Crime Noir

McGee Ridge, earthquake-rattled and clinging to the thousand-foot cliffs of the Northern California coast, is nestled in one of a very few truly wild places left in the Lower 48. It is also home to a band of off-grid outlaws who vanished behind the famed Redwood Curtain in the 1960s and whose time there is swiftly coming to an end.

Los Angeles is not itself. Rain falls hard every day. Homeless men are set on fire in their tents. Detective Sam Carver chases leads into a maze of militias and neo-Nazis. But before he gets too deep into the case, a past that has haunted him for years returns in the name of Dylan Cross. The killer who got away. Carver knows she has murdered again, but no one believes him. She leaves him clues, writes him notes, tempts him. She wants him to betray everything he is. He is drawn to her by the damage and demons they both carry.

The novel centers on Dickie Cornish, a Black streetwise survivor living in a homeless camp near DC's Smithsonian Museum of Natural History. Framed for the murder of two of his closest friends and facing life in prison, Dickie crosses paths with wealthy ex-Homeland Security Secretary, Jamie Bracht. Bracht offers him a chance at a new life if Dickie can navigate an underground world to uncover a prize Bracht will stop at nothing to acquire.

Hollywood, 1947. Jack Shannon, a former actor whose promising career was interrupted by the war and ended by a facial scar sustained in combat, is now a studio publicist. He jokes that the only thing he knows about publicity is how to suppress it, but that, in fact, is his real job. He’s a fixer who babysits the studio’s stars and covers up their bad behavior. Everything changes for Jack when Savannah Stevens enters his life.

Atlantica - the forgotten isle, the glittering gem in the cesspool of humanity's future. Anything you do inside your own home is allowed. It is a dog-eat-dog world of millionaires and billionaires. The rest of society beneath them live in ignorance. Those at the top have money, tools, people, assassins, and murderers. One such assassin was a rumor, a myth, a ghost in the night. The Red Countess, the lady Valentina Winters. A player among the elite has something Valentina wants, and she is willing to do most anything to get it.

Joe is a retired Special Forces operative with a bad case of PTSD and some substance abuse issues, moonlighting as a fixer for the most powerful crime families in town. In his newest assignment, Joe is sent to take out a shadowy figure named Zahir, who made the New York crime families' hit list by hijacking heroin shipments bound for US dealers and funneling the money to terror cells. Which means that Gotham's underbelly has brought Joe back to the one place in the world he doesn't want to revisit.

Brenae Brasil is a rising star at the most prestigious art school in the country, and her path to celebrity is all but assured. Until she is found dead on campus, just after completing a provocative documentary about female bodies, coercion, and self-defense. Maggie Richter's return to LA and her job at the Rocque Museum was supposed to be about restarting her career and reconnecting with old friends. With mounting pressure to keep the museum open, the last thing she needs is to find herself at the center of another art-world mystery.

As the old chemical works in Leith are demolished, a long deceased body encrusted in phosphate rock is discovered. Seated at a card table, he has 10 objects laid out in front of him. Whose body is it? How did he die, and what is the significance of the objects? Phosphate Rocks: A Death in 10 Objects unravels the mystery using a mix of real life anecdote, scientific explanation and a touch of fiction, woven together to create a vivid account of the life and decline of a factory over five decades.

Quint earns his private investigator's license and heads off to Los Angeles to celebrate. Within a day of arriving, an old friend, now a Hollywood producer, tells Quint that he fears for his life. He's dead by the next morning. While Cara sees the seedy Hollywood underbelly for what it truly is, Quint ignores her warnings and sets off to catch the killer.

Flora Hansen se considera a sí misma una médium capaz de comunicarse con los muertos. Tras el terrible asesinato perpetrado en una casa para chicas problemáticas, empieza a tener visiones demasiado reales. Asustada, llama a la policía, arguyendo haber visto un fantasma. Solo un detective dejará a un lado su escepticismo para escuchar lo que Hansen tiene que contar: Joona Linna.

The world is ending, and down-and-out sadist Lee spends their days working for a big corporation and their nights wandering the streets of Brooklyn listening to true crime podcasts. But everything changes when Lee is dragged to a warehouse party by their best friend, where they find themself in the clutches of the seductive and bloodthirsty X. When Lee seeks her out again, she's nowhere to be found.

Impossible doesn’t belong in Riley Wolfe’s vocabulary. He’s a master of heists and disguises, whose life's work is swindling the rich out of their undeserved treasures. Now rumors surrounding a dangerous new figure of international crime are spreading through the underworld. And this ruthless collector, the Cobra, has a personal vendetta against Riley . . .

Manila provides the ideal, torrid setting for an Akashic Noir series volume. It's where the rich rub shoulders with the poor, where five-star hotels coexist with informal settlements, where religious zeal coexists with superstition, and where politics is often synonymous with celebrity and corruption.

A chilling note predicting the deaths of six people is found in a school's time capsule, 10 years after it was buried. But surely, if a 13-year-old wrote it, it can't be a real threat.... Detective Huldar suspects he's been given the investigation simply to keep him away from real police work. He turns to psychologist Freyja to help understand the child who hid the message. Soon, however, they find themselves at the heart of another shocking case.

Il existe, quelque part en Asie du Sud-Est, entre le tropique du Cancer et la ligne de l'Équateur, une autre ligne. Une ligne noire jalonnée de corps et d'effroi.

The Living. Erlendur works nights. He’s a young officer in Traffic, not yet a detective. And Reykjavik’s nights are full of car crashes, robberies, drinkers and fighters. Sometimes an unexplained death. The Lost. A homeless man Erlendur knows is found drowned. But few people care. Or when a young woman on her way home from a club vanishes. Both cases go cold. The Searcher. Two lost people from two different worlds. Erlendur is not an investigator, but his instincts tell him their fates are worth pursuing.

Rosenmontag 1933: Gereon Rath feiert Karneval in Köln. Der Morgen danach beginnt für ihn mit einem heftigen Kater, der falschen Frau im Bett und einem Anruf aus Berlin: Der Reichstag steht in Flammen! Sofortige Urlaubssperre! Seinen neuen Fall aber erbt Gereon Rath von seinem Vorgesetzten Wilhelm Böhm, der sich unter dem Nazi-Polizeipräsidenten ins politische Abseits manövriert hat: Ein Obdachloser ist erstochen am Nollendorfplatz gefunden worden.

A pair of hit men working a job for a meth kingpin have a very bad day, and the resulting bushfire draws attention to a drug lab and two bodies burned up in a Mercedes. Sergeant Ellen Destry - newly minted head of her department's sex crime unit - and Inspector Hal Challis return in this newest installment of Gary Disher's Peninsula-based crimes series. With meth-related crime on the rise, interdepartmental tensions mount, and Challis soon finds himself fighting to keep control of his case.

Late one winter afternoon in upstate New York, George Clare comes home to find his wife killed and their three-year-old daughter alone—for how many hours?—in her room across the hall. He had recently, begrudgingly, taken a position at a nearby private college (far too expensive for local kids to attend) teaching art history, and moved his family into a tight-knit, impoverished town that has lately been discovered by wealthy outsiders in search of a rural idyll.

Written years before Jordan Harper’s breakout success, Everybody Knows, this stirring and brutal bildungsroman tells the story of young Luke Crosswhite, who after years apart from his criminal family returns to their flock deep in the California desert. Luke’s father is serving time for a brutal murder that Luke himself witnessed; now, his uncle vies for power and rival biker gangs encroach on the family’s various criminal enterprises.