Classic American Short Stories Anthology

No nation has ever achieved the literary diversity of America. From nativist humor to immigrant triumph, Americans have recorded their visions and hopes better than anyone

Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as The Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar.

"There's no way not to suffer. But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their heads above water.

Unlike the other arts, American literature has been a powerful, influential, and leading aspect of American culture. By turns sedate and mercurial and possessing a moral mind set of various social values, the American short story reveals in its pages the psyche of a growing, sprawling nation whose sense of destiny has always been larger than life. Here are seven masterpieces that will make you smile, make you frown, and leave you pondering the mystery that surrounds the soul of a great nation.

Represented here are 16 short stories by seven great American writers, dating from the 19th and 20th centuries. Different in atmosphere and writing style, they nevertheless caught the mood and concerns of the day in a way that was distinctly American.

Five great American short story writers, dating from the turn of the 19th and 20th centuries, are represented here. Different in atmosphere and writing style, they nevertheless caught the mood and concerns of the day in a way that was distinctly American.

N. K. Jemisin is one of the most powerful and acclaimed speculative fiction authors of our time. In the first collection of her evocative short fiction, Jemisin equally challenges and delights listeners with thought-provoking narratives of destruction, rebirth, and redemption.

A thoroughly engaging collection of great classic tales by the very best American authors. 1. 'From Beyond' by H. P. Lovecraft 2. 'The Mysterious Card and the Card Unveiled' by Cleveland Moffett 3. 'Pigs Is Pigs' by Ellis Parker Butler 4. 'The Club of One-Eyed Men' by Arthur Somers Roche 5. 'Afterward' by Edith Wharton 6. 'The Furnished Room' by O. Henry 7. 'A Descent into the Maelström' by Edgar Allan Poe 8. 'Regret' by Kate Chopin 9. 'The Terrible Old Man' by H. P. Lovecraft 10. 'The Dumb Man' by Sherwood Anderson

Widely acclaimed as a progenitor of 20th-century Latin American fiction, Joaquim Maria Machado de Assis (1839-1908), the son of a mulatto father and a washerwoman, was hailed in his lifetime as Brazil's greatest writer. His prodigious output of novels, plays, and stories rivaled contemporaries like Chekhov, Flaubert, and Maupassant, but, shockingly, he was barely translated into English until 1963, and still lacks proper recognition today.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American Classics Collection is a century-spanning collection of 17 classic novels, short stories, essay, and poetry by American authors, read by a cast of incredible narrators including Kobna Holdbrook-Smith; Nathan Osgood; Robert G. Slade; Jonathan Keeble, and more. Included here are stories by some of the greatest writers of all time, including Ernest Hemingway; Mark Twain; F. Scott Fitzgerald; Edith Wharton; Frederick Douglass; and H.P. Lovecraft, amongst a host of others.

Eighteen of the very best American short stories, each a classic in its own right. Stories include "The Little Frenchman and his Water Lots", by George Pope Morris; "The Angel of the Odd", by Edgar Allan Poe; "The Schoolmasters’s Progress", by Caroline M.S. Kirkland; "The Watkinson Evening", by Eliza Leslie; "Titbottom’s Spectacles", by George William Curtis; "My Double and "How He Undid Me", by Edward Everett Hale; "A Visit to the Asylum for Aged and Decayed Punsters", by Oliver Wendell; and more.

By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story. Where I'm Calling From, his last collection, encompasses classic stories from Cathedral, What We Talk About When We Talk About Love, and earlier Carver volumes, along with seven new works previously unpublished in book form.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

This is Raymond Carver's third collection of stories, a finalist for the Pulitzer Prize, including the canonical titular story about blindness and learning to enter the very different world of another. The 12 stories in Cathedral mark a turning point in Carver's work.

All the delightful and bizarre inhabitants of Wonderland are here: the White Rabbit and the Cheshire Cat, the hooka-smoking Caterpillar and the Mad Hatter, the March Hare and the Ugly Duchess... and, of course, Alice herself - growing alternately taller and smaller, attending demented tea parties and eccentric croquet games, and observing everything with clarity and rational amazement.