope of events. Meanwhile, the Peace family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

He's the type of man she should be running far away from. A man she has no business getting tangled with personally. And still, she wants him and all the intoxicating ways of his wild world. Giving away his heart was never part of the deal when it came to women. It was only supposed to be about pleasure. Nothing else and nothing more. He's in for a rude awakening when his world collides with a woman as bold, assertive, and determined as he is.

Set in Mississippi at the height of the Depression, this is the story of one family's struggle to maintain their integrity, pride, and independence in the face of racism and social injustice. And it is also Cassie's story - Cassie Logan, an independent girl who discovers over the course of an important year why having land of their own is so crucial to the Logan family, even as she learns to draw strength from her own sense of dignity and self-respect.

When Nate suggests that they attempt to be the first Black American men to summit Mount Everest, his younger brother Dixon can’t refuse. The two are determined to prove something—to themselves and to each other. Dixon interrupts his orderly life as a school psychologist, leaving behind disapproving friends, family, and one particularly fragile student. Once on the mountain, Nate and Dixon are met with extreme weather conditions, oxygen deprivation, and precarious terrain. But as much as they’ve prepared for this, Mt. Everest is always fickle.

In this season of giving, love is in the air for the Rose and Valentine families. Because of the addition of in-laws, they both are in pursuit of new land and developments to build lasting memories with the ones they hold dear. So when they submit bids against one another, their rivalry heats to a level that will bring them to a head; until they both become outbid by a new competitor. On the heels of a love affair brewing, the need for a partnership arises that may shut down the foundation of their feud permanently, or possibly, extend it.

Stanford Solomon’s shocking, 30-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole the identity of his best friend. Stanford Solomon is actually Abel Paisley. And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead.

The year is 1978. The Duncan brothers and their tough-as-nails women have vanquished their rivals and taken their place as the leaders of Waycross, Georgia's criminal enterprises. However, their rise to power has not gone unnoticed, and the family is rocked when their mother, Miss Bettie, is kidnapped and her body is found in a swamp. No one knows who the killers are, but instead of drawing closer, the family is split when their grief-stricken leader, LC, is offered membership in the South's most powerful black organization, the Council.

Courtney Cooper and Jupiter Sanchez (Coop & Jupe!) have been next-door neighbors and best friends since they were seven years old. She's his partner in crime and other half. But lately, Cooper can't ignore he might want something more than friendship from Jupiter. When Rae Chin moves to town she can't believe how lucky she is to find Coop and Jupe. Being the new kid is usually synonymous with pariah, but around these two, she finally feels like she belongs. She's so grateful she wants to kiss him...and her.

A child's concept of race is quite different from that of an adult. Young children perceive skin color as magical - even changeable - and are incapable of understanding adult prejudices. Just as children learn to walk and talk, they likewise come to understand race in a series of predictable stages. Based on Marguerite A. Wright's research and clinical experience, I'm Chocolate, You're Vanilla teaches us that the color-blindness of early childhood can, and must, be taken advantage of in order to guide the positive development of a child's self-esteem.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

Maleeka Madison is a dark skinned African-American girl. She feels uncomfortable and wishes she had lighter skin. When her teacher, Miss Saunders, who suffers from a rare skin condition, shows that there is more to people than the color of their skin, Maleeka learns to appreciate and accept who she truly is.

At the age of 12, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know and a legacy of shame that can be healed only when she returns to Haiti - to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence in a novel that bears witness to the traditions, suffering, and wisdom of an entire people.