Classical Memoirs

John Amos Comenius, a 17th-century theologian and reformer, had so great an influence on Western schooling that he has been called the father of modern education. To this day he remains one of the most influential and fascinating thinkers in the history of education. In this concise introduction to the work of Comenius, Dr. David Smith sketches some of Comenius's central ideas, pointing to several important themes that summarize Comenius's tireless work for educational reform. Listeners will discover that amongst the literally hundreds of works Comenius wrote in Czech and Latin, many of which are lost to us today, he created one of the world's most successful children's books; suggested that learning should resemble gardening; and proposed that joy, piety, and harmony are central to the education of children.

A sweeping history of three generations darkened by the long shadow of the Holocaust, The Cello Still Sings is a vivid, moving, and true story of personal discovery. As a child Janet is haunted by the eerie hush surrounding her parents' experiences. George and Katherine, two professional musicians and Holocaust survivors, bury the memories of who and what they were before, silencing the past in order to live.

Probably the most naturally gifted musician the world has ever known, Mozart began his career early as a child prodigy. By the age of five, he was already proficient in the violin, the harpsichord, and piano keyboard. He had also begun composing music that had integrity. Ludwig van Beethoven is a crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven displayed his musical talents at an early age. Listen to the full biographies of these two musicians, from the beginning to the end!

Brilliant, short-lived, incredibly prolific—Schubert is one of the most intriguing figures in music history. While his music attracts a wide audience, much of his private life remains shrouded in mystery, and significant portions of his work have been overlooked. In this major new biography, Lorraine Byrne Bodley takes a detailed look into Schubert's life, from his early years at the Stadtkonvikt to the harrowing battle with syphilis that led to his death at the age of thirty-one.

The Confessions of St. Augustine is one of the most moving diaries ever recorded of a man's journey to the fountain of God's grace. Writing as a sinner, not a saint, Augustine shares his innermost thoughts and conversion experiences, and wrestles with the spiritual questions that have stirred the hearts of the thoughtful since time began.

In The Indispensable Composers, Tommasini offers his own personal guide to the canon - and what greatness really means in classical music. What does it mean to be canonical now? Who gets to say? And do we have enough perspective on the 20th century to even begin assessing it? To make his case, Tommasini draws on elements of biography, the anxiety of influence, the composer's relationships with colleagues, and shifting attitudes toward a composer's work over time.

In his time, the Austrian American composer Arnold Schoenberg (1874-1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century's most influential composers and teachers.

Two-and-a-half centuries after his death, the complex life of composer Johann Sebastian Bach continues to fascinate. Bach's colorful life was anchored in his belief that "music has been ordered by God's Spirit"?so much so that he began each composition by scrawling Jesu, juva (Jesus, help me) at the top of a blank page and concluded each with S.D.G. (short for Soli Deo Gloria, to God alone be the glory). Through the eyes of noted music and culture writer Rick Marschall, the intensely personal yet boldly public faith that earned Bach the nickname "The Fifth Evangelist" takes on fresh meaning.

At thirteen years old Wolfgang Amadeus Mozart was a child prodigy who had captured the hearts of northern Europe, but his father Leopold was now determined to conquer Italy. Together, they made three visits there the last when Mozart was seventeen, all vividly recounted here by acclaimed conductor Jane Glover. Father and son travelled from the theatres and concert salons of Milan to the church-filled streets of Rome to Naples, poorer and more dangerous than the prosperous north, and to Venice, the carnivelesque birthplace of public opera.

The lives and music of the great composers of classical music unfold in this entertaining account, introduced by the conductor and musical personality Marin Alsop. In 1200 years, classical music grew from the chanting of medieval monks through the symphonies of Beethoven and the grand operas of Wagner to the huge orchestral sound-world of the 21st century, with its electronics and its film music.

Though the Romans were known for having contributed much to culture and the arts, there was one facet that was unrivaled when it came to ancient civilizations: their published works. Philosophy was their forte, and it goes without saying that the meditations by Marcus Aurelius is a superb piece of philosophical writings and musings. What is interesting about this collection is that it chronicles his thoughts during the time of his reign as Roman Emperor from AD 161 to 180.

This is the poignant and compelling story of perhaps the most naturally gifted musical genius of all time. Copiously illustrated with examples of his music, it tells of Mozart's extraordinary childhood travelling the courts of Europe, and of how, after a brief period of fame in Vienna, his fortunes declined until his early death and last resting place in a pauper's grave.

Beethoven imbibed Enlightenment and revolutionary ideas in his hometown of Bonn, where they were fervently discussed in cafes and at the university. Moving to Vienna at the age of 21 to study with Haydn, he gained renown as a brilliant pianist and innovative composer. In that conservative city, capital of the Hapsburg empire, authorities were ever watchful to curtail and punish overt displays of radical political views. Nevertheless, Beethoven avidly followed the meteoric rise of Napoleon.

Jack the Ripper. Jeffrey Dahmer. John Wayne Gacy. Locusta of Gaul. If that last name doesn’t seem to fit with the others, it’s likely because our modern society largely believes that serial killers are a recent phenomenon. Not so, argues Debbie Feltonin fact, there’s ample evidence to show that serial killers stalked the ancient world just as they do the modern one.

The attraction of opera is in its scale, in the fact that it is larger than real life in actions and emotions, more magnificent in sound and in sight. And in the world of opera, no figure in our time loomed larger than the late Luciano Pavarotti. Especially in his triumphant collaborations with Placido Domingo and Jose Carreras, he captured the imagination of an audience breadth and depth is remarkable even in the grand context of classical opera.

The unresolved and ambiguous details of Robert Schumann’s psychological decline and death have tended to dominate his biography. Yet in his time Schumann was lauded as a protean Romantic literary genius whose writings, as a music critic, poet, novelist and dramatist, eclipsed his musical creativity. How did Schumann reconcile these elements? Does his music suggest he suffered from bipolar disorder? How did his pianist wife, Clara, influence his compositions?

1914. Mobilisation générale. La France est en guerre. Le Polonais Apollinaire fait sa demande de naturalisation pour s'engager auprès des soldats français. L'offensive allemande menace Paris et en attendant l'issue de ses démarches administratives, Apollinaire part pour Nice où résident plusieurs de ses amis. Là, il fait la connaissance d'une jeune femme qui, dès l'abord, le fascine. Elle s'appelle Louise de Coligny-Châtillon. Pour lui, elle sera Lou.

Chi è più sapiente? Colui che dice di sapere o colui che sa di non sapere? Su questo bivio del pensiero Socrate ha fondato la sua vita e imposta ora la sua autodifesa: stringente, appassionante, inoppugnabile. La fine è nota. E tuttavia Socrate non perde la sua forza: perché anche la morte può essere un’avventura, di silenzio o di conversazione.

Our conventional image of Sokrates comes from dry scholarly accounts that present a wise, if ironic, old philosopher shuffling and lounging in the streets of Athens, asking questions that never lead to answers, and finally resigning himself in questionable fashion to a scapegoat death on philosophical principle. But who knows the stunning heroic stories of Sokrates from the battlefield, like how he alone stared down the entire Delium army? Or drinking everyone under the table 'til dawn, then beginning his day as usual, confronting as many people as he could to live a better life?

Johann Sebastian Bach, baroque music's finest composer: Life and works in a short biography! Everything you need to know, brief and concise. Infotainment, education and entertainment at its best!