American Literature

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

It is the story of 11-year-old Pecola Breedlove--a black girl in an America whose love for its blond, blue-eyed children can devastate all others--who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning and the tragedy of its fulfillment.

Jahzara, Honey, and Tomeka are best friends 'til the end. The three of them would die for each other and have always had each other's back. They each desperately wanted better lives and were willing to work extra hard in order to attain it. Relationship issues in their personal lives bring the girls closer together than ever before - especially when Jahzara brings a business proposal to the table. Betrayal, lies, jealousy, and murder is only the beginning of what they have to overcome.

Mayme and Katie have become friends, which is unusual given that their friendship has spouted at the end of the Civil War and that Mayme is a former slave, while Katie is the daughter of a plantation owner. Both girls have been orphaned by the war, left alone on Katie's family plantation. The land is the one thing they still share, and they don't want to leave it. But if anyone finds out the two of them live there alone, they will be forced to move.

Stories of Your Life and Others presents characters who must confront sudden change-the inevitable rise of automatons or the appearance of aliens-while striving to maintain some sense of normalcy. In the amazing and much-lauded title story (the basis for the 2016 movie Arrival), a grieving mother copes with divorce and the death of her daughter by drawing on her knowledge of alien languages and non-linear memory recollection.

Winter Santiaga hit time served. Still stunning, still pretty, still bold, still loves her father more than any man in the world, still got her hustle and high fashion flow. She’s eager to pay back her enemies, rebuild her father’s empire, reset his crown, and ultimately to snatch Midnight back into her life no matter which bitch had him while she was locked up. But Winter is not the only one with revenge on her mind.

Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb.

Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola.

Things have never been easy for Oscar, a sweet but disastrously overweight, lovesick Dominican ghetto nerd. From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J. R. R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fuku: the curse that has haunted Oscar's family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim.

Former "player" Terrell thinks he's got it going on. Then the past comes calling, and suddenly his best prospects are endangered.

Picking up where Essence best-selling author La Jill Hunt's Shoulda, Woulda, Coulda left off, Too Close for Comfort follows Paige Michaels and her no-nonsense friends as they search for love. Paige has finally broken loose from her no-good man, and she's loving the single life - until Quincy Westbrooke shows up.

A gripping, fact-based story of how Daniel Morgan and his courageous riflemen played a crucial role in George Washington's victory in the American Revolution.... They wore hunting shirts, deer-skin leggins and moccasins. Each had a tomahawk and a scalping knife in their belts and carried "long rifles" in their hands. Every rifleman was a Patriot volunteer, a tracker, and a hunter. And they could kill a redcoat from 250 yards.

On a snowy Christmas Eve in an unnamed American city, the archangel Michael wanders the streets. He is alone and hungry, his clothes tattered, and when he sees his face reflected in a store window, it is that of a young African American boy. Who will offer him food and shelter and who will turn him away? And when he becomes a blonde, freckle-faced child, is his fate different?

Nature Poem follows Teebs - a young, queer, American Indian (or NDN) poet - who can't bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He'd slap a tree across the face. He'd rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he'd rather write odes to Aretha Franklin and Hole.

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days."

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in 20th-century literature. In this charged collection of 15 essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope.

In Trinidad, in 1796, teenage Rosa Rendon quietly but purposefully rebels against typical female roles and behavior. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house - it is obvious her talents lie in running the farm she expects to be her birthright, despite her two older siblings. But as her homeland goes from Spanish to British rule, it becomes increasingly unclear whether its free black property owners - Rosa's family among them - will be allowed to keep their assets, their land, and ultimately, their freedom.

After a joyous dinner party turns disastrous, Karli's perfect world is turned inside out. As she struggles to hold onto the life she holds dear, in comes the perfect stranger, Hudson Lewis. His charm and breathtaking view of life takes Karli by storm and awakens a dormant beast that unknowingly lies within. No holds barred, Karli embraces her new lease on life with a vengeance, but when a melting pot of lies and deceit is exposed, everyone's life will forever be changed as it brings everything to light in plain view.

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

Kidnapped from the Earth People as a child, White Ash learns the way of the Sun People as she grows into a beautiful woman. But the disturbing dreams that made her an outcast in her old tribe are becoming stronger and they foretell a frightening future of bitter cold, war and famine. When a hostile tribe massacres her adopted family, White Ash is raped and left near death, but is miraculously saved by a brave shaman...and falls in love with him. Together they set out on a dangerous journey to steal a magical object - but they soon face a ruthless enemy who wants White Ash for his own.