British Crime Fiction

It's only 10 days since Douglas Remfry's release from prison, having served seven years for rape, and now he's dead: naked on a bare mattress in a grubby north London hotel room, his head hooded and his hands tied with a brown leather belt. Someone knew he was coming out. Someone wanted to mete out some punishment of his own. And when a second sex offender is found dead, DI Tom Thorne knows he has a vicious, calculating vigilante on his hands.

When the police are unable to find a body, they are forced to dismiss a homeless veteran’s claim that he witnessed a homicide. But after he is found murdered in the same spot two days later, DI Bliss and the Major Crime Unit set their sights on catching a ruthless killer. Elsewhere, when the daughter of a cuckooed family is reported to have attempted suicide, Jimmy Bliss and DC Penny Chandler have their doubts and vow to uncover the truth. But the situation is about to get much worse, and violence is certain to erupt on the city streets.

Kendal Guthrie could start an argument in an empty room, but who killed him, and why? The Crime Review Team was formed in Wiltshire, England, to investigate old cold cases. Headed by Gus Freeman, the team has successfully solved several cases, using old witness statements plus fresh clues. Kendal Guthrie argued with five people in a remote country pub on the night he died. How could the killer have reached Guthrie’s farm ahead of him that night? It seemed impossible. Gus Freeman believes that distance, time, and locations are the key to solving the mystery.

Penelope Parish has hit a streak of bad luck, including a severe case of writer's block that is threatening her sophomore book. Hoping a writer in residence position at The Open Book bookstore in Upper Chumley-on-Stoke, England, will shake the cobwebs loose, Pen, as she's affectionately known, packs her typewriter and heads across the pond. Unfortunately, life in Chumley is far from quiet, and when the chairwoman of the local Worthington Fest is found dead, fingers are pointed at Charlotte Davenport, an American romance novelist and the future duchess of Worthington.

The woman in white—surreal artist Damaris Gethin—has invited a select group to the opening of her exhibit Artist in Crime, held in the eerie subterranean Hades Gallery. As costumed models reenact famously violent deaths, the artist herself portrays Marie Antoinette on the day of her execution, complete with a guillotine on the stage. It's not a prop; within ten minutes of Rachel's promise to solve Damaris's future murder, the artist slips her neck into the collar of the device and the very real blade sends her head rolling at the feet of her horrified audience.

When Amelia is invited to an all-expenses-paid retreat on a private island, the mysterious offer is too good to refuse. Along with six other strangers, she’s told they’re here to test a brand-new product for Timeo Technologies. But the guests’ excitement soon turns to terror when the real reason for their summons becomes clear. Each guest has a guilty secret. And when they’re all forced to wear a memory-tracking device that reveals their dark and shameful deeds to their fellow guests, there’s no hiding from the past. This is no luxury retreat - it’s a trap.

When East-End gangster and 'frenemy' to the Last Chance Saloon, Johnny Lucas, is accused of murdering a London gangland rival in his boxing club, he claims his brother was the killer. The only problem though is that his brother, Jackie, is actually Johnny's multiple personality. Pulled in to prove the case, DI Declan Walsh and his team soon realize that Johnny might be as innocent as he claims, as a new player is in town, claiming to be Johnny's brother Jackie in the flesh, a man who shouldn't exist yet can prove he does, is starting to carve out his own empire.

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

Will's a nice guy. So when he takes a shortcut to the tube station after a few beers with his mates from work, he steps out of the way of the fellow who's staggering towards him. But he—deliberately—moves back into his path. They knock each other as they pass. Moments later, one man is dead and another's life is changed forever. Or is it? There are no CCTV cameras. There was no one else in the out-of-the-way alley. Maybe the world doesn't have to end for Will after all. But there's always someone watching, and Will's life is about to implode.

When the dead body of a woman is found on public display, the murder scene bears all the hallmarks of a famous work of art. DI Ian Drake knows he is dealing with a very creative and intelligent killer - one who enjoys having their work showcased for all to see. As more murders take place, each copying a famous work of art, Drake faces a murderer who always seems to be one step ahead.

Dorothy Martin’s husband, Alan Nesbitt, is heavily involved in the complex and lengthy process of choosing a new bishop for Sherebury Cathedral. The very day that the short list is announced publicly, one of the candidates is found murdered in his own church. With a long list of possible suspects, including Alan himself, Dorothy and Alan start to delve into the history of the victim, hoping to find some clue to a motive for murder. Then a second candidate is found dead, and the case becomes very complicated indeed. Who is murdering England’s clergymen and why …?

Meet disgraced ex-DI Ellie Reckless, a self-proclaimed "cop for criminals", and the person the underworld calls when they can't call the police. For months now, she's built up a series of favors, all so she can set them off like dominos—proving that Nicky Simpson, YouTube sensation and wannabe gangster, was the man who destroyed her life—and killed the man she loved. And in return, Nicky has watched her carefully, waiting to see whether she's too much of a threat to keep alive. But when Nicky's life is threatened, he's forced to turn to Ellie and her team for help.

Who killed Danute Zukas, a twenty-three-year-old Lithuanian woman, in July, 2014? In Wiltshire, England, the Crime Review Team investigates cold cases and has successfully resolved more than a dozen. Headed by former police detective Gus Freeman, the team uses old witness statements plus fresh clues to start the hunt again. Danute Zukas arrived in Bath, England, in March, 2011, worked in a late-night bar, and was well liked and happy. Then in April, 2012, she quit her job and disappeared.

CASE FILE #18–June 2008. Katherine Alford was found dead in her car at a local beauty spot. The devoted mother had received an urgent phone call late in the evening, and asked a neighbor to babysit for ten minutes. She never returned. Gus Freeman and his team uncover failings in the initial police investigation, but every eyewitness they re-interview can’t offer fresh clues, they only add to the mystery. Who did Katherine dash out of the house to meet?

When a woman is abducted from a quiet suburban street and bundled into the back of a white van, the only witness to the crime is a child with a reputation for telling tall tales. The police doubt the girl’s story, except for Detective Karen Hart, who is determined to follow her instincts—perhaps because the shy little girl reminds her of the daughter she’s still grieving. When a playing card is found at the scene, Karen finds her first clue. And when a second card is found at the home of a missing woman, Tamara, Karen finds her victim.

When a long-serving Master at one of England's most prestigious public schools drowns in Bassenthwaite Lake, Detective Inspector Skelgill is summoned to investigate his apparent suicide. It soon becomes clear that senior members of staff are not all that they seem. As the school closes ranks, Skelgill realizes he is pitted against a sinister power struggle for control of its highly lucrative operation.

Dark waters hide deadly secrets. When the headmistress of a Portsmouth school is found brutally murdered on an old structure in the middle of Langstone Harbour, Detective Andy Horton of Portsmouth CID is assigned to the case. The victim, discovered with a note with the words ‘Have you forgotten ME?’, was a steely, determined woman who made enemies on her path to success. But did any of them hate her enough to want her dead?With the clock ticking and Superintendent Uckfield pressing for results, Horton is forced to make a decision that will put his life on the line.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

In the bleak countryside around Blithfield Reservoir, a serial murderer and rapist is leaving a trail of bloodshed. His savage calling card: the word ‘MINE’ carved into each of his victims. DI Kate Young struggles to get the case moving - even when one of the team’s own investigators is found dead in a dumpster. But Kate is battling her own demons. Obsessed with exposing Superintendent John Dickson and convinced there’s a conspiracy running deep in the force, she no longer knows who to trust.

Steph Williams is excited to get her hands stuck into her latest gardening project. This time, she's been commissioned by Lady Clara of Ashford Manor to restore the stately gardens to their former glory. But the estate is suddenly thrown into chaos when a dead body is discovered in one of the rooms. The police rule it as suicide, though Steph's convinced they're barking up the wrong tree. For she knows the deceased better than they do and it could only be one thing: murder. And if the police won't listen to her, then Steph will have to investigate the case herself.