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Here is one of the best historical novels ever written. Lame, stammering Claudius, once a major embarrassment to the imperial family and now emperor of Rome, writes an eyewitness account of the reign of the first four Caesars: the noble Augustus and his cunning wife, Livia; the reptilian Tiberius; the monstrous Caligula; and finally old Claudius himself. Filled with poisonings, betrayal, and shocking excesses, I Claudius is history that rivals the most exciting contemporary fiction.

Robert Graves continues Claudius' story with the epic adulteries of Messalina, King Herod Agrippa's betrayal of his old friend, and the final arrival of that bloodthirsty teenager, Nero.

Private Detective Cormoran Strike is contacted by a worried father whose son, Will, has gone to join a religious cult in the depths of the Norfolk countryside. The Universal Humanitarian Church is, on the surface, a peaceable organization that campaigns for a better world. Yet Strike discovers that beneath the surface there are deeply sinister undertones, and unexplained deaths.

The politics of empire-building and the hypocrisies, back-stabbings, and corruptions of Rome's first family come to light. First published in 1934, the book retains a marvelously modern and often comic tone, and is written in the form of Claudius' autobiography. This is gripping stuff, read by one of our finest actors, who also starred as Claudius in the classic television series.

"Good-Bye to All That: An Autobiography" by Robert Graves is a seminal work that vividly captures the harrowing experiences of a young British officer during World War I.

Read in the style of a secret diary, this famous sequel to I, Claudius gives a wry and human view of the Roman world, bringing to life some of the most scandalous and violent times in history. Claudius has survived the murderous intrigues of his predecessors to become, reluctantly, Emperor of Rome. He recounts his surprisingly successful rule; how he cultivates the loyalty of the army to repair the damage caused by his nephew Caligula; his friendship with the Jewish King Herod Agrippa; and his invasion of Britain.

A famous autobiographical account of life as a young soldier in the first World War trenches. Robert Graves, who went on to write I, Claudius, has given to posterity here one of the all-time great insights into the experience of war.

During the investigation into the death of a woman on a Liverpool housing estate, DI Tara Grogan encounters Callum, a local recluse who claims to have information. But he won't help her unless she, in turn, helps him find out the truth about the suspicious death of his wife and child. Tara is ready to dismiss his outlandish theories and ravings, until she discovers that, like her, he was a student at Latimer College, Oxford. A place which she has very much buried in the past.

A full-cast dramatisation of Robert Graves' brilliant account of the madness and debauchery of ancient Rome, starring Tom Goodman Hill as Claudius and Derek Jacobi as Augustus. The wickedly entertaining inside story of the lives and deaths of the Imperial dynasty from Augustus to Caligula is told by their obscure relation, Claudius. In public, Claudius is a stammering, drooling weakling, whose reputation as an idiot keeps him safe from office and assassination.

Tracy Crosswhite has spent 20 years questioning the facts surrounding her sister Sarah’s disappearance and the murder trial that followed. She doesn’t believe that Edmund House - a convicted rapist and the man condemned for Sarah’s murder - is the guilty party. Motivated by the opportunity to obtain real justice, Tracy became a homicide detective with the Seattle PD and dedicated her life to tracking down killers.

The Horrors of Fox Hollow Farm provides detailed insights from the original criminal investigation as well as the perspectives of the man who survived Herb's attempt on his life. This chilling book also features actual supernatural evidence - from EVPs and psychic confirmations to first-hand accounts of the disembodied hands and voices that regularly manifest on the estate.

Washington, DC, was hardest hit in the nukecaust that heralded the Deathlands era. But beneath the crater of radioactive ruins, a functioning city of survivors is crafting a culture that plans to reshape America. Ryan Cawdor and his companions enter into this enclosed, underground world and find an ordered and progressive society based on the tenets of the US Constitution. But as they settle into this seeming idyll, the companions uncover a sinister threat at the ville’s heart and a bold plan to finally wipe out the last remnants of humankind.

When Abby, an American archaeologist, arrives in St. Denis on the heels of her divorce, she hopes to make a new life for herself as a specialist guide for visiting tourists. So when a local British couple discover a grave from World War II on their property, Abby is able to put her training to good use. As it turns out, in the grave are the remains of two German women and an Italian submarine office who had a big secret to hide: the women are suspected of having had links to the German garrison in Bordeaux during the war.

T. E. Lawrence began his lifelong affair with the Middle East as a student at Oxford, taking a four-month walking tour of Syria to study the Crusaders' castles. He later returned to the area as an archaeologist and was attached to British Army Intelligence in Egypt at the outbreak of World War I. In 1916, he set out on his greatest adventure: with no backing, Lawrence joined Arab forces facing almost insurmountable odds in a rebellion against Turkish domination.

In the midst of bombs and bullets, trenches and trauma, the soldiers of World War I, and those observing the horrors taking place from home, took pen to paper to record their experiences in verse. These poems - considered the greatest written during WWI and some of the greatest poetry of the twentieth century - show the horror of war but also shine a light on the strength of human courage, bravery, and virtue.

The poems in this collection, "Fairies and Fusiliers", appeared in 1918, after Robert Graves returned from World War I in his early 20s. The fairy poems are from the carefree happy days of childhood and make-believe recalled by a man who has lived the reality and horror of war. The poems of war are written only as one who has witnessed it can tell them.

Warlock Holmes and Dr. John Watson find themselves inconvenienced by a variety of eldritch beings, and the fact that one of them has goat legs. Christmas brings a goose that doesn't let being cooked slow him down, then they meet an electricity demon and discover why being a redhead is even trickier than one might imagine, and Holmes attempts an Irish accent. And naturally Moriarty is hanging around in some form or other.

Immaginaria autobiografia del grande imperatore, Io, Claudio rievoca i fasti, i costumi e la potenza della Roma imperiale, ma anche gli episodi grotteschi e le tragiche avventure di colui che, tra i dodici Cesari, ebbe la vita più movimentata. Primo "generalissimo" dell'impero, seguiremo Claudio nell'instaurazione della dominazione permanente della Britannia, nei palazzi dei deserti libici, per le strade di Roma, negli accampamenti dei Balcani, addirittura ad Antiochia in una casa infestata dagli spiriti.

Almost-authentic medium Claire and her best friend, Sophie, agree to take on a seemingly simple job at a crumbling old manor in the English countryside: performing a seance for the family matriarch's 80th birthday. The pair have been friends since before Sophie went missing when they were seventeen. Everyone else is convinced Sophie simply ran away, but Claire knows the truth. Claire knows Sophie was murdered because Sophie has been haunting her ever since.

Prima della scienza, prima della religione, c'è il mito. Modo ingenuo - ci dicono -, modo fantasioso, spregiudicato e prescientifico, di spiegare l'origine delle cose e degli uomini, gli usi i costumi e le leggi. Filologia, etnografia, antropologia hanno lacerato il velo del mito, evidenziandone le radici ideologiche, il retroterra di superstizione e di magia. Ma i miti, così dissezionati, ci vengono restituiti alla stregua di freddi reperti anatomici, buoni tuttalpiù per qualche museo.