Crime Detective

Edinburgh, 1869: Modern-day homicide detective Mallory Atkinson is adjusting to her new life in Victorian Scotland. Her employers know she’s not housemaid Catriona Mitchell—even though Mallory is in Catriona’s body—and Mallory is now officially an undertaker’s assistant. Dr. Duncan Gray moonlights as a medical examiner, and their latest case hits close to home. Men are dropping dead from a powerful poison, and all signs point to the grieving widows… the latest of which is Gray’s oldest sister. Poison is said to be a woman’s weapon, though Mallory has to wonder if it’s as simple as that.

When the remains of a brutally murdered young woman are left hanging from the Glenfinnan Monument in the Highlands of Scotland, DCI Jack Logan and his Major Investigations team are dispatched to investigate. At first, the case appears to be fairly open and shut. But, as evidence mounts, Jack uncovers some shocking truths about the victim that risk turning the investigation into a potentially explosive international incident.

Slamming the door on the hellscape of 1980s Belfast, Detective Inspector Sean Duffy hopes that the 1990s are going to be better for him and the people of Northern Ireland. As a Catholic cop in the mainly Protestant RUC he still has a target on his back, and with a steady girlfriend and a child the stakes couldn’t be higher. After handling a mercurial triple agent and surviving the riots and bombings and assassination attempts, all Duffy wants to do now is live. But in his final days in charge of Carrickfergus CID, a missing persons report captures his attention.

On dit de lui qu’il est le virtuose de l’interrogatoire, et pour cause : Jacques Landry en a mené plus de 12 000, d’abord à titre d’en—quêteur de la Sûreté du Québec, où il a travaillé pendant 25 ans, ensuite comme polygraphiste privé. En un demi-siècle de tête-à tête avec des possibles meurtriers, violeurs, voleurs ou fraudeurs, Jacques Landry a peaufiné une méthode qui fait désormais école et qui a permis de résoudre bien des crimes, non seulement au Québec mais ailleurs dans le monde.

When a mysterious figure appears in Three Pines one cold November day, Armand Gamache and the rest of the villagers are at first curious. Then wary. Through rain and sleet, the figure stands unmoving, staring ahead. From the moment its shadow falls over the village, Gamache, now Chief Superintendent of the Sûreté du Québec, suspects the creature has deep roots and a dark purpose. Yet he does nothing. What can he do? Only watch and wait. And hope his mounting fears are not realized.

SFPD Sergeant Lindsay Boxer has guns on her mind. There’s buzz of a last-ditch shipment of drugs and weapons crossing the Mexican border ahead of new restrictive gun laws. Before Lindsay can act, her top informant tips her to a case that hits disturbingly close to home. Former cops. Professional hits. All with the same warning scrawled on their bodies.

No outsiders are ever admitted to the monastery of Saint-Gilbert-Entre-les-Loups, hidden deep in the wilderness of Quebec, where two dozen cloistered monks live in peace and prayer. They grow vegetables, they tend chickens, they make chocolate. And they sing. Ironically, for a community that has taken a vow of silence, the monks have become world-famous for their glorious voices, raised in ancient chants whose effect on both singer and listener is so profound it is known as “the beautiful mystery.”

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett, Raymond Chandler, Erle Stanley Gardner, and John D. MacDonald all got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by the magazine.

Vincent is a bartender at the Hotel Caiette, a five-star glass-and-cedar palace on the northernmost tip of Vancouver Island. New York financier Jonathan Alkaitis owns the hotel. When he passes Vincent his card with a tip, it’s the beginning of their life together. That same day, a hooded figure scrawls a note on the windowed wall of the hotel: “Why don’t you swallow broken glass.” Leon Prevant, a shipping executive for a company called Neptune-Avramidis, sees the note from the hotel bar and is shaken to his core.

Farlingaye Hall is a beautiful hotel in Suffolk on the east coast of England. Unfortunately, it is also the site of the brutal murder of Frank Parris, a retired advertising executive. Stefan Codrescu, a Romanian maintenance man, is arrested after police discover blood spatter on his clothes and bed linen. He is found guilty and sentenced to eight years in prison. It appears to be an open-and-shut case, but there is more to it than meets the eye.

For lovers of the supernatural and the macabre comes this collection of ghostly and chilling stories from legendary mystery writer Agatha Christie. Fantastic psychic visions, specters looming in the shadows, encounters with deities, a man who switches bodies with a cat - be sure to keep the light on whilst listening to these tales. The Last Séance gathers 20 stories, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.

Slough House is a dumping ground for British intelligence agents who've screwed up cases in any number of ways - by leaving a secret file on a train or blowing a surveillance. River Cartwright, one such "slow horse", is bitter about his failure and about his tedious assignment transcribing cell phone conversations. When a young man is abducted and his kidnappers threaten to broadcast his beheading live on the Internet, River sees an opportunity to redeem himself.

Cameron Winter is troubled in heart and mind. He's plagued by memories of his time as a government operative investigating a notorious Turkish sex trafficker. The fact that the mission was left unfinished still haunts him and threatens to tear him apart. In the midst of his painful soul-searching, Winter crosses paths with an ex-flame—his first love—and the chance encounter ignites a passion he thought was long lost. But just as soon as she wanders back into Winter's life, the woman vanishes, leaving Winter scrambling to track her down.

When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.

It’s spring and Three Pines is reemerging after the harsh winter. But not everything buried should come alive again. Not everything lying dormant should reemerge. But something has. As the villagers prepare for a special celebration, Armand Gamache and Jean-Guy Beauvoir find themselves increasingly worried. A young man and woman have reappeared in the Sûreté du Québec investigators’ lives after many years. The two were young children when their troubled mother was murdered, leaving them damaged, shattered. Now they’ve arrived in the village of Three Pines. But to what end?

A body is found by an early morning dog walker on the common outside Rosebank, a care home for troubled teens. The victim is Josh, a staff member, who never showed up to work. DI Vera Stanhope is called out to investigate. Her only clue is the disappearance of fourteen-year-old resident Chloe. Vera can’t bring herself to believe that a teenager is responsible for the murder, but even she can’t dismiss the possibility.

A killer plays cat and mouse with a young widow against the snowy backdrop of an Alaskan winter. Branded a black widow after the suspicious death of her millionaire husband, Sarah Palmer flees Seattle for Anchorage. But the peace and quiet she hoped to enjoy in her hometown is soon shattered: The killer is murdering Sarah look-alikes on the 14th of each month, taunting Sarah with a valentine of evidence. After her experiences in Seattle, Sarah is slow to go to the police.

At Slough House - MI5’s London depository for demoted spies - Brexit has taken a toll. The “slow horses” have been pushed further into the cold, Slough House has been erased from official records, and its members are dying in unusual circumstances, at an unusual clip. No wonder Jackson Lamb’s crew is feeling paranoid. But are they actually targets? With a new populist movement taking hold of London’s streets and the old order ensuring that everything’s for sale to the highest bidder, the world’s a dangerous place for those deemed surplus.

Now that Madison Reynolds has agreed to be part of a reality-television home remodeling show, she barely recognizes her own life. The show is an instant success, bringing cameras and reporters right to her doorstep, eager to chronicle her every move in the small Texas town. With In a Pinch Temporary Services hovering on the thin line between prosperity and extinction, Madison takes on another quirky case, this one concerning a property dispute. Complications turn a simple mission into all-out danger, and once again Madison finds herself embroiled in an intriguing mystery.

Matt is intrigued when his partner Liz brings home an old carpet bag she found dumped in the local library. It contains a pile of mysterious handwritten notes. Liz is convinced the bag belongs to Old Molly, a local woman who lives on the streets. The following day, a body is discovered in a marshy lagoon. It's Old Molly. Suffocated with an expensive men's handkerchief. Molly clearly knew something that got her killed. Liz believes she was trying to tell them something important. She calls on her nephew David to help decipher the carpet bag notes.