Dystopian Literary Fiction

With each passing day, Kelsea Glynn is growing into her new responsibilities as queen of the Tearling. By stopping the shipments of slaves to the neighboring kingdom of Mortmesne, she crossed the Red Queen, a brutal ruler whose power derives from dark magic, who is sending her fearsome army into the Tearling to take what is hers. And nothing can stop the invasion.

Gary Shteyngart, author of The Russian Debutante’s Handbook, creates a compelling reality in this tale about an illiterate America in the not-too-distant future. Lenny Abramov may just be penning the world’s last diary. Which is good, because while falling in love with a rather unpleasant woman and witnessing the fall of a great empire, Lenny has a lot to write about.

In an unspecified future, the United States' borders have receded behind a salt line - a ring of scorched earth that protects its citizens from deadly disease-carrying ticks. Those within the zone live safe, if limited, lives in a society controlled by a common fear. Few have any reason to venture out of zone, except for the adrenaline junkies who pay a fortune to tour what's left of nature. Those among the latest expedition include a pop star and his girlfriend, Edie; the tech giant Wes; and Marta, a seemingly simple housewife.

In Victoria on a former prison colony, two exiled groups - the farmers of Shantih and the city dwellers - live in apparent harmony. All is not as it seems, however. While the peace-loving farmers labor endlessly to provide food for the city, the city bosses rule the Shantih with an iron fist. When a group of farmers decide to form a new settlement further away, the bosses retaliate by threatening to crush the "rebellion".

"Unendlicher Spaß" - so nannte James Incandenza seinen Film, der Menschen, die ihn anschauen, so verhext, dass sie sich nicht mehr von ihm lösen können und dabei verdursten und verhungern. Radikale Separatisten planen mithilfe dieses Films einen Angriff auf das sensations- und vergnügungslüsterne Amerika. Ein zügelloser, unfassbarer Roman, der die menschlichen Obsessionen, Zerstreuungen und Lustbarkeiten in Worte fasst.

A trip to the library prompts one woman to question her fate in this galvanizing short story. For a woman like Hadley, deemed not acceptable to procreate, there’s only one recourse. Unlicensed for motherhood, she can alleviate her grief and frustration at a “baby library,” where a curiously endless supply of infants is available for a two-week loan. But the borrowed life that serves as a temporary balm leads to a journey of self-discovery that will forever change the direction of Hadley’s future.

Welcome to Gor, a parallel Earth, where social norms are exotic and the way of life is brutal. In the fifth book in the Gorean Series, the deadly assassin Kuurus is intent on a bloody mission of vengeance. His adventure takes him from the caste of the pleasure-slaves, which are rigorously trained in the rules and techniques of sexual ecstasy, to the brutal arenas where humans participate in deadly hand-to-hand combat. He witnesses violence, conflict and uncertainty, as the inhabitants of Counter-Earth are forced to confront their destinies…no matter how exalted or debased.

Celeste Morton has eagerly awaited her passage to adulthood. Like every girl, she was born with a set of childhood markings - the freckles, moles, and birthmarks on her body that foretell her future and that of those around her - and with puberty will come a new set of predictions that will solidify her fate. The possibilities are tantalizing enough to outweigh her worry that the future she dreams of won’t be the one she’s fated to experience.

When spring comes, the people leave their winter cave, foraging for honey and shoots, bulbs and grubs, the hot richness of a deer's brain. They awaken the fire to heat their naked bodies, lay down their thorn bushes and share pictures in their minds. But strange things are happening - inexplicable scents, sounds and violence - and, suddenly, unimaginable creatures are half-glimpsed in the forest: an upright new people of bone-faces and deerskins. What the early people don't know is that their season is already over....

Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Can it be that Todbaum wants to produce one more extravaganza?

Cuando las puertas de la furgoneta se cerraron de golpe tras Defred al final de El cuento de la criada, los lectores no tenían forma de saber cuál iba a ser su futuro: la libertad, la prisión o la muerte. Con la publicación de Los testamentos, la espera ha terminado. Margaret Atwood recupera la historia 15 años después de que Defred se adentrara en lo desconocido, con los testimonios asombrosos de tres narradoras del mundo de Gilead.

It's been nearly two decades since the Red Allies first attacked New York, and Manhattan is now a prisoner-of-war camp ruled by Rolladin and her brutal, impulsive warlords. For Skyler Miller, Manhattan is a cage that keeps her from the world beyond the city's borders. But for Sky's younger sister, Phee, the POW camp is a dangerous playground of possibility--and the only home she'd ever want.

In the Before, when the government didn't prohibit large public gatherings, Luce Cannon was on top of the world. One of her songs had just taken off and she was on her way to becoming a star. Now, in the After, terror attacks and deadly viruses have led the government to ban concerts, and Luce's connection to the world - her music, her purpose - is closed off forever. She does what she has to do: She performs in illegal concerts to a small but passionate community, always evading the law.

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Years ago, just before the country was incinerated to wasteland, 10 men and their families colonized an island off the coast. They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers - chosen male descendants of the original 10 - are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires.

Emi Vargas, whose parents helped save the world, is tired of being told how lucky she is to have been born after the climate crisis. But following the public assassination of a dozen climate criminals, Emi’s mother, Kristina, disappears as a possible suspect, and Emi’s illusions of utopia are shattered. A determined Emi and her father, Larch, journey from their home in Nuuk, Greenland to New York City, now a lightly populated storm-surge outpost built from the ruins of the former metropolis. But they aren’t the only ones looking for Kristina.

The end of the world didn't happen overnight. After years of war, societal breakdown, freak storms, and rising tides, humanity already hovered near the edge. Then came the most unexpected threat of all: the world's corpses rising up to deliver the final blow.

Orla Cadden is a budding novelist stuck in a dead-end job, writing clickbait about movie-star hookups and influencer yoga moves. Then Orla meets Floss - a striving, wannabe A-lister - who comes up with a plan for launching them both into the high-profile lives they dream about. So what if Orla and Floss’s methods are a little shady - and sometimes people get hurt? Their legions of followers can’t be wrong.

New York. 2120. America has been decimated, wiped out from the second Civil War. In this post-apocalyptic world, survivors are far and few between. And most of those who do survive are members of the violent gangs, predators who live in the big cities. They patrol the countryside looking for slaves, for fresh victims to bring back into the city for their favorite death sport: Arena One. The death stadium where opponents are made to fight to the death, in the most barbaric of ways. There is only one rule to the arena: no one survives. Ever.

Lionel Bigman is dead. Murdered by a robot. Guy Matthias, the philandering founder and CEO of the mega-corporation Beetle, insists it was human error. But was it? Either the predictive algorithms of Beetle's supposedly omniscient "lifechain" don't work, or, they've been hacked. Both scenarios are impossible to imagine and signal the end of Beetle's technotopia and life as we know it.