Classic Horror Fiction

The Victorian-era writers featured in this collection are known for their power of invention and command of horror and the supernatural. Included are "A Watcher by the Dead" by Ambrose Bierce; "The Body Snatchers" by Robert Louis Stevenson; "The Adventure of the German Student" by Washington Irving; "Dickon the Devil" by J. Sheridan Le Fanu; "The Fall of the House of Usher" by Edgar Allan Poe; and "The Open Watcher" by Saki.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.

Something strange is happening at the Orsk furniture superstore in Cleveland. Every morning, employees arrive to find broken Kjerring wardrobes, shattered Brooka glassware, and vandalized Liripip sofa beds—clearly someone, or something, is up to no good. To unravel the mystery, five young employees volunteer for a long dusk-till-dawn shift and encounter horrors that defy imagination.

New York City in 1978 is a dirty, dangerous place to live - and die. Joey Peacock knows this as well as anybody - he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city's sidewalks.

This is the disturbing tale of the dual personality of Dr. Jekyll, a physician. A generous and philanthropic man, he is preoccupied with the problems of good and evil and with the possibility of separating them into distinct personalities. He develops a drug that transforms him into the demonic Mr. Hyde, in whose person he exhausts all the latent evil in his nature.

In the slums of 18th-century France, Jean-Baptiste Grenouille is born with one sublime gift - an absolute sense of smell. As a boy, he lives to decipher the odors of Paris and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects. Then one day, he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume" - the scent of a beautiful young virgin.

Passionné par les sciences occultes, Victor Frankenstein est persuadé qu'il peut donner la vie. Dans la solitude de son laboratoire, un soir d'orage, son rêve devient réalité... et tourne au cauchemar. Il vient de créer un être monstrueux. Victor fuit, épouvanté. Mais il est trop tard : la créature, rejetée de tous, prépare déjà sa vengeance.

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

Academy Award, Golden Globe, and Emmy winner Emma Thompson lends her immense talent and experienced voice to Henry James' Gothic ghost tale, The Turn of the Screw. When a governess is hired to care for two children at a British country estate, she begins to sense an otherworldly presence around the grounds. Are they really ghosts she's seeing? Or is something far more sinister at work?

In the secluded Dutch territory of Sleepy Hollow, nebbish schoolmaster Ichabod Crane competes with the town hero for the hand of Katrina Van Tassel, the 18-year-old daughter and sole child of a wealthy farmer. As Crane leaves a party at the Van Tassel's farm one autumn evening, he is pursued by the Headless Horseman, an apparition said to be the ghost of a Hessian trooper snuffed out by a stray cannonball.

For the first time in a beautiful new edition, this omnibus will collect together the original official novelizations of both Ghostbusters 1 and 2.

Following the phenomenal success of Necronomicon, its companion volume brings together Lovecraft's remaining major stories plus his weird poetry, a number of obscure revisions, and some notable nonfiction, including the seminal critical essay "Supernatural Horror in Literature." athering together in chronological order the rest of Lovecraft's rarely seen but extraordinary short fiction, this collection includes the entirety of the long-out-of-print collection of thirty-six sonnets "Fungi from Yuggoth."

CONTENTS: A Suspicious Gift [Algernon Blackwood], Skeleton Lake: An Episode in Camp [Algernon Blackwood], The Wood of the Dead [Algernon Blackwood], A Baby Tramp [Ambrose Bierce], The Damned Thing [Ambrose Bierce], Dagon [H.P Lovecraft], The Horror of the Heights [Arthur Conan Doyle], The_Descendant [H.P Lovecraft], The Cats of Ulthar [H.P Lovecraft], The Evil Clergyman [H.P Lovecraft], He [H.P Lovecraft], The Book [H.P Lovecraft], In the Vault [H.P Lovecraft],Nyarlathotep [H.P Lovecraft], Death and the Woman [Gertrude Atherton], The Striding Place [Gertrude Atherton].

One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until is starts killing. Luckily, Sawyer has a plan. He'll be a hero. He'll save everyone to the best of his ability. He'll kill as many people as he needs to so he can save the day. That's the thing about heroes - sometimes you have to become a monster first.

On the day of his wedding, Conrad, heir to the house of Otranto, is killed under mysterious circumstances. His calculating father, Manfred, fears that his dynasty will now come to an end and determines to marry his son's bride himself, despite the fact he is already married. But a series of terrifying supernatural omens soon threaten this unlawful union, as the curse placed on Manfred's ancestor, who usurped the lawful Prince of Otranto, begins to unfold.

The story begins with an investigation into some strange reports of an "opera ghost", legendary for making the great Paris opera performers ill-at-ease when they sit alone in their dressing rooms. Some allege to have seen the ghost in evening clothes moving about in the shadows. Nothing is done, however, until the disappearance of Christine during her triumphant performance.

An elderly couple living in Victorian London struggle against despair as their small resources dwindle. When an eccentric and mysterious gentleman answers their advertisement for a lodger, they celebrate. But as women begin dying at the hands of "The Avenger", they start to suspect something too horrific for words.

In Lolly Willowes, Sylvia Townsend Warner tells of an aging spinster's struggle to break away from her controlling family - a classic story that she treats with cool feminist intelligence, while adding a dimension of the supernatural and strange. Warner is one of the outstanding and indispensable mavericks of 20th-century literature, a writer to set beside Djuna Barnes and Jane Bowles, with a subversive genius that anticipates the fantastic flights of such contemporaries as Angela Carter and Jeanette Winterson.

Powers of Darkness is an incredible literary discovery. In 1900, Icelandic publisher and writer Valdimar Asmundsson set out to translate Bram Stoker's world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, 'Powers of Darkness'), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker's preface to the book.