Crime Noir

In 1930, young Archie Goodwin comes to New York City hoping for a bit of excitement. In his third week working as a night watchman, he stops two burglars in their tracks - with a pair of hot lead slugs. Dismissed from his job for being “trigger-happy”, he parlays his newfound notoriety into a job as a detective’s assistant, helping honest sleuth Del Bascom solve cases like the Morningside Piano Heist, the Rive Gauche Art Gallery Swindle, and the Sumner-Hayes Burglary. But it’s the kidnapping of Tommie Williamson that introduces Goodwin to the man who will change his life.

Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett’s tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Hammett invented the noir crime novel.

Sara Keane's husband, Damien, has uprooted them from England and moved them to his native Northern Ireland for a "fresh start" in the wake of her nervous breakdown. But three sleepless nights into their new life, Sara understands it's not an entirely fresh start after all: Damien's new boss is his ex-con father, whose contracting business is run with violence and tinged by paramilitary association. Sara, who knows no one in Northern Ireland, is jobless, carless, friendless - all but a prisoner in her own house.

The Continental Op is a short, squat, and utterly unsentimental tank of a private detective. Miss Gabrielle Dain Leggett is young, wealthy, and a devotee of morphine and religious cults. She has an unfortunate effect on the people around her: they have a habit of dying violently. Is Gabrielle the victim of a family curse? Or is the truth about her weirder and infinitely more dangerous? The Dain Curse is one of the Continental Op's most bizarre cases, and a tautly crafted masterpiece of suspense.

There's a different schemer or slimeball behind every door: cocaine duckpins who have survived only by the dumbest fortune, hard-luck gigolos desperate to score, undercover cops busting undercover cops who are running sting operations on undercover cops.

Retired from the force, Detective Superintendent Jeffrey Brandt goes native. He stabs a woman but holds back from killing her. Frustrated that no one takes any notice, he ups his game. Next time, he'll kill. Brandt fully knows how the police work. He'll use this knowledge to win a sick game; after all, he's chosen the rules. The crime scenes are spotless, Brandt's covered his tracks. There is no forensic evidence. Yet each killing has his unmistakable print. Faced with the challenge of discovering his identity is DCI Stella Johnson. She rises to Brandt's macabre challenge.

The Bucket List starts when undercover FBI Agent John Adderley wakes up in a hospital bed in Baltimore with extensive gunshot wounds. He knows he’s lucky to be alive. And just a few beds away is the man who 24 hours ago pointed a gun to his head. Soon, a high-profile cold-case file is sent to Agent Adderley, now living in Sweden (where he’s not lived since he was a boy) in witness protection, hiding until he can testify against the drug cartel he infiltrated back in the States. Adderley is determined to solve the case, even with a price on his head....

While working one afternoon on the Northern Divide, a young tree-marker makes a grisly discovery: in a squatter's cabin near an old mill town, a family has been murdered. An army vet coming off a successful turn leading a task force that took down infamous biker criminals, Detective Frank Yakabuski arrives in Ragged Lake, a nearly abandoned village, to solve the family's murder. But no one is willing to talk. With a winter storm coming, Yakabuski sequesters the locals in a fishing lodge as he investigates the area with his two junior officers.

Another day, another hijacked body. And just 13 hours to solve a murder…Detective Vincent Graves has made a habit of dying. Waking up in someone else’s body isn’t pleasant, especially when it's inside a coffin with tons of dirt pressing down on it. Once he’s out, he learns his soul has 13 hours to find the borrowed body’s killer. With the help of a brilliant FBI agent, Vincent’s quest for clues leads to a looming supernatural presence. And escaping the dark threat may be impossible with his ever-ticking clock… Can Vincent close the case in time?

Duchess Day Radley is a 13-year-old self-proclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids. Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive protecting Duchess and her brother.

In the busy town center of Canterbury, a woman and a young boy are snatched from the street. A few miles away, a man stands on the edge of a viaduct ready to throw himself off. Sergeant Shaun Carter, a police negotiator, is trying to talk him down, but he dare not get too close. This man is the only person who has the answers needed to find the missing. These two events will have consequences for everyone they touch. And Shaun Carter is forced to make heartbreaking choices as he faces a vicious criminal network. As the situation spirals out of control, Shaun asks for help.

When two men meet in the gym - the ex-boxer Billy Tully and the novice Ernie Munger - their brief sparring session sets into motion their hidden fates, initiating young Munger into the "company of men" and luring Tully back into training. Fat City tells of their anxieties and hopes, their loves and losses, and the stubborn determination of their manager, Ruben Luna, who knows that even the most promising kid is likely to fall prey to some weakness.

Las Vegas: a city built on obscene wealth and corrupt deals, cunning entrepreneurs, and the ruthless mob. The Cartel's plan to open a casino will rake in cash, but it comes with great sacrifice. The stakes have never been this high, and the rules of the game have never been this hard to manipulate. And when one dead girl, one scorned wife, and one hole in the desert launch a chain of catastrophic events, the Cartel is sent on a downward spiral as they battle the Arabian mob and fight traitors within their circle.

Cash and Sheriff Wheaton make for a strange partnership. He pulled her from her mother's wrecked car when she was three. He's kept an eye out for her ever since. It's a tough place to live - northern Minnesota along the Red River. Cash navigated through foster homes, and at 13 was working farms. She's tough as nails, five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side.

Gus Murphy thought he had the world all figured out. A retired Suffolk County cop, he had everything a man could want: a great marriage, two kids, a nice house, and the rest of his life ahead of him. But when tragedy strikes, his life is thrown into complete disarray. In the course of a single deadly moment, his family is blown apart, and Gus is transformed from a man who believes he understands everything into a man who understands nothing.

A young nanny who plunged to her death, or was she pushed? A nine-year-old girl who collects sharp objects and refuses to speak. A lawyer whose job it is to uncover who in the family is a victim and who is a murderer. But how can you find out the truth when everyone here is lying? Rose Barclay is a nine-year-old girl who witnessed the possible murder of her nanny—in the midst of her parent's bitter divorce—and immediately stopped speaking.

So this girl walks into a bar…and when she walks out there’s a man with her. She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She’s been doing this for a while, and she’s good at it. And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her.

Everyone says the Elders family are nothing but cheats, thieves, and convicts - a fact 19-year-old Jamie Elders has been trying desperately to escape. She may have the natural talent of a poker savant, but her dreams of going pro and getting the hell out of the tiny town of Blind River, New York, are going nowhere fast - especially when she lands in a huge pile of debt to her uncle Loyal. At Loyal's beck and call until her debt is repaid, Jamie can't easily walk away - not with her younger brother Toby left at his mercy.

Fred Underhill is a young cop on the rise in Los Angeles in the early 1950s - a town blinded to its own grime by Hollywood glitter; a society nourished by newspaper lies that wants its heroes all-American and squeaky clean. A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past.

“Sadie Smith” is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the listener. Sadie has met her love, Lucien, a young and well-born Parisian, by “cold bump”—making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her “contacts”—shadowy figures in business and government—instruct. First, these contacts want her to incite provocation. Then they want more.