American Century

A blend of Manhunt, Killing Pablo, and Zero Dark Thirty, this sensational investigative high-tech thriller - soon to be a major motion picture from Sony - chronicles a riveting chapter in the 20th-century drug wars: the exclusive inside story of the American lawman and his dangerous eight-year hunt that captured El Chapo - the world's most wanted drug kingpin who evaded the law for more than a decade.

Nothing Like It in the World is the story of the men who built the transcontinental railroad. In Ambrose's hands, this enterprise comes to life. The U.S. government pitted two companies - the Union Pacific and the Central Pacific railroads - against each other in a race for funding, encouraging speed over caution. As its peak the work force approached the size of Civil War armies, with as many as 15,000 workers on each line. The surveyors, the men who picked the route, lived off buffalo, deer, and antelope.

The fascinating true story of how a group of visionary attorneys helped make American business synonymous with big business and Wall Street the center of the financial world.

The twentieth century was the managerial century in the United States. An organizational transformation, from entrepreneurial to managerial capitalism, brought forth what became a dominant narrative: that administrative coordination by trained professional managers is essential to the efficient running of organizations both public and private. And yet if managerialism was the apotheosis of administrative efficiency, why did both its practice and the accompanying narrative lie in ruins by the end of the century?

A revelatory new translation of the playful, incomparable masterpiece of one of the greatest Black authors in the Americas....

La historia de amor entre la joven Alma Velasco y el jardinero japonés Ichimei conduce al lector por un recorrido a través de diversos escenarios que van desde la Polonia de la Segunda Guerra Mundial hasta el San Francisco de nuestros días.

Written in Tyrrell's trademark satirical style, How Do We Get Out of Here? is an invaluable and intimate recount of the political and cultural battles that shaped our contemporary politics.

On December 7, 1941—"a date which will live in infamy"—the Japanese navy launched an attack on the American military bases at Pearl Harbor, Hawaii. The next day, President Franklin Roosevelt declared war on Japan, and the US Army officially entered the Second World War. Three years later, on December 18, 1944, President Roosevelt signed Executive Order 9066, which enabled the Secretary of War to enforce a mass deportation of more than 100,000 Americans to what government officials themselves called "concentration camps." None of these citizens had been accused of a real crime.

In the 19th century, the world was Europeanized. In the 20th century, it was Americanized. Now, in the 21st century, the world is being Asianized. The “Asian Century” is even bigger than you think. Far greater than just China, the new Asian system taking shape is a multicivilizational order spanning Saudi Arabia to Japan, Russia to Australia, Turkey to Indonesia - linking five billion people through trade, finance, infrastructure, and diplomatic networks that together represent 40 percent of global GDP.

Drawing on decades of firsthand experience as a foreign correspondent and military embed for The Atlantic, as well as encounters with preeminent realist thinkers, Kaplan outlines the timeless principles that should shape America's role in a turbulent world: a respect for the limits of Western-style democracy; a delineation between American interests and American values; an awareness of the psychological toll of warfare; a projection of power via a strong navy; and more.

In a narrative that moves from Washington's headquarters on the Hudson River, to the wooded hillside in North Carolina where Nathanael Greene fought Lord Cornwallis to a vicious draw, to Lafayette's brilliant series of maneuvers across Tidewater Virginia, author Nathaniel Philbrick details the epic and suspenseful year through to its triumphant conclusion. A riveting and wide-ranging story, full of dramatic, unexpected turns, In the Hurricane's Eye reveals that the fate of the American Revolution depended, in the end, on Washington and the sea.

It is the dawn of a new century, and Olivia Stewart is heiress to an empire. Her family numbers among the Four Hundred - those considered the wealthiest and most distinguished in America. Unfortunately their wealth has nearly disappeared, and now their security rests upon the Stewart daughters marrying well. Olivia's sister, Eleanor, was engaged to Harrison Bennett, one of the nation's wealthiest men, but has since died. Now the pressure is on Olivia to take her place, despite her suspicions about Eleanor's fiancé.

With rigorous original scholarship and creative narration, Lisa Brooks recovers a complex picture of war, captivity, and Native resistance during the "First Indian War" (later named King Philip's War) by relaying the stories of Weetamoo, a female Wampanoag leader, and James Printer, a Nipmuc scholar, whose stories converge in the captivity of Mary Rowlandson. Brooks leads us to a new understanding of the history of colonial New England and of American origins.

Victor Chin’s life is turned upside down at the tender age of 15. Diagnosed with Hansen’s disease, otherwise known as leprosy, he’s forced to leave the familiar confines of his father’s laundry business in the Bronx–the only home he’s known since emigrating from China with his older brother—to quarantine alongside patients from all over the country at a federal institution in Carville. At first, Victor is scared not only of the disease, but of the confinement, and wants nothing more than to flee.

Early 1800s. Thomasina Trelora is on her way to the colonies. Her fate: to be married to a clergyman she's never met. As the Australian coastline comes into view a storm wrecks the ship and leaves her lying on the rocks, near death. She's saved by an Aboriginal man who carries her to the door of a grand European house, Willowbrae. Tom is now free to be whoever she wants to be, and a whole new life opens up to her. But as she's drawn deeper into the intriguing life of this grand estate, she discovers that things aren't quite as they seem.

Back to Black seeks to show us the long, powerful and painful history of Black radical politics. Born out of resistance to slavery and colonialism, its rich past encompasses figures such as Marcus Garvey, Angela Davis, the Black Panthers and the Black Lives Matter activists of today. At its core, the book argues that racism is inexorably embedded in the fabric of society, and that it can never be overcome unless by enacting change outside of this suffocating system.

The hero of John Updike's Rabbit, Run (1960), ten years after the hectic events described in Rabbit Redux (1971), has come to enjoy considerable prosperity as Chief Sales Representative of Springer Motors, a Toyota agency in Brewer, Pennsylvania. The time is 1979: Skylab is falling, gas lines are lengthening, the President collapses while running in a marathon, and double-digit inflation coincides with a deflation of national confidence.

Thelonious Monk is the critically acclaimed, gripping saga of an artist's struggle to "make it" without compromising his musical vision. It is a story that, like its subject, reflects the tidal ebbs and flows of American history in the 20th century. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of "bebop" and establishing Monk as one of America's greatest composers.

Diane Arbus brings to life the full story of one of the greatest American artists of the 20th century, a visionary who revolutionized photography and altered the course of contemporary art with her striking, now iconic images. Arbus comes startlingly to life here, a strong-minded child of unnerving originality who grew into a formidable artist. Arresting, unsettling, and poignant, her photographs stick in our minds. Why did these people fascinate her? And what was it about her that captivated them?

When Malena Sevilla's tidy, carefully planned world collapses following her father’s mysterious suicide, she finds a letter - signed with an “A” - that reveals that her mother, whom she thought dead, is very much alive in San Isidro, a quaint town tucked in the Andes Mountains. Intent on meeting her, Malena arrives at Alameda Street and meets four sisters who couldn’t be more different from one another, but who share one thing in common: all of their names begin with an A.