British Police

Ex-detective superintendent Brandt has turned against society. The first kill was a stab in the dark, but now he's got a real taste for it. But his pursuer, DCI Stella Johnson, has rankled him. She has leaked to the press the idea he is impotent, and it has taken hold. Brandt wants to prove himself. Who better a victim than the woman who has embarrassed him? Johnson's strategy backfires, and she is in trouble with her superiors. Yet she now has a very personal reason to hunt down Brandt. Will going solo put her at even greater risk than before? And just what has he in mind for her?

When a promising local artist disappears, the victim's brother begs Detective Tara Thorpe to take the case. It seems there's no evidence of foul play...he simply disappeared without a trace. Tara agrees to do some digging...never mind that her unorthodox approach to policing has got a few of her colleagues' backs up. Amongst them is her former supervisor Detective Patrick Wilkins...he's had enough of Tara calling the shots and will do anything to knock her down. She must be careful.

Returning to work after an extended leave of absence, Detective Constable Hazel Best's first task is to shadow TV historian Oliver Ford, who has arrived in Norbold to open a new museum. What should have been a routine assignment takes a decidedly dramatic turn, however, when Hazel saves Ford from a murderous attack that would appear to be an act of jihad. But why would someone fly thousands of miles to firebomb an obscure little museum in a quiet English village? Hazel can't help but think that there's something more to this case than meets the eye.

Jo told him the phone call had been about a woman who wanted to have her husband declared dead. Smith thought for a moment and then said, 'Hmm. There must be a few million women in this country who feel like that. I take it her husband's been missing for a while and she's decided it's time to move on. In the absence of a body, which is always a nuisance, she wants Diver and Diver to confirm there's no proof he's alive. And I've told Jason a dozen times I'm not getting involved in anything matrimonial. I have enough trouble sorting out my own relationships.'

The Cornish village of St. Petroc is the sort of place where people come to hide. Tom Killgannon is one such person. But when a seventeen-year-old runaway named Lila breaks into Tom’s house, she takes more than just his money. His wallet holds everything about his new identity. He also knows that Lila is in danger from the travelers’ commune she has been living at. Something sinister has been going on there, and Lila knows more than she realizes. But to find her, he risks not only giving away his location to the gangs he’s in hiding from but also becoming a target for whoever is hunting Lila.

A hay barn is set on fire at Low Dale Farm. It seems that an arsonist is targeting isolated barns. Arnold Merryweather’s ancient bus helps catch a car thief. And when Nick arrests not only a pig thief but also the expectant pig, the police station cleaner is not very pleased. But it’s not all crime. A glider crashes into a romance in a thatched cottage, and then Constable Nick is involved in a plot to force a penny-pincher to spend money. In the beautiful North Yorkshire countryside of the 1960s, Constable Nick’s roles are as varied as the eccentric villagers.

When Octavia Garamond passed away, she left explicit instructions in her will: The police must be present at her funeral, and the coroner should be exceptionally thorough when examining her body. Amelia Kennerly is perplexed to find herself the sole executor of her great-aunt's will, as she barely knew her. Further questions arise when the local parson is anything but happy to conduct Octavia's service. Then someone breaks into Octavia's home and tears the house apart. It seems the old lady's words may have been eerily prescient: "Hell is empty, and all the devils are here."

As the mists roll over the fens and enigmatic lights twinkle in the distance, only the locals know their way along the hidden paths through the mysterious watery terrain of one of England's most beautiful and sometimes dangerous places. Detective Matt Ballard may have retired but there's still plenty going on in the fens to keep him busy. Someone trashes an old lady's garden and daubs her isolated cottage with hateful graffiti. Emilia Swain seems to be totally harmless, so why is she being targeted?

For five long years, Detective Barnes has been hunting the killer of the person he cared about the most. Now, the one man who could have revealed the truth is dead. His charred and blackened body is all that remains in his burnt-out flat. A week later, a desperate, emaciated young woman hammers on the door of a late-night convenience store. She speaks no English—but it’s clear that she’s terrified—and running for her life. It's only Barnes who connects the two events. He and his new boss, Superintendent Samson Kane, team up to uncover the truth.

When a police detective is taken off life support after falling into a coma, only an autopsy reveals the murderous act that precipitated her death. She'd been working on a special task force within North London's Nigerian community, and Acting Detective Superintendent Thomas Lynley is assigned to the case, which has far-reaching cultural associations that have nothing to do with life as he knows it.

SPIDER MOUTHDI FRED FAIRSERVICE has just returned from holiday when he’s confronted with several mysterious deaths; the mutilated dead body of a junkie, the apparent suicide of a housewife, and the murder of a cannibal, kicks off the strangest investigation of his dark and brutal career. But the strangest element of the case is the connection to the deaths of several old men and women who are found with spiders placed in their mouths.

Detective Joseph Easter's daughter discovers a cottage hidden in some trees on a large fenland farm. Someone has been living there. The farm owner's wife has been receiving sinister pagan artifacts, including a witch's knife. Are they some sort of warning or message? Joseph and his daughter search the cottage and find an old satchel. Inside are photos of a beautiful girl, Jennifer Cowley. She went missing 15 years ago. She'd been stalked by a young man, who was convicted of her murder, even though her body was never found.

A man has been mutilated and left to drown on the incoming tide, handcuffed in his van. With the murder bearing a striking resemblance to a string of sadistic killings carried out with surgical precision in 1990s gangland Manchester, it can mean only one thing: the killer is back. Transferred to the Major Investigation Team, DI Nick Dixon is assigned a new partner and sent to Manchester. Meanwhile, the gruesome murders in Somerset continue.

One moonlit night, the bodies of two young people are discovered lying entwined on a blanket in the woods. The young man is clutching a red rose. It appears to be a lovers' suicide pact.... Until Detective Nikki Galena and DS Joseph Easter look more closely. Romeo and Juliet, as they decide to call them, were murdered somewhere else and brought to the woods. But why? Then another young couple are found dead, again beautifully posed as lovers.

Unconventional Detective Declan Miller has a problem. Still desperate to solve the murder of his wife, a young man has just appeared on his doorstep with a briefcase...containing a pair of severed hands. Miller knows this case is proof of a contract killing commissioned by local ne'er do well Wayne Cutler - a man he suspects might also be responsible for his wife's death. Now Miller has leverage, but unfortunately he also has something that both Cutler and a villainous fast-food kingpin are desperate to get hold of.

When a hit-and-run accident leaves eight-year-old Lee Sanders in critical condition, DI Freya Bloom and DS Ben Savage arrive on the scene in rural Lincolnshire. But the investigation they thought would be simple, soon develops into something far more sinister. The driver of the car is found in a nearby ditch, and she didn't die of natural causes. Poppy Gray, a nineteen-year-old girl with a bright future ahead of her, had only one known friend, a troubled boy who rarely speaks. Leading a simple life, Poppy had been filled with the joys of spring. But she knew something.

Deborah and Simon St. James have taken a holiday in the winter landscape of Lancastershire, hoping to heal the growing rift in their marriage. But in the barren countryside awaits bleak news: The vicar of Wimslough, the man they had come to see, is dead - a victim of accidental poisoning. Unsatisfied with the inquest ruling and unsettled by the close association between the investigating constable and the woman who served the deadly meal, Simon calls in his old friend Detective Inspector Thomas Lynley. Together they uncover dark, complex relationships in this rural village.

December 1940. With the Blitz devastating Britain’s cities, Lizzie Hayes and the women pilots of the Air Transport Authority are more crucial to the war effort than ever before. But when the relative peace of the village of Scotney is shattered by the disappearance of the Chief Inspector’s niece, it’s Lizzie’s training as a psychologist that draws her into another disturbing police case alongside DI Jonathan Kember.

Detective Chief Inspector John Shadow is doing his best to ignore the madness of York's annual Viking Festival when duty calls. The body of a wealthy businessman, who was playing the role of the Viking king, is found slain by his own ancient sword. The murder scene looks staged, but before Shadow can compile a list of people to question a second body is found. Shadow doesn't have to look far for suspects-the victims were by no means model citizens.

When prison inmate and former police officer John Brace says he’s willing to give up information about the location of a dead body in return for protection for his family, Vera knows that she has to look into his claims. But opening up this cold case strikes much closer to home than Vera anticipates as her investigation takes her back in time to The Seagull, a once-decadent and now-derelict nightclub where her deceased father and his friends used to congregate.