British Police Procedural

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

DCI Kate Young never meant to shoot Superintendent John Dickson at the reservoir that night—even if, as a scheming corrupt cop and head of the shady syndicate, he probably had it coming. But now Kate has photographic evidence that someone else knows her terrible secret… Tormented by guilt and the voices of the dead, Kate is desperate to unmask the rest of the corrupt officers before her own sins catch up with her. When DI Harriet Khatri, awaiting trial for the murder of Kate’s mentor, claims she was framed by Dickson’s syndicate, Kate reluctantly agrees to help in the hope of finding answers.

Constable Nick patrols his rural Yorkshire beat on foot or on his trusty Francis Barnett motorcycle. But as beautiful as the villages are, they conceal real human drama. Nick is on hand to help out when Aidensfield decides to enter the Best Kept Village competition and finds itself the victim of a dirty tricks campaign by its rivals. Then there is the mystery of the spontaneously combusting hen-house, and Nick has to cope with the consequences when the vicar tries a novel way of keeping the churchyard tidy.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

DI Kate Young has known for years that her boss, Superintendent John Dickson, is a violent and evil man. But when she finally confronts him and accidentally shoots and kills him, she’s forced to cover her tracks before anyone can pin his death on her. With revelations about his corruption soon to become public knowledge, Kate sets up a trail of evidence to make it seem that Dickson has conveniently vanished… But Kate knows the corruption doesn’t end with Dickson.

When a woman is abducted from a quiet suburban street and bundled into the back of a white van, the only witness to the crime is a child with a reputation for telling tall tales. The police doubt the girl’s story, except for Detective Karen Hart, who is determined to follow her instincts—perhaps because the shy little girl reminds her of the daughter she’s still grieving. When a playing card is found at the scene, Karen finds her first clue. And when a second card is found at the home of a missing woman, Tamara, Karen finds her victim.

In the bleak countryside around Blithfield Reservoir, a serial murderer and rapist is leaving a trail of bloodshed. His savage calling card: the word ‘MINE’ carved into each of his victims. DI Kate Young struggles to get the case moving - even when one of the team’s own investigators is found dead in a dumpster. But Kate is battling her own demons. Obsessed with exposing Superintendent John Dickson and convinced there’s a conspiracy running deep in the force, she no longer knows who to trust.

A hay barn is set on fire at Low Dale Farm. It seems that an arsonist is targeting isolated barns. Arnold Merryweather’s ancient bus helps catch a car thief. And when Nick arrests not only a pig thief but also the expectant pig, the police station cleaner is not very pleased. But it’s not all crime. A glider crashes into a romance in a thatched cottage, and then Constable Nick is involved in a plot to force a penny-pincher to spend money. In the beautiful North Yorkshire countryside of the 1960s, Constable Nick’s roles are as varied as the eccentric villagers.

When new victims of the still-at-large serial killer known as the Red Reaper start to appear in London, DCI Declan Walsh and his team are placed back on the case—but everything isn't what it seems. For a start, the deaths are different, and the calling card is new. It could be a copycat, apart from one thing... They know what Declan did to the real Red Reaper a year earlier. Something only Declan and the closest members of his team keep secret. Is this the real Reaper, back to gain revenge on Declan and his family—or is this a protégé, staking his own claim to the serial killer name?

When a hand is found in Gallows Wood, PC Lucy Halliday and her specialist search dog Moss must find the rest of the body. What they uncover is a killer's dumping ground. Like every case since her husband's mysterious disappearance, Lucy wonders if this one will bring her closer to the truth. Nico was a journalist with a reputation for getting buried in his work; Lucy is certain that this time he delved too deep.

The Cornish village of St. Petroc is the sort of place where people come to hide. Tom Killgannon is one such person. But when a seventeen-year-old runaway named Lila breaks into Tom’s house, she takes more than just his money. His wallet holds everything about his new identity. He also knows that Lila is in danger from the travelers’ commune she has been living at. Something sinister has been going on there, and Lila knows more than she realizes. But to find her, he risks not only giving away his location to the gangs he’s in hiding from but also becoming a target for whoever is hunting Lila.

A man is found dead, tied to a chair in the middle of the road, a stag’s antlers on his head. The gruesome scene stuns the town, especially when the victim is identified: Jim Tiernan, who ran the White Hart pub. Tierney’s pub is at the center of village life and he knew everyone’s secrets. Detective Nicola Bridge grew up in Fleetcombe and has now returned, for the good of her family, from a life away in Liverpool. DC Harry Ward is ten years younger and, despite his newcomer status, determined to earn Nicola’s trust.

DCI Suzanna McLeod is a fighting fit and highly intelligent detective with brilliant analytical talents, who’s been favourably compared to Sherlock Holmes. Her Edinburgh-based team is legendary for being the UK’s best, so she has a reputation to live up to and a team to lead. Suzanna’s under pressure to catch the armed robbers before their success tempts them to more ambitious and dangerous missions. But she has to juggle two investigations when her magnifying glass is stolen. The Glass is a cherished heirloom entrusted to her care by her late great-great-uncle.

Charming film writer and director Geraint Denbigh is found lifeless in the garden of his Welsh home. It looks like he fell from a window, but eagle-eyed Detective Chief Inspector Matt Lambert soon finds irregularities in the crime scene. Before long he determines it was murder. Recently retired, the victim was writing about his eventful life and many of his former colleagues and associates could have had reason to stop him before he spilled the beans on their transgressions.

An early-morning jogger is murdered in Hyde Park. It's the center of London, but no one saw him enter the park, no one saw him die. He carries no identification, only a water-logged phone. As the pieces unravel, it's clear that the dead man had a history of deception. Is the murderer one of those that loved him? Or was it someone with a vengeance? It's proving difficult for DCI Isaac Cook and his team at Challis Street Homicide to find the guilty person—not that they'll cease to search for the truth, not even after one suspect confesses.

It's Alys Pugh's birthday and her mates are organizing a little surprise for her. When she doesn't show up, they realize something's wrong. Later, her body is found in the cold waters of Llyn y Fan. On searching Alys' house, detectives discover an array of seaside objects and suspect they are some sort of message left by the killer. With everyone seemingly harboring a secret, tempers fray and suspicion grows. And when similar trinkets are found in another of their houses, those underlying tensions bubble to the surface. Then someone else in the group is killed.

When one of the notorious Johnson brothers is murdered and a bag of money goes missing, a deadly game of cat and mouse is set in motion. Detective Allie Shenton and her team are called in to catch the killer, but the suspects are double-crossing each other and Allie has little time to untangle the web of lies. As she delves deeper into the case, things take a personal turn when Allie realises she is being stalked by the very same person who attacked her sister seventeen years ago and left her for dead.

A man's body is found on a canal towpath. In his pocket, a magnetic letter in the shape of an E. Days later, a second victim is murdered, this time with the letter V tucked into her clothing. When the letter E is located near to a third victim, DI Allie Shenton and her colleagues are sent into full alert. Is their killer spelling a word, a name or are the letters an anagram? One thing's for certain as the body count rises—the eerie, childlike clues point to a pattern that doesn't look like stopping.

Susan Grey’s fiftieth birthday party promised to be a talked-about event—an over-the-top extravagant gathering of a hundred guests at her sprawling Georgian home. But it would be talked about for all the wrong reasons… From an escalated argument to the disappearance of an expensive piece of jewelry, the party was quickly spiraling out of control. But the worst was yet to come—Susan suffered a horrific fall down the grand staircase. Was it an accident, or was she pushed? For DI Grace Roth, relegated to desk duty, this could be a high-profile case and a chance to redeem herself.

A group of children play. Not far away, in the ditch on the other side of the farmyard, the body of a young woman. The nearby village hides as many secrets as the community at the farm, a disparate group of people looking for an alternative to their previous torturous lives. Their leader, idealistic and benevolent, espouses love and kindness, and somebody's not following his dictate. The second death, an old woman, seems unrelated to the first, but is it? Is it part of the tangled web that connects the farm to the village?