Asian Fairy Tales

6-12 yoshli bolalar uchun mo’ljallangan hukmdorlar haqida ertak. Ertak Chin mamlakati hukmdori bilan vazirining o’g’illari bo’lmish Ha-san va Hu-san haqida bo’lib, ularning sayohatga chiqishlari, ko’pgina ajoyib sarguzashtlarni boshlaridan kechirishlari-yu, hamda ikki go’zal sohibjamol qiz, ya’ni malika Mohinabonu bilan arab halifasining qizi Zulayhoning muhabbatiga sazovor bo’lishlari haqida hikoya qiladi.

6-12 yoshgacha bo’lgan bolalar uchun mo’ljallangan odamlar haqida sehrli ertak. Ertak bag’dod xalifasining o’g’li shahzoda Shavkat haqida bo’lib, uning Mohistara ismli sohibjamol go’zal bir qizga maftun bo’lishi, bu qiz o’ziga oshiq bo’lgan barcha yigitlarga shart qo’yishi, bu shartni hech kim bajara olmay, kallasidan judo bo’lishi, Shavkat esa Mohistaraning sirini fosh qilib, barchani uning zulmi va yovuzligidan xalos etishi-yu, o’zi esa oxir-oqibat uni chin qalbdan sevuvchi go’zal bir qizga uylanishi haqida hikoya qiladi.

小泉八雲の名作を、プロの朗読でお楽しみください。

Jiho comes from a long line of forest rangers who protect the Kidahara - an ancient and mysterious wood that is home to powerful supernatural creatures. But Jiho wants nothing to do with the dangerous forest. Five years ago, his father walked into the Kidahara and disappeared. Just like the young Princess Koko, the only daughter of the kingdom’s royal family. Jiho knows better than anyone else the horrors that live deep in the magical forest and how those who go in never come back.

Soma's mother, T.M. Song, was a storyteller and this is a tale she used to tell her daughters when they were little girls. Her mother had told it to her when she was growing up in a rural village in Korea during the reign of King Kojong.... The underlying lesson is filial piety, respect for one's parents, presented in an engrossing Oriental Cinderella story.

You are in luck, because you are about to be entertained by some of the most engaging, supernatural stories from Chinese mythology.

Clever Prince Veera and his best friend, Suku, are back in a vibrant new collection of stories riddled with surprises. When the prince’s great uncle, Raja Apoorva, invites the boys to the summer festival in Peetalpur, Prince Veera and Suku are excited to compete in the games. It’s no easy feat to make the peahen sing (when peahens can’t sing) or defeat the country's champion wrestler, but Raja Apoorva’s riddles prove the ultimate test of the boys’ wit and wisdom. Packed with wise-cracking dialogue, these festive tales of two friends will captivate listeners of all ages.

Aladin ist ein junger Mann, der von einem Zauberer beauftragt wird, eine Öllampe in einer magischen Höhle zu finden. Nachdem der Zauberer ihn zu betrügen versucht, behält Aladin die Lampe für sich. Er entdeckt, dass in der Lampe ein Dschinn steckt, der die Wünsche des Lampenbesitzers erfüllen muss. Mit Unterstützung des hilfreichen Geistes wird Aladin reich und mächtig und heiratet die schöne Tochter des Sultans.

大切にしていた赤い手袋を落としてしまい、拾いに行きたかったのですがあきらめた正雄。
そしてその手袋は、通りかかった子どもに拾われて…。

小川未明の名作を
NHK出身

早く芽を出したいチューリップの子ども。まだ早いと諭す母親。それでも、芽を出したくて土の上にでてみたら…。童話作家小川未明の短編をNHK出身アナウンサー

さびしい冬の間、人形と一緒に過ごした少女。でも春が近づくと人形は…。童話作家小川未明の短編をNHK出身アナウンサー福井一恵の朗読で。

駅前で新聞を売る二人の女。行き来の人を見ながら思うこと。そして、お正月に買ったのは…。童話作家小川未明の短編をNHK出身アナウンサー福井一恵の朗読で。

When Astrid Xu stumbles upon a magic Chinese scroll, she can't help but wonder if it holds the key to helping her mom's depression. What Astrid doesn't expect is to be transported along with her little sister, Marilla, to Zhen -- a realm where the Chinese legends of old are real! But all is not well in Zhen. An ancient evil known as Chaos is wreaking havoc throughout the land, and Astrid is the only one who can stop it.

Melony Yoshimura’s parents have always been overprotective. They say it’s because a demonic spirit called the Amanjaku once preyed upon kids back in Japan, but Melony suspects it’s just a cautionary tale to keep her in line. So on her twelfth birthday, Melony takes a chance and wishes for the freedom and adventure her parents seem determined to keep her from.

Told in brief, repetitive episodes, Ichiro and the Great Mountain follows a young, free-spirited boy through the stages of life as he searches for his true self, making this original literary folktale by award-winning author and storyteller W. Nikola-Lisa a story of becoming or, in the Buddhist tradition, a story of self-realization and enlightenment.

Marikit is used to wearing recycled clothes. Her mother, the best seamstress in the barrio, has become an expert at making do ever since Marikit’s father and brother were lost at sea. But for her tenth birthday, all Marikit wants is something new. So when her mother gifts her a patchwork dress stitched together with leftover scraps from her workshop, Marikit vows to never wear it. That is, until the eve of her birthday, when shadow creatures creep into their home and upend the only life she’s ever known.

Wer die Götter herausfordert, dem ist echt nicht zu helfen... Aru Shah kann es kaum fassen: Eigentlich wollte sie ihren Klassenkameraden nur beweisen, dass die antike Öllampe im Museum ihrer Mutter tatsächlich verflucht ist - und nun soll sie durch das Entzünden der Lampe das Ende des Universums eingeläutet haben?! Um das Schlimmste zu verhindern, bekommt sie von den Wächtern des Himmelspalasts einen geheimen Auftrag. Zum Glück wird ihr auch ein mächtiger Beschützer an die Seite gestellt - der allerdings im Körper einer Taube gefangen ist.

"Ihr Ameisen, kommt! Kommt alle, fresst! Im Palast ist ein Wagen voll Reisbrei umgestürzt, da könnt ihr euch gütlich tun! Kommt!" Wir erfahren in den Indischen Märchen: Auch für die kleinsten Ameisen ist gesorgt, genau wie für die Elefanten, für Groß und Klein, für Menschen und für Götter: das ­Leben ist ein verschlungener Reigen, Oben und Unten spiegeln und vertauschen sich tausendfältig. Alexander Gruber hat alle Märchen neu erzählt, bleibt dabei den alten Geschichten treu und holt sie doch herüber in die heutige Zeit.

ధైర్యంగా, తెలివిగా బ్రతకటం నేర్పుతాయి చిట్టి పొట్టి కథలు.

We think of love stories as those that end in happily-ever-after. But thousands of years ago, in ancient India, love was understood in a different way—as one of the four aims of life, as a means for spiritual growth, as a celebration of the play of the Divine. As something profound, beautiful, and sometimes elusive.