British Literature

If someone was in your house, you’d know...wouldn’t you? But the Hunter family are deaf, and don’t hear a thing when a shocking crime takes place in the middle of the night. Instead, they wake up to their worst nightmare: the murder of their daughter. The police call Paige Northwood to the scene to interpret for the witnesses. They’re in shock, but Paige senses the Hunters are hiding something. One by one, people from Paige’s community start to fall under suspicion. But who would kill a little girl? Was it an intruder? Or was the murderer closer to home?

When Gabriel Lee escapes an unhappy marriage and moves to Porlington to start over, he finds himself part of the Porlington Philharmonia - an orchestra made up of the usual characters you would find in such a thing. Until one of them is found dead following a concert. Suddenly, everybody is a suspect, but nobody seems likely. A thriller full of intrigue and humour, this tale gives an insight into just what a barmy world musicians live in, especially when things go fatally wrong.

Victoria-Margaret is the crown princess of the empire, a direct descendent of Victoria I, the queen who changed the course of history. The imperial tradition of genetically arranged matchmaking will soon guide Margaret into a politically advantageous marriage. But before she does her duty, she'll have one summer of freedom and privacy in a far corner of empire.

Steph Williams is excited to get her hands stuck into her latest gardening project. This time, she's been commissioned by Lady Clara of Ashford Manor to restore the stately gardens to their former glory. But the estate is suddenly thrown into chaos when a dead body is discovered in one of the rooms. The police rule it as suicide, though Steph's convinced they're barking up the wrong tree. For she knows the deceased better than they do and it could only be one thing: murder. And if the police won't listen to her, then Steph will have to investigate the case herself.

Inspector Witherspoon always triumphs...but how does he do it? Even the inspector himself doesn't know - because his secret weapon is as ladylike as she is clever. She's Mrs. Jeffries: the determined, delightful detective who is also Inspector Witherspoon's housekeeper.

Salisbury, 1226. A mysterious poacher claims to be a long-lost heir - to a man found crushed by his own cart wheel. Ela Longespée is determined to find the truth, even though the king has coldly appointed another sheriff in her place. Ela takes pity on the man - an injured knight who once saved her husband’s life - and convinces the sheriff to release him from jail while she investigates. Will it turn out to be a deadly mistake?

Sparkly and charming Natalie Fincher has it all—a handsome new husband, a fixer-upper cottage of her dreams, and the opportunity to tour with the musical she’s spent years writing. But when her husband suddenly dies, all her hopes and dreams instantly disappear. Two and a half years later, Natalie is still lost. She works, sleeps (well, as much as the sexually frustrated village foxes will allow), and sees friends just often enough to allay their worries, but her life is empty. And she can only bring herself to play music at a London train station’s public piano.

There's a secret, that much is certain, but who knows? The missing actress? The executive producer, his eavesdropping assistant? Or the actor who portrayed her fictional brother on the Soap Opera? DCI Isaac Cook of the Murder Investigation Team at Challis Street Police Station in London is searching for the missing woman. Why has he been taken away from more important crimes to search for the woman? It's not the first time she's gone missing, and why does everyone assume she's been murdered?

For five long years, Detective Barnes has been hunting the killer of the person he cared about the most. Now, the one man who could have revealed the truth is dead. His charred and blackened body is all that remains in his burnt-out flat. A week later, a desperate, emaciated young woman hammers on the door of a late-night convenience store. She speaks no English—but it’s clear that she’s terrified—and running for her life. It's only Barnes who connects the two events. He and his new boss, Superintendent Samson Kane, team up to uncover the truth.

Ellie is so not the pageant type. They’re Coralee’s thing, and Ellie is happy to let her talented friend shine in the spotlight. But what’s she supposed to do when Coralee asks her to enter a beauty pageant, and their other best friend, Bert, volunteers to be their manager? Then again, how else is she going to get through this summer with her dad, who barely knows her, while her mom is off on her honeymoon with Ellie’s amazing gym teacher? Ellie decides she has nothing to lose.

Elinor Noel—Nory for short—is quite content running her secondhand bookshop in London. Forever torn between her working-class upbringing and her classmates’ extravagant lifestyles at the posh private school she attended on scholarship, Nory has finally figured out how to keep both at equal distance. So when two of her oldest friends invite their whole gang to spend the time leading up to their wedding together at the castle near their old school, Nory must prepare herself for an emotionally complicated few days.

When Constable Evan Evans and his new fiancée decide to travel south from home in Llanfair, Wales, to visit his mother in Swansea, they're not expecting the disturbing news that greets them on their arrival: the young thug convicted of murdering Evan's father several years earlier is suspected of murder once again.

The year is 1928, and after the death of a maid at a glamorous society party, fortune heir Bryan Guinness seizes life and proposes to 18-year-old Diana, the most beautiful of the six Mitford sisters. The maid's death is ruled an accident, and the newlyweds put it behind them to begin a whirlwind life. Accompanying Diana as her lady's maid is Louisa Cannon, as well as a coterie of friends, family and hangers on, from Nancy Mitford to Evelyn Waugh. When a second victim is found in Paris in 1931, Louisa begins to see links with the death of the maid two years previously.

Tristan Sheffield, a man of many talents, seeks out those who don't want to be found. His past is filled with secrets and deeds he would rather leave deeply buried. However, when his life unexpectedly entwines with Alaina's, he soon discovers they share more than a mutual desire to catch a murderer.

Chloe Todd believes her baby daughter is sleeping peacefully in her pram in the back garden. She lifts away the blanket to check on her – and gasps in shock. Chloe's neighbor calls the police. But all is not as it seems . . . Chloe Todd is in a loveless marriage. Her husband a villain who works for a man called Dean Rawlins. Rawlins has been missing for a year. Det Superintendent Hedley Sharp arrested Rawlins just before he went missing. Something he's had to live with. Hedley is suspicious but his inspector is on Chloe's side – a bone of contention throughout the investigation.

Thomas Mundy checks in to London's Wrexley Hotel, but he never checks out. The maid finds him on the floor of his room, bludgeoned to death by his own walking stick. Inspector Witherspoon is soon on the case and learns Mundy was an unlikely victim for such a violent crime. But Mrs. Jeffries and the household staff uncover that Mundy was less an amiable businessman and more a duplicitous con man with enemies on both sides of the Atlantic. Now Witherspoon and his staff must determine who on their lengthy list of suspects had the motive to put Mundy in the red.

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

It's New Year's Eve and the stage is set for a lavish party in one of Edinburgh's best postcodes. It's a moment for old friends to set the past to rights-and move on. The night sky is alive with fireworks and the champagne is flowing. But the celebration fails to materialize. Because someone at this party is going to die tonight. Midnight approaches and the countdown begins—but it seems one of the guests doesn't want a resolution. They want revenge.

British accents should come with a warning label. When they're attached to deep, baritone voices that belong to sexy, cocky men, you should have to sign a waiver. Most people wouldn't touch short-term rental properties, but since my business partner took off with my client list, I need every deal I can get. Enter, one insanely sexy and completely exasperating Camden Reid. The smug executive found fault with every property I showed him. Too cramped. Too feminine. Too far from a decent pub. His demands were ridiculous, and I couldn't wait to be rid of him and his British bangers.

Tom Jones by Henry Fielding is a comedic novel that follows the life and adventures of its foundling protagonist, Tom Jones, as he navigates through love, betrayal, and society's expectations. The novel is celebrated for its vivid characters, intricate plot, and exploration of human nature and morality, making it a significant work in the development of the novel as a literary form. Fielding's satirical lens critiques the hypocrisy of 18th-century British society while ultimately advocating for virtue and goodness.