African American Family Fiction

Lucas has been in the fight against the evil forces in his town since the beginning, but he is tired of feeling like an outsider. When the start of high school presents Lucas with options beyond D&D and being bullied, he wonders if he can be more than invisible. After connecting with one of the few other Black students at school, Lucas starts to learn more about himself apart from his friend group. And he begins to understand himself as a Black teen in Hawkins, which feels unlike anything—in this world or any other—he’s ever experienced.

In Trinidad, in 1796, teenage Rosa Rendon quietly but purposefully rebels against typical female roles and behavior. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house - it is obvious her talents lie in running the farm she expects to be her birthright, despite her two older siblings. But as her homeland goes from Spanish to British rule, it becomes increasingly unclear whether its free black property owners - Rosa's family among them - will be allowed to keep their assets, their land, and ultimately, their freedom.

Set in Mississippi at the height of the Depression, this is the story of one family's struggle to maintain their integrity, pride, and independence in the face of racism and social injustice. And it is also Cassie's story - Cassie Logan, an independent girl who discovers over the course of an important year why having land of their own is so crucial to the Logan family, even as she learns to draw strength from her own sense of dignity and self-respect.

A collection of Christmas stories written by African American journalists, activists, and writers from the late 19th century to the modern civil rights movement. This landmark collection features writings from well-known black writers, activists, and visionaries such as Pauline Hopkins, Langston Hughes, and John Henrik Clark along with literary gems from rediscovered writers. Originally published in African American newspapers, periodicals, and journals between 1880 and 1953, these enchanting Christmas tales are part of the black literary tradition that flourished after the Civil War.

Light-skinned Selina Standish lives a life of emotional pain and torment. In 1906, at the age of eight, she is convinced by her mother, actress Lavinia Standish, the daughter of a slave, to pass as white. Although Selina yields to her mother's insistence to pass, she refuses to cut ties completely with her Negro relatives, including her twin brother, a child her mother deems too dark. However, at age 17, in the year 1915, Selina meets wealthy Southerner Jack Cosgrove, the man of her dreams. Keeping her ancestry a secret, Selina is conflicted by Jack's negative attitude toward her race.

New York Times best-selling author Carl Weber and award-winning novelist Eric Pete team up to deliver the first in a much-anticipated new trilogy. The Family Business features two times the heat, two times the fun, and two times the drama as the members of an unforgettable family (not to mention their lovers and hangers-on) find their way in and out of trouble. As their many fans will attest, Weber and Pete share a talent for penning juicy fiction that their audience can’t get enough of.

She's smart, gorgeous, and mysterious. For business executive Nathan Carver, a man with everything, Jessica Bolton is the first woman he can't simply charm, buy, or seduce. And even before Jessica gets a taste of his luxurious lifestyle and irresistible moves, she's determined to eliminate the competition and become this handsome bachelor's one and only. But Jessica's deceptive allure is just the beginning.

Stanford Solomon’s shocking, 30-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole the identity of his best friend. Stanford Solomon is actually Abel Paisley. And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead.

At the age of 12, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know and a legacy of shame that can be healed only when she returns to Haiti - to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence in a novel that bears witness to the traditions, suffering, and wisdom of an entire people.

When she was twenty-six and broke, Skye didn’t think twice before selling her eggs and happily pocketing the cash. Now approaching forty, Skye still moves through life entirely—and unrepentantly—on her own terms, living out of a suitcase and avoiding all manner of serious relationships. Maybe her junior high classmates weren’t wrong when they voted her “Most Likely to Be Single” instead of “Most Ride-or-Die Homie,” but at least she’s always been free to do as she pleases.

Family ties no longer bind the once close King siblings, Zach and Jay. Their desire for the same woman transforms them from loving brother and sister to bitter arch rivals. Jamaican beauty Jillian Bessette is Jay's lover, but Zach's uncontrollable yearning to have her overpowers him, causing him to commit the ultimate act of betrayal against his flesh and blood. For his sin, Jay orders a hit on her brother, but her plan for revenge backfires, and she is exposed. Her only way to avoid justice is to flee. In exile, Jay's hatred and resentment for Zach and Jill consumes her every waking moment.

Five years ago, Orlando Duncan created the perfect drug in HEAT. It made the Duncans more than two hundred and fifty million dollars and was on its way to making them billionaires. However, they abruptly stopped manufacturing the drug when it was proven to cause cancer in rats. When Orlando is awakened by an alarm in his old lab, he discovers that not only have all his computers, equipment, and notes been stolen, but the robbers have also taken over a million tabs of HEAT that he’d left behind for future experiments—tabs that he had sworn to his family he would destroy.

It’s 2008, and the inauguration of President Barack Obama ushers in a new kind of hope. In Chicago, Ruth Tuttle, an Ivy-League educated Black engineer, is married to a kind and successful man. He’s eager to start a family, but Ruth is uncertain. She has never gotten over the baby she gave birth to—and was forced to leave behind—when she was a teenager. She had promised her family she’d never look back, but Ruth knows that she must make peace with the past. Returning home, Ruth discovers the Indiana factory town of her youth is plagued by unemployment, racism, and despair.

Momma drama takes over the Duncan clan, as there is still uncertainty about who has fathered the Duncan sisters' new babies. Meanwhile, Orlando Duncan, the family's new CEO and a man with his own baby momma problems, has just developed a new product that may make the millionaire Duncans into billionaires. Orlando only has one obstacle in front of him, and it's not law enforcement or one of his family's many rivals. It's his mother, because she's making the family take sides. Can a civil war within the Duncan family be averted before it tears them apart?

Niles has just returned from eight years of serving his country as a Special Forces sniper. He's looking forward to a consulting job with Dynamic Defense and spending time with his family, including his bipolar mother, Lorna, and his hard-drinking uncle, Willie. What Niles doesn't know is that Dynamic Defense is actually a CIA front. He's not interested in joining them, but they won't take no for an answer.

With The Interruption of Everything, her sixth novel, Terry McMillan takes on the fault lines of mid-life and family life, reminds us once again of the redeeming power of friendship, and turns her eye toward the dilemma of how a woman starts to put her own needs higher on the to-do list while not shortchanging everyone else.

This stirring coming-of-age tale unfolds in 1930s rural Kansas. A poignant portrait of African-American family life in the early twentieth century, it follows the story of young Sandy Rogers as he grows from a boy to a man. We meet Sandy's mother, Annjee, who works as a housekeeper for a wealthy white family; his strong-willed grandmother, Hager; Jimboy, Sandy's father, who travels the country looking for work; Aunt Tempy, the social climber; and Aunt Harriet, the blues singer who has turned away from her faith.

Babe is a charismatic and widely loved man, a gambler with a gift for gab that often gets him out of tricky situations. He’s also a dreamer, something he shares with his patient and loving wife, Rosie. They both yearn for financial stability and see the land they own as insurance for future generations. But when Babe and a few comrades enlist in a scheme that improbably falls apart, he endangers the little security the family has. On the verge of losing everything, what’s a family man to do? If you’re a gambler like Babe, you double down and risk it all for one big score.

When the Watson family—ten-year-old Kenny, Momma, Dad, little sister Joetta, and brother Byron—sets out on a trip south to visit Grandma in Birmingham, Alabama, they don’t realize that they’re heading toward one of the darkest moments in America’s history. The Watsons’ journey reminds us that even in the hardest times, laughter and family can help us get through anything.

It’s the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that’s not the only reason Diamond stands out: she’s teased relentlessly about her weight, and since Pop’s been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so that they can collect his life insurance money, get their house back from the bank, and finally move on.