Crime Fiction Suspense

Ice: The fighting cage made me a monster, and that's what came out when they freed me. She thinks I saved her from monsters, but she just fell into the hands of an even bigger one. She also thinks we're falling in love. She's wrong. I forgot how to do that. Besides, love's not what I want from her. She should've run away from me when I told her to do it. Because now it's too late. Barbie: I'm not letting him toss me aside. I'm staying right where I am, in his arms, and in his bed, and on the back of his bike.

After Del Walker fled her small hometown and its cult-like church, she vowed to never return. The man she loved, Lars, left her to marry the local golden girl Eve, and their romance is now the focus of Eve’s viral blog espousing the pastor’s conservative philosophy about women and marriage. But six years later, Lars is suddenly killed, and she’s convinced it couldn’t have been an accident.

Tara never imagined her introduction to Ireland like this - carrying her mam's ashes to honor her final request: "Tell Johnny I'm sorry.... Take me home." She's never met her mam's estranged brother, Johnny Meehan, who owns an architectural salvage business in Galway. Although Tara is immediately charmed by the medieval city, the locals seem wary of strangers, and a gypsy warns her that death is all around. When Tara arrives at her uncle's stone cottage, the prophesy seems true. A dead man lies sprawled over the threshold in a pool of blood.

The death of Tom Bettany's estranged 26-year-old son brings him back to London. His return sparks the interest of everyone from mobsters to MI5 officers - he may have thought he left his old life as a spy behind, but nobody just walks away. Tom Bettany is working at a meat processing plant in France when he gets the voicemail from an English woman he doesn't know telling him that his estranged 26-year-old son is dead. Liam was smoking dope on his London balcony when he fell....

It’s the summer of ’77 in New York City, and the only thing more unnerving than the scorching heatwave is the rampant murder, leaving washed-up homicide detective Richard Dietrich on edge. When Dietrich investigates a brutal mob hit the brass doesn’t want him to solve, he goes from phoning it in to getting in over his head. Caught up in a mysterious second homicide with an even more perplexing perpetrator, Dietrich starts to second guess his instincts—and his memory—as he searches for answers at the bottom of a bottle.

I knew running from Adrian wouldn't be easy. That there was a risk I would be caught, but I never anticipated he would go to such great lengths to find me. Now that he knows what I've done, I wonder if there will ever be love between us again, or if we were always meant to be enemies?

Alex Mercer is no stranger to kidnappings. The emotional scars still run deep from his sister's disappearance years earlier. His daughter Ariana remains safe long after her adoption, and he cherishes the few times a year he gets to see her. The joy is palpable when he takes her on their first one-on-one outing. At least until he pauses to answer a text and Ariana disappears. Wracked with guilt and determined to find answers, Alex teams up with an unlikely ally at the police department.

On the day before his twenty-first wedding anniversary, David Sullinger buried an ax in his wife’s skull. Now, eight jurors must retire to the deliberation room and decide whether David committed premeditated murder—or whether he was a battered spouse who killed his wife in self-defense.

Exit Wounds is a thrilling anthology of crime stories written by masters of the genre, including Dean Koontz, Val McDermid, Lee Child, Jeffery Deaver, Elly Griffiths, Dennis Lehane, Joe R. Lansdale, and others.

Rebecca Heilshorn lies stabbed to death in her bed in a remote upstate New York farmhouse. Rookie detective Brendan Healy is called in to investigate. All hell breaks loose when her brother bursts onto the scene. Rebecca turns out to have many secrets and connections to a sordid network mixing power, wealth, and sex. Detective Brendan Healy, trying to put his demons behind him, pursues a dangerous investigation that will risk both his life and his sanity.

This novel by Carl Hiaasen, author of Tourist Season and Native Tongue, begins as most thrillers do, with a killing. But this is no everyday, hum-drum, garden variety killing. Our hero, Nick Stranahan, a 42-year-old private investigator who has killed five men and been married five times, skewers his attacker's aorta with the razor-sharp bill of a stuffed marlin.

On the tree-lined banks of Surrey’s River Wey, a decaying corpse is dug up by workmen in the middle of an Anglo-Saxon burial site. His modern dental fillings show that this is no Dark Age corpse. DCI Craig Gillard is called in, but the body’s condition makes identification difficult. One man, however, seems to fit the bill: Ozzy Blanchard, a contractor employed by the same water firm doing the digging who disappeared six months ago. But then an X-ray of the corpse throws the investigation into turmoil. The deeper Gillard digs, the more shocking truths he will uncover.

The men in the secret society known as the Lords think they rule the world. And in a way, they do. Each has sold their soul to the devil at a young age in exchange for power and wealth. Like anything else, they have different levels of success. The more they’re willing to serve, the more power they have. Among them are the Spade brothers, who run Carnage. It’s where the Lords who have not held up their oath go to live out the rest of their lives in shackles. Tucked away from the world as if they never existed.

The explosive series begins with The Night Shift, where ex-sniper Sam Pope leads his own investigation into a bombing at the London Marathon, setting himself on a collision course with some of the most dangerous criminals in London.

Former London policeman Alan Banks relocated to Yorkshire seeking some small measure of peace. But depravity and violence are unfortunately not unique to large cities. His new venue, the quaint little village of Eastvale, seems to have more than its fair share of malefactors---among them a brazen Peeping Tom who hides in night's shadows spying on attractive, unsuspecting ladies as they prepare for bed.

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

The bodies are found in towns and cities around Puget Sound. The young women who are the victims had nothing in common - except the agony of their final moments. But somebody carefully chose them to stalk, capture, and torture...a depraved killer whose cunning is matched only by the depth of his bloodlust. But the dying has only just begun. And the next victim will be the most shocking of all....

Eccentric, reclusive Walter Rennert lies cold at the bottom of his stairs. At first glance the scene looks straightforward: a once-respected psychology professor done in by booze and a bad heart. But his daughter, Tatiana, insists that her father has been murdered, and she persuades Clay Edison to take a closer look at the grim facts of Rennert's life. What emerges is a history of scandal and violence and an experiment gone horribly wrong that ended in the brutal murder of a coed.

A thirty-four-year-old American woman—a secret agent—is sent to do dirty work in France. “Sadie Smith” is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by “cold bump”—making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her “contacts”—shadowy figures in business and government—instruct.

Could you ever be friends with the woman who stole your husband? That is the question facing Jenny when Helena appears at her door. Five years ago, Craig abandoned Jenny and moved in with Helena. Now it seems Craig has moved onto a younger woman. Helena pleads with Jenny to help find out who the mystery woman is.