Author Memoirs

Destined to Die Young is the definitive examination of why the world lost Elvis Presley on August 16, 1977, when he was only 42 years old. Author Sally Hoedel has painstakingly researched the subject and offers factual and scientific data—plus never-before-published information she gained by interviewing people who personally knew Elvis—to support her claim that Elvis Presley was never going to live a long life.

Drawing on the diaries of one woman in 18th-century Maine, this intimate history illuminates the medical practices, household economies, religious rivalries, and sexual mores of the New England frontier. Between 1785 and 1812, a midwife and healer named Martha Ballard kept a diary that recorded her arduous work (in 27 years she attended 816 births) as well as her domestic life in Hallowell, Maine.

If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

The year 2010 marks the 100th anniversary of Twain’s death. In celebration of this important milestone, here, for the first time, is Mark Twain’s uncensored autobiography, in its entirety, exactly as he left it. This major literary event offers the first of three volumes and presents Mark Twain’s authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave, as he intended.

After narrowly avoiding a firing squad when he was just twenty-eight years old, Dostoevsky never took things lightly. His great novels burst upon the European literary scene like a succession of thunderbolts. His understanding of the darker and more extreme recesses of the human mind cast a forceful light into these areas of experience. The raw psychology and passionate involvement of his books galvanized writers and thinkers as disparate as Nietzsche and Kafka.

aking George Orwell's famous essay, "Why I Write", as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity, and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succor, from one of our most vital contemporary writers.

Dark, deviant, and deliriously funny, Jude Angelini writes in the colloquial vein of Charles Bukowski, using his unique, natural voice to tell stories from his life. He writes about his sexual encounters - both strange and intimate - alongside stories from his childhood and his tell-all experiences with "science drugs". Throughout it all, Jude is critical of himself and his actions, proving himself to be vulnerable, lonely, and extremely relatable. A stellar follow-up to Hyena.

As the only authorized biographer, Davies had full access to the Fab Four, as well as their help and ecouragement. He spent 18 months with them when they were at the peak of their musical genius and at the pinnacle of their popularity, making a mark on history and popular culture that would never fade.

John Hay, Lincoln's private secretary and later secretary of state under presidents McKinley and Roosevelt, and Samuel Langhorne Clemens, famous as "Mark Twain", grew up 50 miles apart on the banks of the Mississippi River in the same rural antebellum stew of race, class, and want. This shared history drew them together in the late 1860s, and their mutual admiration never waned in spite of sharp differences.

Sportsman, womanizer, naval commander, world-traveler, spy, this suave Old Etonian creator of the Cold War's archetypal secret agent was infinitely more complicated and interesting than his major fictional character, Agent 007.

A famous autobiographical account of life as a young soldier in the first World War trenches. Robert Graves, who went on to write I, Claudius, has given to posterity here one of the all-time great insights into the experience of war.

"Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt," writes New Yorker literary editor Bill Buford. As a journalist, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. She also bewitched Eleanor Roosevelt's secret love and enraptured Ernest Hemingway with her courage as they dodged shell fire together.

Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing. In his myriad lives he was a scholar of law, a sea adventurer, a priest, an MP—and perhaps the greatest love poet in the history of the English language. Along the way he converted from Catholicism to Protestantism, was imprisoned for marrying a sixteen-year old girl without her father’s consent, struggled to feed a family of ten children, and was often ill and in pain.

In this fascinating document, one of Japan's best known - and controversial - writers created what might be termed a new literary form. It is new because it combines elements of many existing types of writing, yet in the end, fits into none of them. The road Mishima took to salvation is a highly personal one. Yet here, ultimately, one detects the unmistakable tones of a self transcending the particular and attaining to a poetic vision of the universal.

Albert Camus (1913-1960) is unsurpassed among writers for a body of work that animates the wonder and absurdity of existence. Personal Writings brings together, for the first time, thematically-linked essays from across Camus's writing career that reflect the scope and depth of his interior life. Grappling with an indifferent mother and an impoverished childhood in Algeria, an ever-present sense of exile, and an ongoing search for equilibrium, Camus's personal essays shed new light on the emotional and experiential foundations of his philosophical thought....

Gary Gilmore, the infamous murderer immortalized by Norman Mailer in The Executioner's Song, campaigned for his own death and was executed by firing squad in 1977. Writer Mikal Gilmore is his younger brother. In Shot in the Heart, he tells the stunning story of their wildly dysfunctional family: their mother, a black sheep daughter of unforgiving Mormon farmers; their father, a drunk, thief, and con man. It was a family destroyed by a multigenerational history of child abuse, alcoholism, crime, adultery, and murder.

In this transcendent memoir, grounded in tribal myth and ancestry, music and poetry, Joy Harjo, one of our leading Native American voices, details her journey to becoming a poet. Born in Oklahoma, Harjo grew up learning to dodge an abusive stepfather by finding shelter in her imagination, a deep spiritual life, and connection with the natural world. She attended an Indian arts boarding school, where she nourished an appreciation for painting, music, and poetry; gave birth while still a teenager; and struggled on her own as a single mother, eventually finding her poetic voice.

Charles Bukowski turns to the bottle in this revelatory collection of poetry and prose that includes some of the writer’s best and most lasting work. A self-proclaimed “dirty old man”, Bukowski used alcohol as muse and as fuel, a conflicted relationship responsible for some of his darkest moments, as well as some of his most joyful and inspired. In On Drinking, Bukowski expert Abel Debritto has collected the writer’s most profound, funny, and memorable work on his ups and downs with the hard stuff.

Draft No. 4 is an elucidation of the writer's craft by a master practitioner. In a series of playful but expertly wrought essays, John McPhee shares insights he's gathered over his career and refined during his long-running course at Princeton University, where he has launched some of the most esteemed writers of several generations. McPhee offers a definitive guide to the crucial decisions regarding structure, diction, and tone that shape nonfiction pieces and presents extracts from some of his best-loved work, subjecting them to wry scrutiny.

The First World War laid waste to a continent and brought about the end of innocence — and the end of faith. Unlike a generation of young writers who lost faith in the God of the Bible, however, J. R. R. Tolkien and C. S. Lewis found that the Great War deepened their spiritual quest. Both men served as soldiers on the Western Front, survived the trenches, and used the experience of that conflict to ignite their Christian imagination.