Arab American

You’re Not a Girl in a Movie is a new collection of powerful poems by Hala Alyan, winner of the Arab American Book Award in Poetry and the Dayton Literary Peace Prize. In these nine extraordinary poems, Alyan wrestles with the intimate themes that have driven her acclaimed body of work to date: the aching loss of homeland, the image and worth of women, and the violence of love. In Beirut, Brooklyn, and roads in the American West, she unravels the effects of decades of war and displacement on love and human worth and identity.

Palestine, 1948. Half a million Palestinians are forced from their homes. A mother clutches her six-month-old son as Israeli soldiers march through the village of Ein Hod. In a split second, her son is snatched from her arms and the fate of the Abulheja family is changed forever. Forced into a refugee camp in Jenin and exiled from the ancient village that is their lifeblood, the family struggles to rebuild their world.

An American officer presents an invaluable handbook for dealing with cultural issues in the Middle East during military operations....

The daughter of a prominent Palestinian father and a sophisticated Lebanese mother, Najla Said grew up in New York City, confused and conflicted about her cultural background and identity. Said knew that her parents identified deeply with their homelands, but growing up in a Manhattan world that was defined largely by class and conformity, she felt unsure about who she was supposed to be, and was often in denial of the differences she sensed between her family and those around her.

Part memoir and part how-not-to guide, The Wrong End of the Table is everything you wanted to know about Arabs but were afraid to ask, with chapters such as “Tattoos and Other National Security Risks,” “You Can’t Blame Everything on Your Period; Sometimes You’re Going to Be a Crazy Bitch: and Other Advice from Mom,” and even an open letter to Trump. This is the story of every American outsider on a path to find themselves in a country of beautiful diversity.

Determined to offer an unfiltered version of events, the Washington Post's Anthony Shadid was neither embedded with soldiers nor briefed by politicians. Because he is fluent in Arabic, Shadid, an Arab-American born and raised in Oklahoma, was able to actually disappear into the divided, dangerous worlds of Iraq. Day by day, as American dreams clashed with Arab notions of justice, he pieced together the human story of ordinary Iraqis weathering the terrible dislocations and tragedies of war.

Spanning several decades, Ghassan Zeineddine’s debut collection examines the diverse range and complexities of the Arab-American community in Dearborn, Michigan. In ten tragicomic stories, Zeineddine explores themes of identity, generational conflicts, war trauma, migration, sexuality, queerness, home and belonging, and more.

Aref is excited for his journey to reunite with his father in Ann Arbor, Michigan. Aref makes a friend on an airplane, wonders what Michigan will be like, and starts school in the United States. While he does miss his grandfather, his Sidi, Aref knows that his home in Oman will always be waiting for him. Award-winning author Naomi Shihab Nye’s highly anticipated sequel to The Turtle of Oman explores immigration, family, and what it means to feel at home.

The year is 1991. When Jasira's mother finds out what has been going on between her boyfriend and her 13-year-old daughter, she has to make a choice—and chooses to send Jasira off to Houston, Texas, to live with her father. A remote disciplinarian prone to explosive rages, Jasira's father is unable to show his daughter the love she craves—and far less able to handle her feelings about her changing body.

Once in a Promised Land is the story of a couple, Jassim and Salwa, who left the deserts of their native Jordan for those of Arizona, each chasing their own dreams of opportunity and freedom. Although the two live far from Ground Zero, they cannot escape the nationwide fallout from 9/11.

John Crawford joined the Florida National Guard to pay for his college tuition; it had seemed a small sacrifice to give up one weekend a month and two weeks a year in exchange for a free education. But one semester short of graduating, and newly married, he was called to active duty, to serve in Kuwait, then on the front lines of the invasion of Iraq, and ultimately in Baghdad. While serving in Iraq, Crawford began writing short nonfiction stories, his account of what he and his fellow soldiers experienced.

Richly detailed and full of hope, this is the story of Cindy Lou Davis from Mocksville, North Carolina, who meets and marries Mohammed Ali, a Muslim from the oil-rich United Arab Emirates. The year is 1982, and 20-year-old Cindy leaves home and family after her wedding with no idea what awaits her in her new life. Living with his family and immersed in a traditional Arab culture with an incomprehensible language while her new husband is away on a military base during the week, her future with Mohammed depends on the strength of her love, faith, and determination to be true to herself.

Bay Ann wants to shine. She's sure her moment in the spotlight has arrived when she wins the school talent show with a showstopping tap routine! But then her classmate and crush, Alyee Maq, causes her to wobble and almost fall. The video of him catching her goes viral, making Alyee an overnight sensation for "helping her." Bay Ann is reduced to her disability and her talent is ignored.

The best-selling author who made mincemeat of political correctness in Thank You for Smoking, conspiracy theories in Little Green Men, and presidential indiscretions No Way to Treat a First Lady now takes on the hottest topic in the entire world, Arab-American relations, in a blistering comic novel sure to offend the few it doesn't delight.

Christopher Buckley's comic thriller takes readers to the Arab land of Matar, where a philandering emir allays his restless wife by allowing her to start a TV network for Arab women. She is joined in this endeavor by a maverick American State Department officer known as Florence, who wants to use the TV network to start a revolution among Islamic women.

Alicia Erian's characters are brave, disarming, affectionate, and deeply flawed. They inhabit the not-so-very-wide space between a good intention and a bad outcome. The Brutal Language of Love challenges traditional notions of right and wrong with what has become Erian's signature—an achingly stylish humor and a deep understanding of the brutal truth about human nature. These surprising, provocative, and deeply resonant stories marked the emergence of a major talent.

This is a brilliant and revelatory first novel by a woman who is both an Arab and an American, who speaks with both voices and understands both worlds. Through the narratives of four cousins at the brink of maturity, Laila Halaby immerses her listeners in the lives, friendships, and loves of girls struggling with national, ethnic, and sexual identities. Mawal is the stable one, living steeped in the security of Palestinian traditions in the West Bank.