American Indian

During the early twentieth century, the American government’s standing expectation was that Native Americans should be adopting Western customs. In the face of that prospect, anthropologist and musicologist Frances Densmore sought to preserve Native American culture—particularly as it was expressed through music. In her extensive writings on Native American lifestyles, music, and history, Densmore opened a window onto American experiences that had been obscured by stereotypes, and encouraged a better appreciation of the varied traditions of tribes nationwide.

A note is left on a car windshield, an old dog dies, and Kent Nerburn finds himself back on the Lakota reservation where he traveled more than a decade before with a tribal elder named Dan. The touching, funny, and haunting journey that ensues goes deep into reservation boarding-school mysteries, the dark confines of sweat lodges, and isolated Native homesteads far back in the Dakota hills in search of ghosts that have haunted Dan since childhood.

In the beginning, North America was Indian country. But only in the beginning. After the opening act of the great national drama, Native Americans yielded to the westward rush of European settlers. Or so the story usually goes. Yet, for three centuries after Columbus, Native people controlled most of eastern North America and profoundly shaped its destiny. In Facing East from Indian Country, Daniel K. Richter keeps Native people center-stage throughout the story of the origins of the United States.

With the end of the Civil War, the nation recommenced its expansion onto traditional Indian tribal lands, setting off a wide-ranging conflict that would last more than three decades. In an exploration of the wars and negotiations that destroyed tribal ways of life even as they made possible the emergence of the modern United States, Peter Cozzens gives us both sides in comprehensive and singularly intimate detail.

Embark on a journey through the rich tapestry of Native American legends with this extensive collection of Native American Myths. This meticulously curated collection brings together seven revered texts, each offering a unique window into the vibrant storytelling traditions of different Native American tribes. Achomawi and Atsugewi Tales and Achomawi Myths - Roland B. Dixon: Explore the mystical world of these tribes with captivating tales from a century ago, offering a rare glimpse into Shastan stock narratives.

In a real-life version of Little Big Man comes Indian captive narrative of Herman Lehmann. He was captured as a boy in 1870 and lived for nine years among the Apaches and Comanches. Long considered one of the best captivity stories from the period, Lehmann came to love the people and the life. Only through the gentle persuasion of famed Comanche chief, Quanah Parker, was Lehmann convinced to remain with his white family once he was returned to them.

Pulitzer Prize-winning historian Alan Taylor tells the riveting story of a war that redefined North America. In a world of double identities, slippery allegiances, and porous borders, the leaders of the American Republic and the British Empire struggled to control their own diverse peoples. Taylor’s vivid narrative of an often brutal—sometimes farcical—war reveals much about the tangled origins of the United States and Canada.

Apart from The Last of the Mohicans, most Americans know little of the French and Indian War, also known as the Seven Years' War, and yet it remains one of the most fascinating periods in our history. In January 2006, PBS will air The War That Made America, a four-part documentary about this epic conflict. Fred Anderson, the award-winning and critically acclaimed historian, has written the official tie-in to this exciting television event.

The most enduring feature of US history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, with a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America.

Nature Poem follows Teebs - a young, queer, American Indian (or NDN) poet - who can't bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He'd slap a tree across the face. He'd rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he'd rather write odes to Aretha Franklin and Hole.

Why seek outside answers when you already possess the resources and power you need? Noted Native American speaker turned author D. J. Eagle Bear Vanas uses wisdom from his Odawa Indian roots and his path as an officer in the US Air Force and later as an entrepreneur to interweave the Native tradition of storytelling with practical key bits of knowledge to live and learn by. By following Vanas’s direction, you can develop your talent and ability to better serve and defend others.

Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola.

Professor N. Bruce Duthu, J.D., is an internationally recognized scholar on Native American issues. In American Indians and the Law, he highlights the major events, the differing principles, and the evolving perspectives that have governed relations among the Indian tribes, the federal government, and the states.

The tragedy of our Indian policies demands reexamination immediately - not only because they make the lives of millions of American citizens harder and more dangerous - but also because they represent a microcosm of everything that has gone wrong with modern liberalism. They are the result of decades of politicians and bureaucrats showering a victimized people with money and cultural sensitivity instead of what they truly need-the education, the legal protections, and the autonomy to improve their own situation.

Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.

The French and Indian War: 1660-1763 covers much more than the few years during which the English and French fought over the division of the North American continent in one of the most neglected periods of American history. In this volume in the Drama of American History series, authors Christopher Collier and James Lincoln Collier trace how England’s other rivals for control of America were eliminated over this period until the only source of conflict left would be between the British and their own colonists.

This one-volume narrative history of American Indians in the United States traces the experiences of indigenous peoples from early colonial times to the present day. It demonstrates how Indian existence has varied and changed throughout our nation's history. Although popular opinion and standard histories often depict tribal peoples as victims of US aggression, that is only a part of their story. In this book Roger L. Nichols focuses on the ideas, beliefs, and actions of American Indian individuals and tribes.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface as Geraldine Coutts is traumatized and reluctant to relive or reveal what happened, either to the police or to her husband, Bazil, and 13-year-old son, Joe. In one day, Joe's life is irrevocably transformed. He tries to heal his mother, but she will not leave her bed and slips into an abyss of solitude. Increasingly alone, Joe finds himself thrust prematurely into an adult world for which he is ill prepared.

Traditionally, Americans learned in school that the ancestors of the people who inhabited the Western Hemisphere at the time of Columbus' landing had crossed the Bering Strait 12,000 years ago; existed mainly in small nomadic bands; and lived so lightly on the land that the Americas were, for all practical purposes, still a vast wilderness. But as Charles C. Mann now makes clear, archaeologists and anthropologists have spent the last 30 years proving these and many other long-held assumptions wrong.