American Short

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The stories in Five-Carat Soul - none of them ever published before - spring from the place where identity, humanity, and history converge. They’re funny and poignant, insightful and unpredictable, imaginative and authentic - all told with McBride’s unrivaled storytelling skill and meticulous eye for character and detail. McBride explores the ways we learn from the world and the people around us. An antiques dealer discovers that a legendary toy commissioned by Civil War General Robert E. Lee now sits in the home of a black minister in Queens.

For more than fifty years, Wendell Berry has been telling us stories about Port William, a mythical town on the banks of the Kentucky River, populated over the years by a cast of unforgettable characters living in a single place over a long time. In A Place in Time, the stories dates range from 1864, when Rebecca Dawe finds herself in her own reflection at the end of the Civil War, to one from 1991 when Grover Gibbs's widow, Beulah, attends the auction as her home place is offered for sale.

In Holler, Child’s eleven brilliant stories, LaToya Watkins presses at the bruises of guilt, love, and circumstance. Each story introduces us to a character irrevocably shaped by place and reaching toward something—hope, reconciliation, freedom. In “Cutting Horse,” the appearance of a horse in a man’s suburban backyard places a former horse breeder in trouble with the police. In “Holler, Child,” a mother is forced into an impossible position when her son gets in a kind of trouble she knows too well from the other side.

This is the second collection of short stories relating to the fictional sea-sprayed Canadian village of Avonlea. Anne Shirley appears in a few, but most concern other characters from the Anne Shirley series, including Diana Barry and members of the Meredith and Blair families. Published in 1920, these tales of hidden hopes and cherished dreams are sure to enchant fans of Anne of Green Gables.

Paul Tremblay has won widespread acclaim for illuminating the dark horrors of the mind in novels and stories that push the boundaries of storytelling itself. The fifteen pieces in this brilliant collection, The Beast You Are, are all monsters of a kind, ready to loudly (and lovingly) smash through your head and into your heart.

Some of the best-known and most influential pieces of crime fiction have been from African American writers. Be it Walter Mosley's great Detective Easy Rawlins, or the mean streets of Harlem at the hands of Chester Himes, the stories and characters in this anthology have shaped the mystery genre with their own unique viewpoints and styles. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.

In the collection's title story, a pack of girls raised by wolves are painstakingly reeducated by nuns. In "Haunting Olivia", two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab. In "Sleepaway Camp for Disordered Dreamers", a boy whose dreams foretell implacable tragedies is sent to a summer camp for troubled sleepers (Cabin 1, Narcoleptics; Cabin 2, Sleep Apneics; Cabin 3, Somnambulists . . . ).

This Accident of Being Lost is the knife-sharp new collection of stories and songs from award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson. These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization.

Millie Two Bears lives alone in a trailer in the heart of the Blackfeet Nation in Montana. Since her husband went to jail, she’s been on the outs with the reservation. And it’s not just people she has to contend with. Now the prairie dogs are moving in on her patch of land. When a strange woman comes into Millie’s life, and Millie’s rodent war escalates, a fateful confrontation with vengeance, secrets, and survival is just underfoot.

With this, his first collection of stories, Raymond Carver breathed new life into the American short story and instantly became both the recognized master of the form and one of our best-loved fiction writers. Carver shows us the humor and tragedy that dwell in the hearts of ordinary people; his stories are the classics of our time.

A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver’s insightful stories reverberate into the present day.

A finalist for the National Book Award, Lost in the City features 15 poignant short stories, each set in Washington, D.C. Far removed from marble monuments and the offices of rich politicians, the nation's capital that Jones captures is inhabited by self-willed African-Americans struggling to live their lives as best they can.

Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.

Like Gloria Naylor’s The Women of Brewster Place, Sidik Fofana’s electrifying collection of eight interconnected stories showcases the strengths, struggles, and hopes of one residential community in a powerful storytelling experience. Each short story follows a tenant in the Banneker Homes, a low-income high rise in Harlem where gentrification weighs on everyone’s mind. We root for these characters and more as they weave in and out of each other’s lives, endeavoring to escape from their pasts and blaze new paths forward for themselves and the people they love.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the 75-year marriage between a preeminent publication and its preeminent context with this collection of 44 of its best stories from (so to speak) home.

From the universally acclaimed author of Breath, Eyes, Memory and Krik? Krak!, a brilliant, deeply moving work of fiction that explores the world of a "dew breaker", a torturer, a man whose brutal crimes in the country of his birth lie hidden beneath his new American reality.

From "one of the funniest writers in America" comes a collection of stories culled from the front lines of the millennial culture wars. Rife with failing rock bands, student loans, and participation trophies,

Spoiled Brats is about a generation of narcissists - and the well-meaning boomers who made them that way.

This cross-genre anthology written by superstar YA authors from across the Latin American diaspora offers bold new thrills for every monster fan. In these fifteen original short stories, bloodthirsty vampires are hunted by a quick-witted slayer; children are taken from their beds by “el Viejo de la Bolsa” while a military dictator steals their parents; and anyone you love might be a monster waiting to strike. The sinister worlds of these narratives are also magical ones, where supernatural beings can be avatars for justice, vengeance, sisterhood, and empowerment.