Art Biography

“Writing this memoir is a betrayal.” So begins this electrifying personal account from Danny Ramadan, a celebrated novelist who has long enjoyed the shield his fiction provides. Now, to tell the story of his life, he must revisit dark corners of his past he’d rather forget and unearth memories of a city he can no longer return to. Starting with his family’s humble beginnings in Damascus, he takes listeners on an epic border-crossing journey.

From Cat Marnell, "New York's enfant terrible" ( The Telegraph), a candid and darkly humorous memoir of prescription drug addiction and self-sabotage, set in the glamorous world of fashion magazines and downtown nightclubs.

Good Prose is an inspiring book about writing - about the creation of good prose - and the record of a warm and productive literary friendship. The story begins in 1973, in the offices of the Atlantic Monthly, in Boston, where a young freelance writer named Tracy Kidder came looking for an assignment. Richard Todd was the editor who encouraged him, and from that article grew a lifelong association. Before long, Kidder's The Soul of a New Machine, the first book the two worked on together, had won the Pulitzer Prize.

In the Chinese calendar, 1964 was the Year of the Green Dragon. It would be a challenging and eventful year for Bruce Lee. He would broadcast his dissenting view before the first great international martial arts gathering and then defend it by facing down Chinatown's young ace kung fu practitioner in a legendary behind-closed-doors, high-noon-style showdown. The Year of the Green Dragon saw the dawn of martial arts in America and the rise of an icon.

How to Make It in the New Music Business, since its first publication in 2016, has become the go-to resource for musicians eager to make a living in a turbulent industry. Widely adopted by ambitious individuals and music schools across the world and considered "the best how-to book of its kind" (Music Connection), this essential work has inspired tens of thousands of aspiring artists to stop waiting around for that "big break" and take matters into their own hands.

Bram Stoker, despite having a name nearly as famous as his legendary undead count, has remained a puzzling enigma. Now, in this psychological and cultural portrait, David J. Skal exhumes the inner world and strange genius of the writer who conjured an undying cultural icon.

In this captivating memoir, the man whom Julia Child has called "the best chef in America" tells the story of his rise from a frightened apprentice in an exacting Old World kitchen to an Emmy Award-winning superstar who taught millions of Americans how to cook and shaped the nation's tastes in the bargain. The Apprentice is the poignant and sometimes funny tale of a boy's coming of age. Beyond that, it is the story of America's culinary awakening and the transformation of food from an afterthought to a national preoccupation.

Ruskin Bond emerges again, with a delightful set of sketches set in and on the way to his beloved Mussoorie. With an endearing affection and nostalgia for his home of over 40 years, Mr Bond describes his journeys to and from Mussoorie over the years, and then delves into the daily scandals surrounding his life and friends in the (not so) sleepy hill town. The pieces in this collection are characterised by an incorrigible sense of humour and an eye for ordinary - and most often unnoticed - details that are so essential to the geographic, social and cultural fabric of a place.

The story of poison is the story of power. For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns, and antidotes tested on condemned prisoners. Servants licked the royal family's spoons, tried on their underpants, and tested their chamber pots. Ironically, royals terrified of poison were unknowingly poisoning themselves daily with their cosmetics, medications, and filthy living conditions.

The fullest, most textural, most accurate - most human - account of Oscar Wilde's unique and dazzling life - based on extensive new research and newly discovered materials, from Wilde's personal letters and transcripts of his first trial to newly uncovered papers of his early romantic (and dangerous) escapades and the two-year prison term that shattered his soul and his life.

What Remains begins with loss and returns to loss. A small plane plunges into the ocean, carrying John Kennedy, Anthony's cousin, and Carolyn Bessette Kennedy, Carole's closest friend. Three weeks later Anthony dies of cancer. The summer of the plane crash, the four friends were meant to be cherishing Anthony's last days. Instead, Carole and Anthony mourned John and Carolyn, even as Carole planned her husband's memorial.

Le récit de sa propre vie est peut-être le plus beau texte qu'ait jamais écrit Gabrielle Roy (1909-1983). Vibrant, lumineux et émouvant, il porte l'empreinte de cette grande écrivaine à la personnalité forte, attachante, sensible, pleine de vitalité. L'auteure de Bonheur d'occasion y retrace ce qu'on pourrait appeler ses années de formation: sa jeunesse dans la petite communauté francophone de Saint-Boniface au Manitoba, son métier d'institutrice, ses longs séjours en Europe, puis son établissement à Montréal.

You don't have to be a hunter or camper to enjoy this collection of hilarious stories by a writer who is often compared to Mark Twain and Garrison Keillor. In fact, the charm of Patrick F. McManus' work is that it provides plenty of reasons for staying indoors, surrounded by friendly appliances. You'll laugh aloud as McManus and his friends, including Rancid and Crazy Eddie, venture into the great outdoors to face formidable foes.

Combining biography, history, and politics, Our Man Down in Havana investigates the real story behind Greene's fictional one. This includes his many visits to a pleasure island that became a revolutionary island, turning his chance involvement into a political commitment. Exploiting a wealth of archival material and interviews with key protagonists, Our Man Down in Havana delves into the story behind and beyond the author's prophetic Cuban tale, focusing on one slice of Greene's manic life: a single novel and its complex history.

E. E. Cummings' radical experimentation with form, punctuation, spelling, and syntax resulted in his creation of a new, idiosyncratic means of poetic expression. And while there was critical disagreement about his work (Edmund Wilson called it "hideous", while Malcolm Cowley called him "unsurpassed in his field"), at the time of his death in 1962, at age 67, he was, after Robert Frost, the most widely read poet in the United States. Now, in this new biography, Susan Cheever traces the development of the poet and his work.

By the early 1960s nearly everybody paying attention to country music agreed that George Jones was the greatest country singer of all time. After taking honky-tonk rockers like “White Lightning” all the way up the country charts, he revealed himself to be an unmatched virtuoso on “She Thinks I Still Care,” thus cementing his status as a living legend. That’s where the trouble started.

The Swedish painter Hilma af Klint (1862-1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe. But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic.

Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. Her life was 'modern' too: she went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why—despite all the evidence to the contrary—did Agatha present herself as a retiring Edwardian lady of leisure?

Harry Truman and Pablo Picasso were contemporaries and were both shaped by and shapers of the great events of the twentieth century—the man who painted Guernica and the man who authorized the use of atomic bombs against civilians. But in most ways, they couldn’t have been more different. Picasso was a communist, and probably the only thing Truman hated more than communists was modern art. Picasso was an indifferent father, a womanizer, and a millionaire. Truman was utterly devoted to his family. How did they come to be shaking hands in front of Picasso’s studio in the south of France?

In this engaging collection of essays, author and athlete John Jerome celebrates the simplicity and freedom of running. With contagious passion, he strips away fads and myths to offer basic guidelines for participants, from beginning joggers to those preparing for marathons. For years Jerome recorded his thoughts and experiences during his daily training. As he ran, he discovered not only physical benefits, but philosophical ones as well.