Asian Politics

In public life and in Shih's own, "Asian Americanness" has changed shape constantly, directed by the needs of the country's racial imaginary. A memoir in essays, Chinese Prodigal examines the emergence of "Asian American" identity in a post-Civil Rights America in the wake of Vincent Chin's death. Shih guides us through the roles offered to Asian Americans to play, illuminating what these issues have to teach us about American values and about the vexed place Asians and Asian Americans inhabit today. Shih masterfully captures the intimate costs of becoming an American.

In Western Journeys, Teow Lim Goh charts her journeys immigrating from Singapore and spending the last 15 years living in and exploring the American West. Goh chronicles her lived experiences while building on the longer history of immigrants from Asia during the 19th and 20th centuries, bringing new insights to places, the historical record, and memory.

Daryl Joji Maeda's account of Bruce Lee's legacy traces how movements and migrations across the Pacific Ocean structured the cultures Lee inherited, the milieu he occupied, the martial art he developed, the films he made, and the world he left behind. A unique blend of cultural history and biography, Like Water unearths the cultural strands intertwined in Lee's rise to a new kind of global stardom. Moving from the gold rush in California and the British occupation of Hong Kong to the Cold War, Maeda builds depth and complexity to this larger-than-life figure.

On February 19, 1942, following the Japanese bombing of Pearl Harbor and Japanese Army successes in the Pacific, President Franklin Delano Roosevelt signed a fateful order. In the name of security, Executive Order 9066 allowed for the summary removal of Japanese aliens and American citizens of Japanese descent from their West Coast homes and their incarceration under guard in camps. Amid the numerous histories and memoirs devoted to this shameful event, FDR's contributions have been seen as negligible.

In 1885, following the massacre of Chinese miners in Wyoming, communities throughout California and the Pacific Northwest harassed, assaulted, and expelled thousands of Chinese immigrants. The Chinese Must Go shows how American immigration policies incited this violence, and how this gave rise to the concept of the "alien" in America. Our story begins in the 1850s, before federal border control established strict divisions between citizens and aliens. By tracing the idea of the alien back to this violent era, Lew-Williams offers a new origin story of today's racialized border.

A move at age ten from a Detroit suburb to Chattanooga in 1984 thrusts Anjali Enjeti into what feels like a new world replete with Confederate flags, Bible verses, and whiteness. It is here that she learns how to get her bearings as a mixed-race brown girl in the Deep South and begins to understand how identity can inspire, inform, and shape a commitment to activism. Her own evolution is a bumpy one, and along the way Enjeti, racially targeted as a child, must wrestle with her own complicity in white supremacy and bigotry as an adult.

Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life - child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen - mirrors the arc of Japanese America in the 20th century. In a series of pilgrimages, Shimoda records the search to find his grandfather and unfolds, in the process, a moving elegy on memory and forgetting.

Author Lauren Hilgers captures the joys and indignities of building a life in a new country - and the stubborn allure of the American dream - in this deeply reported story of one indelible family transplanted from rural China to New York City.

In summer 2006, 20-year-old Gerald Yeung and his childhood friends from Hong Kong travel to South America and Africa on their parents' dime. Confronted by challenges foreign to their privileged upbringing, the "Wannabe Backpackers" persevere in their Christian Dior clothes. They make plans to do it again when they turn 30. The decade that follows doesn’t go exactly to plan.

Forced Out: A Nikkei Woman’s Search for a Home in America offers insight into “voluntary evacuation,” a little-known Japanese American experience during World War II, and the lasting effects of cultural trauma. Of the roughly 120,000 people forced from their homes by Executive Order 9066, around 5,000 were able to escape incarceration beforehand by fleeing inland.

Throughout Southern India, eighty-six villages are set to completely submerge due to a government-sanctioned dam across the Krishna River. Nilgi, one such village on the banks of the mighty River Krishna, has so far escaped unscathed from the illegal iron-ore mining and floods that have ravaged the rest of the district for decades. The village believes itself to be indestructible and incorruptible despite warnings of impending doom.

Pioneering Chinese American actress Anna May Wong made more than 60 films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity, as she embodied the dominant image of Chinese, and more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist, and positions the actress as a historical and cultural entrepreneur who rewrote categories of representation.

Lily Nakai and her family lived in Southern California, where sometimes she and a friend dreamt of climbing the Hollywood sign that lit the night. At age 10, after believing that her family was simply going on a “camping trip”, she found herself living in a tar-papered barrack, nightly gazing out instead at a searchlight. She wondered if anything would ever be normal again. In this creative memoir, Lily Havey uses storytelling to recount her youth in two Japanese American internment camps during World War II.

On September 15, 1924, Martha Lum and her older sister Berda were barred from attending middle school in Rosedale, Mississippi. The girls were Chinese American and considered by the school to be “colored”; the school was for whites. This event would lead to the first US Supreme Court case to challenge the constitutionality of racial segregation in Southern public schools, an astonishing thirty years before the landmark Brown v. Board of Education decision.Brown v. Board of Education decision.

In this classic book on the meaning of multiculturalism in larger American society, Gary Okihiro explores the significance of Asian American experiences from the perspectives of historical consciousness, race, gender, class, and culture.

Khushwant Singh's Big Book of Malice brings together some of his nastiest and most irreverent pieces. Witty, sharp, and brutally honest, this collection is certain to delight and provoke listeners of all ages.

The mass incarceration of Japanese Americans during World War II is not only a tale of injustice; it is a moving story of faith. In this pathbreaking account, Duncan Ryuken Williams reveals how, even as they were stripped of their homes and imprisoned in camps, Japanese American Buddhists launched one of the most inspiring defenses of religious freedom in our nation's history, insisting that they could be both Buddhist and American.

大正・昭和時代の代表的哲学者。京都大学教授・名誉教授。西田哲学と呼称される京都学派の創始者。 日本初の本格的な哲学書となった、西田の代表作［弘道館、1911（明治44）年１月］。

禅の修業を通して得た東洋的精神性の自覚と＜純粋経験＞の立場から、知識・道徳・宗教への思索を深めた独自の哲学論を展開。 東洋と西洋の哲学を統合した東西思想の統一が、近代的自我の確立に苦しんでいた青年層に衝撃的な影響を与えた。

A memoir of a South Vietnamese colonel's daughter, chronicling the tumultuous years growing up in the war-torn country of Vietnam and the abrupt and brutal regime change that forced her disruptive and disorienting coming of age between two vastly different cultures.

Nearly a decade after his triumphant Charlie Chan biography, Yunte Huang returns with this long-awaited portrait of Chang and Eng Bunker (1811-1874), twins conjoined at the sternum by a band of cartilage and a fused liver, who were "discovered" in Siam by a British merchant in 1824. Bringing an Asian American perspective to this almost implausible story, Huang depicts the twins, arriving in Boston in 1829, first as museum exhibits but later as financially savvy showmen who gained their freedom and traveled the backroads of rural America to bring "entertainment" to the Jacksonian mobs.