Crime Noir

Ever since his brother electrocuted him as a boy, Baer Creighton feels an electric tingle when people lie to him. He lives in the woods, stills unrivaled moonshine, and limits human contact to regular buyers, his niece Mae, and her three kids. It’s a good life, sharing humor and philosophy with his sole companion Fred, a back-sassin' pit bull getting on in years, until Fred goes missing then arrives dumped in a ditch, a victim of a local dog-fighting ring. Armed with a Smith & Wesson, audacity, and a moonshiner's know-how, Baer hunts the dog thief.

Nightmare Alley is American author William Lindsay Gresham’s first and best-known work. The novel - most admired by noir fiction fans - was published in 1946, adapted into a film in 1947 starring Tyrone Power and subsequently printed as a graphic novel by Spain Rodriquez. During the 1940s Gresham worked as an editor for a genuine crime pulp magazine in New York, during which period he wrote this book; characters range from hustlers to Machiavellian femme fatales in a dark world of show business.

Thousands of girls go missing every year in Las Vegas. Taken. Bought and sold. Or worse. These lost girls summon FBI Profiler Violet Darger to Sin City. There are fresh dead to sort through - two bodies burned beyond recognition in the trunk of a sedan - and there’s reason to believe there are missing girls waiting to be saved. Rumors swirl that a legendary killer is responsible for these crimes: an escaped prisoner with a personal grudge against Darger. One who disappeared for 20 years. If Darger finds the killer in time, the girls will live. If not...

Aboard the Orient Express as it heads across Europe towards Constantinople, a relationship develops between Carleton Myatt and Coral Musker, a naive English chorus girl. Around them a web of espionage, murder and lies twist in this spy thriller.

Ex-detective superintendent Brandt has turned against society. The first kill was a stab in the dark, but now he's got a real taste for it. But his pursuer, DCI Stella Johnson, has rankled him. She has leaked to the press the idea he is impotent, and it has taken hold. Brandt wants to prove himself. Who better a victim than the woman who has embarrassed him? Johnson's strategy backfires, and she is in trouble with her superiors. Yet she now has a very personal reason to hunt down Brandt. Will going solo put her at even greater risk than before? And just what has he in mind for her?

In recent decades, ostensibly to combat the rising tide of criminality in Mumbai’s underworld, the Indian Police Service has carried out many hundreds of extrajudicial assassinations of suspects. Karan, an expert sharpshooter in an elite branch dispensed with dishing out this vigilante justice, has a difficult choice: Should he continue to blindly follow orders from his superiors, regardless of their moral standing, or take matters into his own hands and do what he believes to be right?

It’s been seven years since Gloomy Knob landed in the Ted Stevens High-Security Federal Penitentiary and five years since the end of the war, the one North Korea started when they sent a missile to Cold Storage, Alaska. Serving a life sentence for the murder of his sister, Gloomy spends his time trying to forget about the past. Then one day, Gloomy is snatched from his off-site work station. Instead of celebrating his newfound freedom, Gloomy comes unmoored - he feels he belongs in prison. But his kidnappers believe Gloomy knows where a second nuclear warhead is hidden.

Isobel Kingston is dead. Or so everyone believes. When a mysterious woman writes her last words in sand, Isobel steps out of the shadows to uncover the truth. As she plunges into a storm of betrayal, the winds are determined to throw Atticus Riot on her course, and the two detectives collide in a sea of madness and murder.

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

Sammy Dee is a mid-level Long Island mafioso in witness protection. Didier Onyekachukwu was the corrupt minister of finance of the former Upper Volta. Both men find themselves in middle age, living in the Southern California version of genteel poverty in a down-market condo complex called Paradise Gardens. Enter Marcy Gray, a "mature" actress barely getting by on a meager SAG pension.

A society matron's life is threatened after she engineers the theft of her own priceless jewelry to pay off a gambling debt. Only a debonair connoisseur of crime can save her and recover her gems. For a price.

Florida private eye Doak Miller agreed to help the local cops by posing as a hit man to catch a woman looking to get rid of her husband. But then he met the wife - and fell, hard. Now he's plotting with her to commit a murder that could net them millions of dollars and the chance to be together. But to pull it off under the watchful eyes of the police, it'll have to be the perfect crime....

Is someone systematically killing the judges called to the British Columbian bar? At least one has been murdered and several have disappeared. Arthur Beauchamp returns from retirement once again to take on the case, this time defending his former nemesis, backwoods poet Cudworth Brown. He finds himself chasing all kinds of leads, including tracking down a mystery novel that Brown’s unreliable former lawyer has been writing, just as Beauchamp’s own wife, Margaret, has announced her candidacy for the Green Party.

A multicultural nexus, Toronto hosts Indian, Portuguese, African, Italian, and Chinese communities that provide fertile backdrops for Toronto Noir's corrosive exposés. Features brand-new stories by RM Vaughan, Nathan Sellyn, Ibi Kaslik, Peter Robinson, Heather Birrell, Sean Dixon, Raywat Deonandad, Christine Murray, Gail Bowen, Emily Schultz, Andrew Pyper, Kim Moritsugu, Mark Sinnet, George Elliott Clarke, Pasha Malla, and Michael Redhill.

For Tel Aviv Noir, Etgar Keret and Assaf Gavron have masterfully assembled some of Israel's top contemporary writers into a compulsively readable collection. Featuring brand-new stories by: Etgar Keret, Gadi Taub, Lavie Tidhar, Deakla Keydar, Matan Hermoni, Julia Fermentto, Gon Ben Ari, Shimon Adaf, Alex Epstein, Antonio Ungar, Gai Ad, Assaf Gavron, Silje Bekeng, and Yoav Katz.

At the end of the initial novel, Drive, Driver has killed Bernie Rose, “the only one he mourned,” ending his campaign against those who double-crossed him. Now, seven years have passed. Driver has left the old life, become Paul West, and founded a successful business back in Phoenix. Walking down the street one day, he and his fiancée are attacked by two men, and while Driver dispatches both, his fiancée is killed.

Fred Underhill is a young cop on the rise in Los Angeles in the early 1950s - a town blinded to its own grime by Hollywood glitter; a society nourished by newspaper lies that wants its heroes all-American and squeaky clean. A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past.

Welcome to Danforth Putnam, boarding school for the elite, sprawled across its own private island off the coast of New England. Sam, a war vet who feels sure he’s seen it all, has been called here to find a stolen rare book. But as he corners D&D nerds, grills steroid-raging linemen, and interviews filthy-rich actresses, he soon senses that something far stranger—“witchy”, in fact—is afoot. When students start to meet mysterious and gruesome deaths, Sam realizes just how fast the clock is ticking.

Quarry doesn't kill just anybody these days. He restricts himself to targeting other hitmen, availing his marked-for-death clients of two services: eliminating the killers sent after them, and finding out who hired them…and then removing that problem as well. So far he's rid of the world of nobody who would be missed. But this time he finds himself zeroing in on the grieving family of a missing cheerleader. Does the hitman's hitman have the wrong quarry in his sights?

The Living. Erlendur works nights. He’s a young officer in Traffic, not yet a detective. And Reykjavik’s nights are full of car crashes, robberies, drinkers and fighters. Sometimes an unexplained death. The Lost. A homeless man Erlendur knows is found drowned. But few people care. Or when a young woman on her way home from a club vanishes. Both cases go cold. The Searcher. Two lost people from two different worlds. Erlendur is not an investigator, but his instincts tell him their fates are worth pursuing.