African American Literature Fiction

A collection of Christmas stories written by African American journalists, activists, and writers from the late 19th century to the modern civil rights movement. This landmark collection features writings from well-known black writers, activists, and visionaries such as Pauline Hopkins, Langston Hughes, and John Henrik Clark along with literary gems from rediscovered writers. Originally published in African American newspapers, periodicals, and journals between 1880 and 1953, these enchanting Christmas tales are part of the black literary tradition that flourished after the Civil War.

Yoshi Lomax loves playing dirty. She'll do whatever it takes to win a case - including bribing cops, sleeping with her superiors, and convincing her DEA pals to make evidence disappear. But when Yoshi runs out of tricks while defending a Haitian mob boss, the gangster makes one thing clear: Yoshi either wins the case or loses her life.

In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjurer who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root.

From Richard Wright comes a compelling story of one man's attempt to escape his past and start anew in Harlem. Cross Damon is a man at odds with society and with himself—a man of superior intellect who hungers for peace but who brings terror and destruction wherever he goes. The Outsider is an important work of fiction that depicts American racism and its devastating consequences in raw and unflinching terms. Brilliantly imagined and frighteningly prescient, it is an epic exploration of the tragic roots of criminal behavior.

For years, young Mud and her family have roamed the high grasses, swamps, and deserts of the sub-Sahara. Now the earth is scorched by drought, and the mutilated bodies of family and friends lie scattered on the ground, shot down by ivory hunters. Nothing - not the once familiar terrain, or the age-old rhythms of life, or even memory itself - seems reliable anymore. Yet a slim prophecy of hope is passed on from water hole to water hole: the sacred white bone of legend will point the elephants toward the Safe Place.

Harriet Ann Jacob's autobiography documents her life as a slave and how she attained freedom for herself and her children. Harrowing in its descriptions of sexual abuse, Jacob's slave narrative is notable for the appeal it made to abolitionist women to open their eyes to the realities of slavery. Deemed too shocking for reading audiences at the time, the book was shelved before it was published in 1861 near the start of the Civil War.

Kimera Davis finds comfort in dating married men. It's easier that way. Her needs are taken care of, and she doesn't have to give more of herself than she wants to. No messy feelings involved. But when the man she's seeing poses an unexpected question, Kimera quickly realizes she's not the only woman pulled in by his charm. Their new arrangement doesn't require much from Kimera, but she soon discovers someone else is pulling the strings. She's not looking for complications, yet she can't help feeling there's something devious at play.

Blanche White returns to Farleigh, North Carolina for the summer to help her best friend with her catering business. It's a homecoming rich with the potential for new romance and fraught with the pain of facing the man who raped her at knife-point years ago but was never prosecuted for the crime. Shortly after Blanche arrives, a young woman is murdered and the clues point to the rapist. Blanche investigates, determined not to let him get away with another crime...nor is she willing to let his money-hungry sister marry a sweet, mentally-challenged man for his wealth.

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made - and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests.

Yejide and Akin have been married since they met and fell in love at university. Though many expected Akin to take several wives, he and Yejide have always agreed: Polygamy is not for them. But four years into their marriage - after consulting fertility doctors and healers, trying strange teas and unlikely cures - Yejide is still not pregnant. She assumes she still has time - until her family arrives on her doorstep with a young woman they introduce as Akin's second wife.

In Paradise - her first novel since she was awarded the Nobel Prize for Literature - Toni Morrison gives us a bravura performance. As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of "the one all-black town worth the pain", assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void.

Dark, lanky, and bald, New York-raised photographer Sabre Cumberbatch can’t tell if she’s highly talented or just highly Instagrammable. Up to here with art critics and their gaseous praise, Sabre returns to Barbados, her childhood island home, to water her roots. She needs to quell self-doubt by doing something—anything—profoundly important. Welcoming her with bejeweled open arms is her aunt Aggie, a fearsome high-society attorney eager to show off her famous American niece. When Sabre witnesses Aggie unleash her wrath on the household staff over a minor mistake, Sabre finds her cause.

In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith's signature voice - inquisitive, lyrical, and wry - turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence.

She's smart, gorgeous, and mysterious. For business executive Nathan Carver, a man with everything, Jessica Bolton is the first woman he can't simply charm, buy, or seduce. And even before Jessica gets a taste of his luxurious lifestyle and irresistible moves, she's determined to eliminate the competition and become this handsome bachelor's one and only. But Jessica's deceptive allure is just the beginning.

Successful marketing executive Kemi Adeyemi is lured from the US to Sweden by Jonny von Lundin, CEO of the nation's largest marketing firm, to help fix a PR fiasco involving a racially tone-deaf campaign. A killer at work but a failure in love, Kemi's move is a last-ditch effort to reclaim her social life.

With smoking hot hits like Lies Lovers Tell and What Love Tastes Like to her credit, Zuri Day has built a considerable fanbase for her scorching contemporary romances. When 40-year-old teacher Gwen Smith travels home to care for her sick mother, she meets a potential new mate who makes her head spin. A “black Fabio,” 26-year-old Ransom Blake knows his way around the bedroom—and he’s about to take Gwen back to school for some lust lessons.

She's the only sister in a family of alpha males. Loved, treasured, and sheltered by her brothers, Kat McClain is working to heal the pain of a failed marriage to a man she loved from her teenage years and move on with her life, but she's a woman; she has needs, and she's understandably lonely. Tommy Kirby has protected her brother since he was barely a man and has been a silent staple in the McClain family for just as long. He loves his job, his life, and is loyal to his employer. More than anything, he wants a family of his own. Perhaps these two are exactly what the other desires.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

Jende Jonga, a Cameroonian immigrant living in Harlem, has come to the United States to provide a better life for himself; his wife, Neni; and their six-year-old son. In the fall of 2007, Jende can hardly believe his luck when he lands a job as a chauffeur for Clark Edwards, a senior executive at Lehman Brothers. Clark demands punctuality, discretion, and loyalty - and Jende is eager to please. Clark's wife, Cindy, even offers Neni temporary work at the Edwardses' summer home in the Hamptons.

Felicia Lyons, a stressed-out stay-at-home mom, struggles to sprint ahead of the demands of motherhood while her husband spends long days at the office. Felicia taps, utters mantras, and breathes her way through most situations, but on some days, like when the children won't stop screaming her name or arguing over toy trucks and pretzel sticks, she wonders what it would be like to get in her car and drive away.