Classic English Style

A collection of classic Hiawatha tales from Henry Wadsworth Longfellow, read by Harry Fleetwood.

Jenny Lewis relocates Gilgamesh to its earlier, oral roots in a Sumerian society where men and women were more equal, the reigning deity of Gilgamesh’s city, Uruk, was female (Inanna), only women were allowed to brew beer and keep taverns and women had their own language - emesal. With this shift of emphasis, Lewis captures the powerful allure of the world’s oldest poem and gives it a fresh dynamic while creating a fast-paced narrative for a new generation of listeners.

Widely known as the master of horror, Edgar Allan Poe has held the world enraptured for more than 150 years with his dark and powerful works. This collection will sweep you away into a world of literary brilliance.

Steeped in history, culture and traditions, London remains one of the largest and most populous cities on the planet. Small wonder then, that some of history's greatest poets have been inspired by it.

This epic poem by Edmund Spenser is the longest poem in the English language. It is an allegorical work, written in praise of Queen Elizabeth I. Michael MacLiammoir reads a selection from Book III.

The first of Homer's epic poems tells of the counsel of Nestor, Achilles' slaying of Hector, and the defeat of the Trojans by the Greeks.

Enjoy these classic love poems by authors you may know and poets you may be meeting for the first time. The journey begins in beauty, endures trials, and ends with a hint of past wonders. Make this a Valentine's Day treat or a special experience for any day.

Having spent ten years fighting in the Trojan War, Odysseus embarks on his journey back to Ithica. To get there he must deceive a giant Cyclops, face Poseidon’s wrath, escape cannibalism, defeat the witch-goddess Circe, skirt the land of the Sirens, sail between a six-headed monster and a raging whirlpool, and escape captivity on the island of Calypso. But perhaps his biggest threat is his prolonged absence from home, as 108 suitors are vying for his wife’s hand in marriage.

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination.

The spectrum of all of human life, as portrayed in the poem, will unfold with breathtaking variety, drama, thought, and beauty: In the middle of the journey of our life / I found myself in a dark wood, where the straight path was lost. The process of listening to Dante’s Comedy is a journey into not just literature but into the mysteries of human nature and its capacity for unhappiness and happiness, folly and wisdom, rejection and wonder over the miracles of creation and existence.

The Paradiso is a culminating aspect of a journey from Inferno to Paradiso, and it is also Dante’s vision of the variety, the paradoxes, and the wonder that human beings have any existence at all. The process of listening to Dante’s Comedy is a journey into not just literature but into the mysteries of human nature and its capacity for unhappiness and happiness, folly and wisdom, rejection and wonder over the miracles of creation and existence.

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

The best and most engaging portraits of the Romans as living people are to be found in the works like those of the four poets featured in this recording. In Howard Felperin’s lively translations, these pieces become verbal postcards of the era, revealing in exquisite detail the passion and the grief, the joy and the pain experienced by the people of Rome as they deal with the inevitable fascination of love as it permeates their daily lives.

Many masters employed the form of the sonnet, including Petrarch, Spenser, Shakespeare, Keats, and Robert Bridges. However, the most celebrated, and oft quoted, examples are to be found in the collection by Shakespeare, first published in 1609. In the 154 poems, Shakespeare surveys and dissects the subject of love in all its guises, and its relationship with youth, age, illness, death, and memory.

The origins, history and authorship of Beowulf are shrouded in uncertainty. This heroic epic probably began, as most do, with a wandering troubadour strumming a stringed instrument, sitting before a hearth-fire, and singing the verses to a spellbound audience arrayed before him. Beowulf is a rousing adventure story, filled with intrepid heroes, monsters and fire-breathing dragons, which can be listened to for the sheer enjoyment of the tale.

Mark Redfield narrates from a specially prepared text for performance by Dickens himself, and performs all of your favorite characters, in this beloved Christmas tale of forgiveness and redemption. Since 1843, “A Christmas Carol” has delighted millions around the globe and has come to embody the spirit of Christmas for all who have been touched by its magic.

Down through the millennia the emotion of love has inspired countless poets to great heights of lyrical expression. In this volume listeners can sample great love poems by English and American poets. Spanning over four centuries of literary creation in the service of amour, the works include a selection of Shakespeare's sonnets, John Donne's "The Ecstasy", William Blake's "The Garden of Love", Robert Burns' "The Banks o'Doon" and "John Anderson My Jo", Lord Byron's "She Walks in Beauty", and more.

Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. Originally published in 1667 in ten books and later revised to twelve, here Anthony Quayle reads book 1 and book 4.

In the second book of Dante’s epic poem The Divine Comedy, Dante has left hell and begins the ascent of the mount of purgatory. Just as hell had its circles, purgatory, situated at the threshold of heaven, has its terraces, each representing one of the seven mortal sins. With Virgil again as his guide, Dante climbs the mountain; the poet shows us, on its slopes, those whose lives were variously governed by pride, envy, wrath, sloth, avarice, gluttony, and lust.