Art Biography

How to Make It in the New Music Business, since its first publication in 2016, has become the go-to resource for musicians eager to make a living in a turbulent industry. Widely adopted by ambitious individuals and music schools across the world and considered "the best how-to book of its kind" (Music Connection), this essential work has inspired tens of thousands of aspiring artists to stop waiting around for that "big break" and take matters into their own hands.

From the voice of a generation: The most highly anticipated autobiography of the year, and the story of a man who...is a Londoner and a Mod...wanted The Who to be called The Hair...loved The Everly Brothers, but not that "drawling dope" Elvis...wanted to be a sculptor, a journalist, a dancer and a graphic designer...became a musician, composer, librettist, fiction writer, literary editor, sailor...smashed his first guitar onstage, in 1964, by accident...heard the voice of God on a vibrating bed in rural Illinois...and much more.

I Am, I Am, I Am is Maggie O'Farrell's astonishing memoir of the near-death experiences that have punctuated and defined her life. The childhood illness that left her bedridden for a year, which she was not expected to survive. A teenage yearning to escape that nearly ended in disaster. An encounter with a disturbed man on a remote path. And, most terrifying of all, an ongoing, daily struggle to protect her daughter - for whom this book was written - from a condition that leaves her unimaginably vulnerable to life's myriad dangers.

This is the memoir music fans have been waiting for. Half of one of the greatest partnerships in popular music, Bernie Taupin is the man who wrote the lyrics for Elton John, who conceived the ideas that spawned countless hits, and sold millions and millions of records. Together, they were a duo, a unit, an immovable object. Their extraordinary, half-century-and-counting creative relationship has been chronicled in biopics (like 2019's Rocketman) and even John's own autobiography, Me. But Taupin, a private person, has kept his own account of their adventures close to his chest, until now.

Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music - as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities.

Stefan Zweig's memoir, The World of Yesterday, recalls the golden age of prewar Europe - its seeming permanence, its promise and its devastating fall with the onset of two world wars. Zweig's passionate, evocative prose paints a stunning portrait of an era that danced brilliantly on the brink of extinction. It is an unusually humane account of Europe from the closing years of the 19th century through to World War II, seen through the eyes of one of the most famous writers of his era.

In 1976, following years of harsh cutbacks to salaries and benefits at the New Yorker, editorial workers - the fact-checkers, copy editors, and other paraliteraries - finally took a stand and began a drive to unionize the storied magazine. But strong-willed longtime editor William Shawn's fierce resistance to unionization kicked off a stalemate between management and their subordinates.

With a reporter’s eye and an insider’s perspective, Eric Garcia shows what it’s like to be autistic across America. Garcia began writing about autism because he was frustrated by the media’s coverage of it; the myths that the disorder is caused by vaccines, the narrow portrayals of autistic people as white men working in Silicon Valley. His own life as an autistic person didn’t look anything like that.

Archetypal wild man Edward Abbey and proper, dedicated Wallace Stegner left their footprints all over the western landscape. Now, the award-winning nature writer David Gessner follows the ghosts of these two remarkable writer-environmentalists - from Stegner's birthplace in Saskatchewan to the site of Abbey's pilgrimages to Arches - braiding their stories and asking how they speak to the lives of all those who care about the West. What is the future of a region beset by droughts and fires, by fracking and drilling?

Prisoner FF8282 gazes out from confinement on what he deems must be a glorious summer’s day, rays of sunlight bursting through the barred windows of his cell. Within the thick prison walls separating society from its dangerous criminals, a multitude of harrowing fates unfold, seldomly explored by the public. First-time offenders thrown in cells with hardened criminals, several inmates becoming heroin addicts and a system riddled with flaws. However, even in prison the sunlight cannot be kept out.

John Boyd may be the most remarkable unsung hero in all of American military history. Some remember him as the greatest US fighter pilot ever - the man who, in simulated air-to-air combat, defeated every challenger in less than 40 seconds. Some recall him as the father of our country's most legendary fighter aircraft - the F-15 and F-16. Still, others think of Boyd as the most influential military theorist since Sun Tzu. They know only half the story.

In this fascinating document, one of Japan's best known - and controversial - writers created what might be termed a new literary form. It is new because it combines elements of many existing types of writing, yet in the end, fits into none of them. The road Mishima took to salvation is a highly personal one. Yet here, ultimately, one detects the unmistakable tones of a self transcending the particular and attaining to a poetic vision of the universal.

Argentine poet Jorge Luis Borges was madly in love when his life was shattered by painful heartbreak. But the breakdown that followed illuminated an incontrovertible truth—that love is necessarily imbued with loss, that the one doesn’t exist without the other. German physicist Werner Heisenberg was fighting with the scientific establishment on the meaning of the quantum realm’s absurdity when he had his own epiphany—that there is no such thing as a complete, perfect description of reality.

Jeanne Beker’s name is synonymous with style and grace in fashion. Recognized by many as the beloved host of Fashion Television and The New Music, Jeanne has spent an entire career interviewing celebrities and uncovering their most private selves. Now, in Heart on My Sleeve, Jeanne reveals who she is in an all-new way. This is not just a memoir but a wardrobe of memory. Jeanne walks us through her recollections of specific pieces of clothing and jewelry, precious items that have made an indelible impact on her.

Weaving together fragments of artists’ stories across time and place, Philip Hoare embarks on a Sebaldian exploration of the enduring legacy of William Blake. A poet, painter and printmaker who was unappreciated and considered mad in his own time, Blake was eventually lauded as a key pillar of the Romantic movement. His posthumous influence reverberates endlessly, from the films of Derek Jarman to our ongoing fear of technological advancement.

“Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart.

In We Don't Know Ourselves, Fintan O'Toole weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society - perhaps the most astonishing national transformation in modern history. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism.

When Donna Morrissey left the only home she had ever known, an isolated Newfoundland settlement, at age 16, she was ready for adventure. She had grown up without television or telephones but had absorbed the tragic stories and comic yarns of her close-knit family and community. The death of her infant brother marked the family, and years later, Morrissey suffers devastating guilt about the accidental death of her teenage brother, whom she'd enticed to join her in the oilfields.

Lorsque Colette, âgée de soixante-quinze ans, commence d’écrire Le fanal bleu, qu’elle projetait d’abord comme un journal, il n’est plus question pour elle de courir. Marcher, bouger même lui est douloureux et de plus en plus difficile. Immobilisée, elle ne quitte plus guère son logement du Palais-Royal ni son "radeau travail" comme elle nomme son lit. Le monde immédiat, elle l’observe nuit et jour de sa fenêtre.

Running with Scissors is the true story of a boy whose mother (a poet with delusions of being Anne Sexton) gave him away to be raised by her psychiatrist, a dead ringer for Santa and a lunatic in the bargain.