Dystopian Literary Fiction

George Orwell (1903-1950) was an English novelist, essayist, journalist, and critic. Considered a classic of dystopian fiction, 1984 has contributed many terms to common usage, including "Big Brother", "doublethink", "newspeak", and "thoughtcrime", while the adjective "Orwellian" has entered the English language in the context of government deception, surveillance, and misleading terminology. The narrative unfolds in an imagined future when most of the world has fallen prey to omnipresent government surveillance, propaganda, and endless war.

In a speculative future, Abel, a menial worker, is called to serve in a secretive and fabled jury system. At the heart of this system is the repeat room, where a single juror, selected from hundreds of candidates, is able to inhabit the defendant's lived experience, to see as if through their eyes.

Japan, after suffering from a massive irreparable disaster, cuts itself off from the world. Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient - frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism.

King has tenderly staked out a territory for his wife and three daughters, Grace, Lia, and Sky. He has lain the barbed wire; he has anchored the buoys in the water; he has marked out a clear message: Do not enter. Or viewed from another angle: Not safe to leave. Here women are protected from the chaos and violence of men on the mainland. The cult-like rituals and therapies they endure fortify them from the spreading toxicity of a degrading world. But when their father, the only man they've ever seen, disappears, they retreat further inward until the day two men and a boy wash ashore.

The penalty for Dani Cumali's murder: $84,000. Theo works in the Criminal Audit Office. He assesses each crime that crosses his desk and makes sure the correct debt to society is paid in full. These days, there's no need to go to prison—provided that you can afford to pay the penalty for the crime you've committed. If you're rich enough, you can get away with murder. But Dani's murder is different. When Theo finds her lifeless body, and a hired killer standing over her and calmly calling the police to confess, he can't let her death become just an entry on a balance sheet.

Cuando las puertas de la furgoneta se cerraron de golpe tras Defred al final de El cuento de la criada, los lectores no tenían forma de saber cuál iba a ser su futuro: la libertad, la prisión o la muerte. Con la publicación de Los testamentos, la espera ha terminado. Margaret Atwood recupera la historia 15 años después de que Defred se adentrara en lo desconocido, con los testimonios asombrosos de tres narradoras del mundo de Gilead.

Children of the New World introduces listeners to a near-future world of social media implants, memory manufacturers, dangerously immersive virtual reality games, and alarmingly intuitive robots. Many of these characters live in a utopian future of instant connection and technological gratification that belies an unbridgeable human distance, while others inhabit a post-collapse landscape made primitive by disaster, which they must work to rebuild as we once did millennia ago.

En un mundo apocalíptico donde llueve ceniza, un hombre y un chico cruzan a pie el territorio norteamericano en dirección al sur. El hambre es mucho más que una preocupación diaria: es la medida de todas las cosas, y las bandas de caníbales asolan el país convertido en un yermo donde solo la barbarie ha echado raíces. El amor de un padre por su hijo es, sin embargo, la única luz de una tierra que ha perdido a sus dioses. Quizá el fuego de la civilización no se haya apagado para siempre.

The end of the world didn't happen overnight. After years of war, societal breakdown, freak storms, and rising tides, humanity already hovered near the edge. Then came the most unexpected threat of all: the world's corpses rising up to deliver the final blow.

Lionel Bigman is dead. Murdered by a robot. Guy Matthias, the philandering founder and CEO of the mega-corporation Beetle, insists it was human error. But was it? Either the predictive algorithms of Beetle's supposedly omniscient "lifechain" don't work, or, they've been hacked. Both scenarios are impossible to imagine and signal the end of Beetle's technotopia and life as we know it.

As London is submerged below flood waters, a woman gives birth to her first child, Z. Days later, she and her baby are forced to leave their home in search of safety. They head north through a newly dangerous country seeking refuge from place to place, shelter to shelter, to a desolate island and back again. The story traces fear and wonder, as the baby's small fists grasp at the first colors he sees, as he grows and stretches, thriving and content against all the odds.

Desperate to quell her addiction to drugs, disastrous romance, and '90s San Francisco, Michelle heads south for LA. But soon it's officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird. While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a sprawling and metatextual exploration to complement her promises of maturity and responsibility.

After nearly freezing to death on their trek north, Brooke and her small group wake to find themselves in civilization. Brooke soon realizes, though, that being safe and secluded is not all there is to life...Brooke finds herself facing the choice of a lifetime: to live in this perfect place, free and safe for the rest of her days, or to embark and fight for others’ freedom. It would be a journey, she knows, back through post-apocalyptic America, this time traveling west, across its breadth, in search of the rumored survivors, of her father.

In a profoundly strange country called Inner Horner, large enough for only one resident at a time, citizens waiting to enter the country fall under the rule of the power-hungry and tyrannical Phil, setting off a chain of injustice and mass hysteria. An Animal Farm for the 21st century, this is an incendiary political satire of unprecedented imagination, spiky humor, and cautionary appreciation for the hysteric in everyone.

Bill and Penelope are the lucky ones. Not only do they survive the Shark Flu emerging from the melting Icelandic permafrost to sweep like a scythe across the world, but they begin to rebuild a life in the wreckage of the old. A garden to feed themselves planted where the lawn used to be, a mattress pulled down to the living room fireplace for warmth. Even Bill’s psychology practice endures the collapse of the social order, the handful of remaining clients bartering cans of food for their sessions.

Set in Rhode Island, Winner of the National Book Award tells the story of twins who could not be more different. Abigail Mather is a woman of passionate sensual and sexual appetites, while her sister, the book-loving local librarian Dorcas, lives a quiet life of the mind. But when the sisters are sought out by the predatory and famous poet, Guy DeVilbiss, who introduces them to Hollywood hack writer and possible psychopath Conrad Lowe, they rapidly become pawns in a game that leads to betrayal, shame and ultimately, murder.

New York. 2120. America has been decimated, wiped out from the second Civil War. In this post-apocalyptic world, survivors are far and few between. And most of those who do survive are members of the violent gangs, predators who live in the big cities. They patrol the countryside looking for slaves, for fresh victims to bring back into the city for their favorite death sport: Arena One. The death stadium where opponents are made to fight to the death, in the most barbaric of ways. There is only one rule to the arena: no one survives. Ever.

In a near future where climate change has severely affected weather and agriculture, the North End of an unnamed city has long been abandoned in favor of the neighboring South End. Aside from the scavengers steadily stripping the empty city to its bones, only a few thousand people remain, content to live quietly among the crumbling metropolis. Many, like the narrator, are there to try to escape the demons of their past. He spends his time observing and recording the decay around him, attempting to bury memories of what he has lost.

Having just escaped from the treacherous island that was once Manhattan, Brooke, Ben, Logan, Bree, and Rose make their way up the Hudson river in their stolen boat, low on fuel, low on food, and desperately needing shelter from the cold. On their tails are the slaverunners, who will stop at nothing until they capture them and bring them back. As they make their way upriver in this post-apocalyptic, action-packed thriller, on their way to try to find the mythical city in Canada, they will need to use all their ingenuity and survival skills to stay alive.

Lucien moves to Los Angeles to be with his grandmother as she undergoes an experimental treatment for Alzheimer’s using the new drug, Memoroxin. An emerging photographer, he’s also running from the sudden death of his mother, a well-known artist whose legacy haunts him. Sophie has just landed the lead in the upcoming performance of La Sylphide with the Los Angeles Ballet Company. She still waitresses at the Chateau Marmont during her off-hours, witnessing the recreational use of Memoroxin - or Mem - among the Hollywood elite.