Canada Historical Fiction

In this sweeping, enthralling biography, acclaimed historian David Hackett Fischer brings to life the remarkable Samuel de Champlain - soldier, spy, master mariner, explorer, cartographer, artist, and Father of New France. We remember Champlain mainly as a great explorer. On foot and by ship and canoe, he traveled through what are now six Canadian provinces and five American states. Over more than 30 years he founded, colonized, and administered French settlements in North America.

In The Way the Crow Flies, Ann-Marie MacDonald takes us back to the early 1960’s, a time of optimism infused with the excitement of the space race and overshadowed by the menace of the Cold War—a world filtered through the imagination of Madeleine McCarthy, a spirited nine-year-old. Unaware that her father, Jack, is caught up in his own web of secrets, she at first welcomes her family’s posting to a sleepy air force base in southern Ontario.

When Billy Coke steps onto the streets of London one December evening in 1940, he has no idea he is stepping to his fate. As Hitler's bombers come close to burning the city down, Billy meets the woman who will change the course of his life: Ilse Magnusson, a musician from Norway, but also something more--a spy in training. Escaping the Blitz for three days, she and Billy drive, quarrel, conceal, reveal . . . and fall finally, fully, in love. Now they must part, each to fight the war their own way.

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She's in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original.

As the world around her is ripped apart by war and infiltrated by Nazi soldiers, Savka Ivanets works as a medic for the Ukrainian resistance, stitching wounds by day, stealing supplies by night, and dodging firefights between the SS and Soviet partisans. When her husband, Marko, a reluctant member of the Waffen-SS, forces her to deliver a coded message to an underground bunker, she’s terrified. But when her mission doesn’t go as planned, and her son, Taras, is kidnapped by the KGB, Savka fears she’ll never see him again.

In a remote Newfoundland outpost at the onset of the Second World War, the young Catholic Wish Furey meets the passionate, independent 16-year-old Protestant Sadie Parsons. They begin an intense affair that is cut short as prejudice and mistrust drive Wish away, into the British Army and the war. At home in Newfoundland, Sadie turns her back on her family and moves to St. John's to wait for Wish - until she receives word that he is dead. Fifty years later, Sadie returns to Newfoundland to scatter her American husband's ashes and to face her past.

The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards—some strange and other-worldly—but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another.

Naomi is a sheltered and beloved five-year-old when Pearl Harbor changes her life. Separated from her mother, she watches bewildered as she and her family become enemy aliens, persecuted and despised in their own land. Surrounded by hardship and pain, Naomi is protected by the resolute endurance of her aunt Obasan and the silence of those around her. Only after Naomi grows up does she return to question the haunting silence.

A brother and sister are orphaned in an isolated cove on Newfoundland's northern coastline. Their home is a stretch of rocky shore governed by the feral ocean, by a relentless pendulum of abundance and murderous scarcity. Still children with only the barest notion of the outside world, they have nothing but the family's boat and the little knowledge passed on haphazardly by their mother and father to keep them.

Rue Notre-Dame, le temps passe. À la radio, on écoute Un homme et son péché, et la mystérieuse télévision fait son apparition dans les vitrines des magasins. Fidèle à lui-même, Maurice s'emporte à tout moment. Jeanne, elle, se réfugie au presbytère.

The story of the restorative power of art in one man’s life, set against the sweep of the twentieth century—from Toronto in the ’20s and ’30s, through the killing fields of World War II, to 1960s Sicily.

At the turn of the 19th century, naval officer David Buchan arrives in the Bay of Exploits with orders to establish contact with the Beothuk or "Red Indians", the aboriginal inhabitants of Newfoundland facing extinction. When Buchan approaches the area's most influential white settlers, the Peytons, for advice and assistance, he enters a shadowy world of allegiances and old grudges that he can only dimly apprehend.

Été 1960. On asphalte le boulevard Lacordaire. Un vent de changement souffle sur le Québec, mais, chez Maurice Dionne, les traditions demeurent. Lise, Paul, Francine et Claude sortent de l’enfance et cherchent à faire leur place.

Vallée-du-Richelieu, hiver 1905. Aldée, une adolescente maigrichonne, a le cœur brisé quand elle doit quitter la ferme paternelle et abandonner son ambition de devenir institutrice. Hélas, pour éviter la famine, son père a besoin du salaire qu'elle obtiendra en se mettant au service du bourgeois de la ville.

The Virgin Cure begins in the tenements of lower Manhattan in the year 1871. A series of betrayals lead Moth, at only twelve years old, to the wild, murky world of the Bowery, where eventually she meets Miss Everett, the owner of a brothel simply known as "The Infant School." Miss Everett caters to gentlemen who pay dearly for companions who are "willing and clean," and the most desirable of them all are young virgins like Moth.

Sprawling and intimate, stark and fantastical, Galore is a novel about the power of stories to shape and sustain us. This is Michael Crummey’s most ambitious and accomplished work to date. An intricate family saga and love story spanning two centuries, Galore is a portrait of the improbable medieval world that was rural Newfoundland, a place almost too harrowing and extravagant to be real.

Bytown, 1836: The lawless cesspool that will become the city of Ottawa is beginning to reek of more than just swamp water. Rife with squalor, corruption, and organized crime, class injustice divides the town more starkly than the canal that bisects it, cutting off its Irish poor—who are ready to fight back. On a homestead in the woods near Bytown, a domestic drama is also reaching a fever pitch

With murder dominating the news, the respected wife of a New Brunswick sea captain is drawn into the case of a British home child whose bad luck has turned worse. Mortified that she must purchase the girl in a pauper auction to save her from the lechery of wealthy townsmen, Josephine Galloway finds herself suddenly the proprietor of a boarding house kept afloat by the sweat and tears of a curious and not completely compatible collection of women, including this English teenager, Flora Salford.

1468. A young priest, Christopher Fairfax, arrives in a remote English village to conduct the funeral of his predecessor. The land around is strewn with ancient artefacts—coins, fragments of glass, human bones—which the old parson used to collect. Did his obsession with the past lead to his death?

Ned Vatcher, only 14, ambles home from school in the chill hush that precedes the first storm of the winter of 1936 to find the house locked, the family car missing, and his parents gone without a trace. From that point on, his life is driven by the need to find out what happened to the Vanished Vatchers. His father, Edgar, born to a poor family of fishermen, had risen to become the right-hand man to the colony's prime minister, then suffered an unexpected fall from grace. Were he and his wife murdered? Was it suicide? Had they run away? If so, why had they left their only child behind?