British Crime Fiction

DC Sophie Jones was in the wrong place at the wrong time. Viciously bludgeoned one night in a dark alley, she is left fighting for her life in hospital, leaving no clues as to why she was there or what might have motivated the attack. For Detective Karen Hart, fiercely protective of her young protégée, this is already deeply personal: an attack on Sophie is an attack on the whole team. When a car workshop near the crime scene is linked to local mobster Quentin Chapman, the man Hart has spent years trying to bring down, it’s hard not to jump to the most obvious conclusion.

When a film shoot on Wharfedale’s vintage railway turns into a grisly crime scene, DCI Oldroyd’s idyllic visit to the countryside with his partner Deborah is well and truly stopped in its tracks. One of the film’s stars has been shot dead in a train carriage while the cameras rolled outside. But nobody else went in—or came out. Has the killer really pulled off the perfect, impossible crime?

DI Bliss attends the aftermath of an apparent murder-suicide—but the scene tells him and his colleagues something very different occurred. Now the Peterborough Major Crimes Unit face an adversary like no other. They have no idea why his victims had to die. They have no idea who he is. They have no idea where he might strike next—only that he will. But while the killer is cunning, leaving no evidence for them to find, his biggest mistake might be in underestimating the team now hunting him. Because when Jimmy Bliss is on the case, all bets are off.

SPIDER MOUTHDI FRED FAIRSERVICE has just returned from holiday when he’s confronted with several mysterious deaths; the mutilated dead body of a junkie, the apparent suicide of a housewife, and the murder of a cannibal, kicks off the strangest investigation of his dark and brutal career. But the strangest element of the case is the connection to the deaths of several old men and women who are found with spiders placed in their mouths.

Melissa couldn’t be happier that summer has arrived. She’s delighted to have her mother back by her side, and she is extending her beloved Hawthorn Cottage so her new family can live together. Meanwhile, Melissa’s mother, Sylvia, is back in good health and enjoying a brief stay at a stately retirement home. She loves getting to know the residents, until first a dog and then his owner are both found dead in the dining room. Like mother, like daughter, Sylvia decides to do a little investigating of her own.

DI Kate Young is on leave. She’s the force’s best detective, but her bosses know she’s under pressure, on medication and overcoming trauma. So after her bad judgement call leads to a narrowly averted public disaster, they’re sure all she needs is a rest. But when Staffordshire Police summon her back to work on a murder case, it’s a harder, more suspicious Kate Young who returns. With a new ruthlessness, she sets about tracking down a clinical, calculating serial killer who is torturing victims and leaving clues to taunt the police.

A routine missing person enquiry takes a grisly turn when a young couple drag a box containing human remains out of a Somerset river. The victim was a surveillance expert investigating an exaggerated injury claim—a murder with an obvious motive, until a police officer is implicated and suspended. Still brooding after his recent brush with police Professional Standards, Detective Chief Inspector Nick Dixon is on extended leave, helping his pregnant fiancée, Detective Sergeant Jane Winter, fight for her place on the major investigation team.

Retired policeman turned killer Jeffrey Brandt has gone underground. He is even living something like a normal life in North Wales. He killed to make society stand up and take notice. It did. His crimes are notorious. So infamous, in fact, that someone wants to emulate him. How will Brandt react to a copycat killer? Will he be flattered, or disturbed that someone wants to steal his limelight? Crucially, for investigating officer DSI Stella Johnson, the new spate of murders might offer an opportunity to finally bring Brandt to justice.

Marty Wingate presents Book 7 in the Potting Shed Mysteries series.

1894. A well-respected academic is found dead in a gentlemen’s convenience cubicle at the British Museum, the stall locked from the inside. Professor Lance Pickering had been due to give a talk promoting the museum’s new 'Age of King Arthur' exhibition when he was stabbed repeatedly in the chest. Having forged a strong reputation working alongside the inimitable Inspector Abberline on the Jack the Ripper case, Daniel Wilson is called in to solve the mystery, and he brings his expertise and archaeologist Abigail Fenton with him.

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

There's a secret, that much is certain, but who knows? The missing actress? The executive producer, his eavesdropping assistant? Or the actor who portrayed her fictional brother on the Soap Opera? DCI Isaac Cook of the Murder Investigation Team at Challis Street Police Station in London is searching for the missing woman. Why has he been taken away from more important crimes to search for the woman? It's not the first time she's gone missing, and why does everyone assume she's been murdered?

There's a new man in charge at Bow Street Magistrates' Court and all is not well. His ambition is to split up Lavender and Woods—and to add to Lavender's woes, someone is leaking exaggerated stories about his investigations to The Times. Lavender is tasked with solving the theft of an aristocrat's precious jewels, while Woods is instructed to track down a libeler. But after a series of vicious murders and surprising coincidences, they discover that these apparently unconnected crimes have more in common than they could ever have imagined.

DCI Lesley Clarke thinks she’s close to solving her predecessor’s murder. But when the body of a police officer connected to the crime turns up in the abandoned village of Tyneham, the case steps up a gear. And when someone she's close to is threatened by the killer, Lesley’s quest for the truth becomes even more urgent. Can Lesley convince her senior officers of the truth, keep her team on track and protect her family?

The Susannah Ramsay and Sadie Dawes cases are solved and DCI Lesley Clarke's team is back together. But there are tensions. Is Dennis hiding more than just mental health problems? Did Superintendent Carpenter cover up the details of DCI Mackie's death? And does Lesley's girlfriend Elsa know more about Mackie than she's letting on? Just as Lesley feels she is getting closer to answers, she's forced to work on the other side of Dorset after a body is uncovered by a landslide at Lyme Regis's beach. Who is the body and is there a connection to DCI Mackie, Arthur Kelvin, and Elsa's law firm?

DCI Lesley Clarke is a busy woman. She's dealing with the reopened investigation into DCI Mackie's death, supporting DS Dennis Frampton through recurring mental health problems, and making plans for her own future. And then prominent crime boss Arthur Kelvin is found dead at a local beauty spot. Who killed him? Could it have been a member of his own gang? A rival, from within Dorset or further afield? Or maybe one of Kelvin's many victims? When Lesley starts to suspect that someone close to her might be involved, her world turns on its head.

When the dead body of a woman is found on public display, the murder scene bears all the hallmarks of a famous work of art. DI Ian Drake knows he is dealing with a very creative and intelligent killer - one who enjoys having their work showcased for all to see. As more murders take place, each copying a famous work of art, Drake faces a murderer who always seems to be one step ahead.

When Detective Mark Turpin is assigned the task of investigating the death of a local businessman, the case is first thought to be one of accidental drowning. Until a bullet hole is found where the victim fell into the River Thames. Then a number of graves are unearthed at a disused airfield site being redeveloped by the dead man, exposing a horrific secret and plunging Mark into one of the darkest investigations of his career. After two more bodies are discovered amongst the burnt-out ruins of a building on a nearby industrial estate, Mark realises that a serial killer is at large.

When a high-flying adman is stabbed to death on a company weekend in the English Lake District, local detective Daniel Skelgill finds himself wrenched from his rural Cumbrian comfort zone. As the investigation unfolds, DI Skelgill is led a merry dance between London and Edinburgh, at every turn confronted by uncooperative suspects—colleagues, wife and lovers of the deceased—each of whom is possessed of motive and opportunity. Is this a crime of passion, a professional hit, or a cleverly calculated killing borne out of greed and jealousy?

The career of playwright Joy Sinclair comes to an abrupt end on an isolated estate in the Scottish Highlands when someone drives an 18-inch dirk through her neck. Called upon to investigate the case in a country where they have virtually no authority, aristocratic Detective Inspector Thomas Lynley and his partner Detective Sergeant Barbara Havers grapple for both a motive and a murderer. Emotions run deep in this highly charged drama, for the list of suspects soon includes Britain’s foremost actress, its most successful theatrical producer, and the woman Lynley loves.