African American Literature Fiction

Gujaareh, the city of dreams, suffers under the imperial rule of the Kisuati Protectorate. A city where the only law was peace now knows violence and oppression. And nightmares. A mysterious and deadly plague haunts the citizens of Gujaareh, dooming the infected to die screaming in their sleep. Trapped between dark dreams and cruel overlords, the people yearn to rise up - but Gujaareh has known peace for too long. Someone must show them the way. Hope lies with two outcasts.

Thirty years ago, Amelia Vaux Tanner and her husband built a house high on the bluffs, a cottage they named Chateau Laveau. For decades, “Ama” played host to American presidents, Wall Street titans, and cultural icons. But her favorite guests have always been her three “goddaughters”: Esperanza “Perry” Soto, a beautiful, talented Afro-Latina lawyer with Ama’s strong, yet guarded personality; Olivia Jones, a gifted Wall Street analyst with Ama’s brilliant, logical mind; and Billie Hayden, a gifted marine biologist and rule-breaker with Ama’s courageous free spirit.

The blood spilled between the Republic of Mareen and the armies of the Blood Emperor long ago. The blood gifts of Mareen’s deadliest enemies. The blood that runs through the elite War Houses of Mareen, the rulers of the Tribunal dedicated to keeping the republic alive.

In these gorgeously written and timely pieces, prizewinning poet and author Gay considers the joy we incite when we care for each other, especially during life’s inevitable hardships. Throughout Inciting Joy, he explores how we can practice recognizing that connection, and also, crucially, how we can expand it. Taking a clear-eyed look at injustice, political polarization, and the destruction of the natural world, Gay shows us how we might resist, how the study of joy might lead us to a wild, unpredictable, transgressive, and unboundaried solidarity. In fact, it just might help us survive.

Joe King Oliver’s beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She’s lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B’s pure ask has opened King’s heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man—a man defined by women, a man protected by women, a man he wants to know.

In Paradise - her first novel since she was awarded the Nobel Prize for Literature - Toni Morrison gives us a bravura performance. As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of "the one all-black town worth the pain", assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void.

Since a nuclear war decimated the human population, the remaining humans began to rebuild their future by interbreeding with an alien race—the Oankali—who saved them from near-certain extinction. The Oankalis' greatest skill lies in the species' ability to constantly adapt and evolve, a process that is guided by their third sex, the ooloi, who are able to read and mutate genetic code. Now, for the first time in the humans' relationship with the Oankali, a human mother has given birth to an ooloi child: Jodahs. Throughout his childhood, Jodahs seemed to be a male human-alien hybrid.

Raymond Jaffe feels like he doesn’t belong. Not with his mother’s new family. Not as a weekend guest with his father and his father’s wife. Not at school, where he’s an outcast. After his best friend moves away, Raymond has only two real connections: to the feral cat he’s tamed and to a blind ninety-two-year-old woman in his building who’s introduced herself with a curious question: Have you seen Luis Velez?

Blanche White returns to Farleigh, North Carolina for the summer to help her best friend with her catering business. It's a homecoming rich with the potential for new romance and fraught with the pain of facing the man who raped her at knife-point years ago but was never prosecuted for the crime. Shortly after Blanche arrives, a young woman is murdered and the clues point to the rapist. Blanche investigates, determined not to let him get away with another crime...nor is she willing to let his money-hungry sister marry a sweet, mentally-challenged man for his wealth.

When someone asks you to spend your life with him, it shouldn't come as a surprise - or happen in front of 45,000 people. When freelance writer Nikole Paterson goes to a Dodgers game with her actor boyfriend, his man bun, and his bros, the last thing she expects is a scoreboard proposal. Saying no isn't the hard part - they've only been dating for five months, and he can't even spell her name correctly. The hard part is having to face a stadium full of disappointed fans....

Jimmy Lee Hickam grew up along Red Dog Road, a dead-end strip of gravel and mud buried deep in the bowels of Appalachian Ohio. It is the poorest road, in the poorest county, in the poorest region of the state. To make things worse, the name Hickam is synonymous with trouble. Jimmy Lee hails from a heathen mix of thieves, moonshiners, drunkards, and general anti-socials that for decades have clung to both the hardscrabble hills and the iron bars of every jail cell in the region. This life, Jimmy Lee believes, is his destiny, someday working with his drunkard father at the sawmill, or sitting next to his arsonist brother in the penitentiary.

Finding love in the club wasn't working for Soraya after she dumped her ex for going to jail, so she tries to find love online. Thousands of women have found love with a simple click of the mouse, and she wants to test it out for herself. Just when Soraya thinks that spending hours online looking for a man is a complete waste of time, she finds YoungGucci90's profile. Looking at his hazel eyes in his pictures, she falls in love instantly. Though her roommate is convinced that he's a catfish, Soraya sees him at a concert. Fast romance blossoms and everything seems to be too good to be true.

Canisia Lubrin's debut fiction is that rare work of art—a brilliant, startlingly original book that combines immense literary and political force. Its structure is deceptively simple: it departs from the infamous real-life “Code Noir,” a set of historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original Code had fifty-nine articles; Code Noir has fifty-nine linked fictions—vivid, unforgettable, multi-layered fragments filled with globe-wise characters who desire to live beyond the ruins of the past.

With smoking hot hits like Lies Lovers Tell and What Love Tastes Like to her credit, Zuri Day has built a considerable fanbase for her scorching contemporary romances. When 40-year-old teacher Gwen Smith travels home to care for her sick mother, she meets a potential new mate who makes her head spin. A “black Fabio,” 26-year-old Ransom Blake knows his way around the bedroom—and he’s about to take Gwen back to school for some lust lessons.

The Earth barely survived the Third World War. It isn’t ready for the War of the Worlds. A beam of pure Chaos has descended on the Earth connecting it to the Labyrinth Universe. Monsters will spawn, heroes will level and nations will fall. Chaos will Awaken!

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

Someday, Maybe is a stunning, witty debut novel about a young woman’s emotional journey through unimaginable loss, pulled along by her tight-knit Nigerian family, a posse of friends, and the love and laughter she shared with her husband.

Ifemelu—beautiful, self-assured—left Nigeria 15 years ago, and now studies in Princeton as a Graduate Fellow. She seems to have fulfilled every immigrant's dream: Ivy League education; success as a writer of a wildly popular political blog; money for the things she needs. But what came before is more like a nightmare: wrenching departure from family; humiliating jobs under a false name. She feels for the first time the weight of something she didn't think about back home: race.

It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, 17-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is 21, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth.

Olivia Jones, hard-working and accomplished, has, against the odds, blazed an enviable career path in the finance world. But behind the veneer of her success, she is mourning several devastating losses and betrayals. Untethered from her life in New York City, Olivia moves to a summer home in The Hamptons. Here, Olivia finds a close-knit community of African American elites who escape New York City for the beautiful beaches of the Hamptons. Since the 1930s, very few have known about this Historically Black Beachfront Community, and the residents like it that way.