African American Short Stories

These 13 stories by the author of The Invisible Man "approach the elegance of Chekhov" ( The Washington Post) and provide "early explorations of [Ellison's] lifelong fascination with the 'complex fate' and 'beautiful absurdity' of American identity" (John Callahan).

In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness.

Side-splittingly funny, spine-chillingly spooky, this companion to a Newbery Honor - winning anthology The Dark Thirty is filled with bad characters who know exactly how to charm. From the author's note that takes us back to McKissack's own childhood when she would listen to stories told on her front porch...to the captivating introductions to each tale, in which the storyteller introduces himself and sets the stage for what follows...to the 10 entertaining tales themselves, here is a worthy successor to McKissack's The Dark Thirty.

There's a saying in Brooklyn that if you come from my part of town, you're from around the way. Well Lyric, Juicy, and Precious are all from around the way. They all live in Crown Heights, one of the most notorious sections of Brooklyn, but to them it's just a place they call home. Around the Way Girls 2 is a fast-paced look at the life of some street-smart women who think they know it all but are about to get the lessons of their lives.

Take a trip into theheart of passion as seductive samba rhythms pulse in the warm evening breezes. Escape and savor these three scintillating stories set against the beautifulbackdrop of Brazil.... Two weeks in Rio - surely that's enough time for marketing VP Sydni Lawson to forge a lucrative merger. But instead of sweet-talking real estate mogul Gabriel St. James, she's being swept away by their sizzling and unexpected attraction.

In ancient mythology, the Titan Prometheus was punished by the gods for bringing man the gift of fire - an event that set humankind on its course of knowledge. As punishment, Prometheus was bound to a rock. But in The Gift of Fire, those chains cease to be, and the great champion of man walks from that immortal prison into present-day South Central Los Angeles. Disheveled and lost, he is thrown in jail, where he meets lifelong criminal Nosome Blane....

Set in Soweto, the urban heartbeat of South Africa, Innards tells the intimate stories of everyday Black folks processing the savagery of apartheid with grit, wit, and their own distinctive bewildering humor. Rich with the thrilling textures of township language and life, it braids the voices and perspectives of an indelible cast of characters into a breathtaking collection flush with forgiveness, rage, ugliness, and beauty.

Which One Are You? is a collection of 19 short stories that deal with a variety of topics, including family, life, friends, and making choices. The stories are told from a variety of perspectives, and they offer insights into the human condition that are both thought-provoking and inspiring.

This debut collection is a complicated love letter to Washington, DC, and to those who call it home: a TSA agent who's never flown, a girl braving new worlds to play piano, and a teacher caught up in a mayoral race. These characters navigate life's "training school" - with lessons on gentrification and respectability - and fight to create their own sense of space and self.

Gutta Mamis includes four novellas featuring cold-hearted women who get ahead in America's grimiest underworld: "Twisted Loyalty" by Kai, "Three the Hard Way" by C. J. Hudson, "The Face of Death" by Brandie Davis, and "Chasers" by N'Tyse.

In Temple Folk, Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America. The ten “beautiful and vivid” (Jacqueline Woodson, National Book Award­–winning and New York Times bestselling author) stories in this collection contribute to the bounty of diverse narratives about Black life by intimately portraying the experiences of a community that resists the mainstream culture to which they are expected to accept and aspire to while functioning within the country in which they are born.

With only two hundred dollars, Unique packed her suitcase and headed to New York City for a brand-new start. It's there that Unique meets big-time boxing promoter Kennard, and it is love at first sight.... After nine months of living in the lap of luxury with Kennard, skeletons from Unique's past show up, and it will cost her a cool million dollars to keep not only her relationship but her life.... Unique isn't about to lose it all. With the help of her best friend, she devises a major heist; to pull it off all she has to do is stay alive....

Justin C. Key has long been obsessed with monsters. Reading R. L. Stine’s Goosebumps as a kid, he imagined himself battling monsters and mayhem to a triumphant end. But when watching Scream 2, in which the movie’s only Black couple is promptly killed off, he realized that the Black and Brown characters in his favorite genre were almost always the victim or villain—if they were portrayed at all.

In her dynamic debut, Halle Hill’s Good Women delves into the lives of twelve Black women across the Appalachian South. A woman boards a Greyhound bus barreling toward Florida to meet her sugar daddy’s mother; a state fair employee considers revenge on a local preacher; a sister struggles with guilt as she helps her brother plan to run away with a man he's seeing in secret; a young woman who works for a scam for-profit college navigates the lies she sells for a living.

A group of women contemplate violence after they’re sent into foreign territory to make husbands of the enemy. A support network of traumatized joggers meets to discuss the bodies they’ve found on their runs. And a town replaces its Confederate monument with a rotating cast of local residents. Slippery but muscular, sly but electric, this stunning debut collection moves from horror to magical realism to satire with total authority. In these stories, characters build and remake their sense of home, be it with one another or within themselves.

The collection contains 12 provocative tales that explore the emotional and mental terrain of a diverse cast of characters, from the innocent to the insane. In each, Jones displays her unflinching ability to dive into the most treacherous of psyches and circumstances: the title story examines the identity and relationship conundrums of a Black man who can pass for white, earning him the name “White Rat” as an infant; “The Women” follows a girl whose mother brings a line of female lovers to live in their home.

Some of the best-known and most influential pieces of crime fiction have been from African American writers. Be it Walter Mosley's great Detective Easy Rawlins, or the mean streets of Harlem at the hands of Chester Himes, the stories and characters in this anthology have shaped the mystery genre with their own unique viewpoints and styles. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.

Returning to the city that inspired his first prize-winning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens.

Established by the leaders of the country's only successful slave revolt in the mid-19th century, Cross River still evokes the fierce rhythms of its founding. In lyrical prose and singular dialect, a saga beats forward that echoes the fables carried down for generations - like the screecher birds who swoop down for their periodic sacrifice, and the water women who lure men to wet deaths.

In Look For Me and I’ll Be Gone, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that - despite knowing better, despite its own laws, despite experiencing for hundreds of years the deadly perils and heartbreak of racial division - encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior.