Anthology World Literature

With a diverse selection of stories chosen by series editor John Joseph Adams and guest editor Rebecca Roanhorse, The Best American Science Fiction and Fantasy 2022 explores the ever-expanding and changing world of contemporary science fiction and fantasy.

En Eva Luna, su tercera novela, Isabel Allende recupera su país a través de la memoria y la imaginación. La cautivadora protagonista de esta historia constituye un nostálgico álter ego de la autora, que se llama a sí misma «ladrona de historias» precisamente porque en las historias radica el secreto de la vida y el mundo.Novela de hondo perfil humano, Eva Luna funde el destino individual con el colectivo mediante una fulgurante prosa de carácter épico.

Pass through fairy tales into the magic of invisible worlds in these opulent stories by a beloved fantasy icon and author of the classic Riddlemaster trilogy.

American Book Award-winning author Edwidge Danticat earned a National Book Award nomination for this brilliant collection of stories, which includes the Pushcart Prize-winner "Between the Pool and the Gardenias". A remarkably gifted writer, Danticat examines the brutality of her native Haiti, particularly as it affects women, in tales that soar with raw emotion.

Blackfoot storyteller Alex Soop plunges us into a shocking well of imagination in this collection of short stories, Midnight Storm Moonless Sky. From hauntings on the Highway of Tears to fearful gatherings of ghosts and the sorrows of racism, Soop combines the social anxieties of Indigenous life with spellbinding flights and frights of speculative fiction. Through these enthralling stories of reality mixed with terror, listeners get a wicked glimpse into the genre of Indigenous horror.

In the past 50 years, the American short story has changed dramatically. New voices, forms, and mixtures of genres have brought this unique US genre a thrilling burst of energy. This rich anthology celebrates this avalanche of talent. Beginning in 1970, it culls together a half century of powerful American short stories from all genres, including - for the first time in a literary anthology - science fiction, horror, and fantasy.

How will the world end? With aliens or angels? Or a groundhog? Bleak despair? Martial fervor? Or a belly laugh? Whatever the apocalypse, it will be borne by people and their families and their dogs and most of all, it will challenge their notions of themselves. This anthology includes international award-winning writers, poets, and thinkers that give you their version of the apocalypse.

Newly re-mastered for digital formats, this is the definitive recording of Hans Christian Andersen's six best-loved stories. Narrator Diane Wolkstein, the artistic director of the Hans Christian Andersen Center in New York City, tells Andersen stories throughout the world. She is the author of 23 award-winning books of folklore and has been honored by the National Storytelling Network as a recipient of its coveted Circle of Excellence Award, a designation reserved for America's best living storytellers.

With 10 stories that move from the barrios of the Dominican Republic to the struggling urban communities of New Jersey, Junot Diaz makes his remarkable debut. Diaz's work is unflinching and strong, and these stories crackle with an electric sense of discovery.

La inspiración para escribir este libro le llegó a García Márquez con una insólita noticia que tuvo que cubrir como periodista. El 26 de octubre de 1949 el reportero Gabriel García Márquez fue enviado al antiguo convento de Santa Clara, que iba a ser demolido para edificar sobre él un hotel de cinco estrellas, a presenciar el vaciado de las criptas funerarias y a cubrir la noticia. Se exhumaron los restos de un virrey del Perú y su amante secreta, un obispo, varias abadesas, un bachiller de artes y una marquesa.

Noreen McAuliffe's Come Down in the World, a story about a nineteenth-century logging camp, wears a style so seamless and perfectly matched it feels tailor-made. From the first few lines to the quietly explosive finale, the listener is surrounded with instant authenticity that transports us to a time, place, and situation with stakes so high that most of us need a daring writer to imagine them for us.

Adelaide—heiress to the wealthiest man in the Ceithren Empire—has felt a void since her sister's death. Just as she's resigned herself to the empty life her father chose for her, a relic from a world that shouldn't exist plunges her into chaos. Clark—son of the greatest terrorist the empire has ever known—is still reeling from his father's death. Since then, his life has boiled down to two things: his brothers and his next mission. When his mission to bring back a mystical artifact goes awry, he's forced to choose between getting the job done and saving the life of a spoiled socialite.

In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limon, this book challenges what we think we know about "nature poetry," illuminating the myriad ways our landscapes—both literal and literary—are changing. You Are Here features fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more.

Bradley receives a second chance on a steampunk planet where the wondrous sights captivate, the gizmos fascinate, and it is all possible with steam. Attempting the wilds, Bradley experiences a dash of heart-pumping adventure that unlocks new opportunities and brings unwanted problems. With proper application, a bit of wit, and a dash of luck, he might achieve greatness.

I should have known when I couldn’t keep my eyes off her that this would be a mistake. I was hired to protect her, this woman who’s lost everything, yet there’s an obvious fire that blazes behind her beautiful gaze. She stares back, daring and tempting me. It calls to a side of me that’s darker and longs to tame her. The moment she agrees to my terms, I know I’ve crossed a line. One of many rules I’m willing to break. No one can know, not a soul, but secrets in the life I lead never last for long.

The classic 1939 collection of three novellas by the Pulitzer Prize and National Book Award-winning author and journalist, including the famous title story set during the influenza epidemic of 1918.

Based on traditional Vietnamese folk tales told to Violet Kupersmith by her grandmother, these fantastical, chilling, and thoroughly contemporary stories are a boldly original exploration of Vietnamese culture, addressing both the immigrant experience and the lives of those who remained behind. Lurking in the background of them all is a larger ghost—that of the Vietnam War, whose legacy continues to haunt us.

Tadeusz Borowski’s concentration camp stories were based on his own experiences surviving Auschwitz and Dachau. In spare, brutal prose he describes a world where where the will to survive overrides compassion, and prisoners eat, work, and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket, or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes.

Ambrose Bierce left behind a nasty reputation and more than 90 short stories that are perfect expressions of his sardonic genius. This volume of selected stories represent an unprecedented accomplishment in American literature. In their iconoclasm and needle-sharp irony, their formal and thematic ingenuity and element of surprise, they differ markedly from the fiction admired in Bierce's time.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.