Dystopian Science Fiction

Step into the sterile confines of The Collective: a near-future dystopian society in which scientists have unlocked the secrets to long life. The pinnacle of perfection, Ethereals are the best humanity has to offer and so much more. However, only the wealthy may attain the status of Ethereal through costly genetic enhancements, creating a stark divide between unmodified humans, heavily indoctrinated Reapers, and their Ethereal counterparts. Three worlds collide when one woman dares defy her predestined role in society.

It was a day like any other. Except it was our last.... It’s on this day that Pounce discovers that he is, in fact, disposable. Pounce, a styilsh "nannybot" fashioned in the shape of a plush anthropomorphic tiger, has just found a box in the attic. His box. The box he'd arrived in when he was purchased years earlier, and the box in which he'll be discarded when his human charge, eight-year-old Ezra Reinhart, no longer needs a nanny. As Pounce ponders his suddenly uncertain future, the pieces are falling into place for a robot revolution that will eradicate humankind.

The survivors have come to settle in the mountains of Wyoming, fighting day in and day out to establish a home for themselves in a near-empty world. Things are good at first; scavenging is a workable, short-term solution that seems to be providing all they need. But they know that it’s only a matter of time before the food runs out. They need to scramble to find a sustainable solution before the clock stops, and for a little handful of people up in the mountains, the odds don’t seem very favorable.

Shane McDonald is working at the Sequoyah Nuclear Plant when a solar storm wipes out the grid. He's desperate to reach his family, but they're hundreds of miles away, and the world is falling apart around him. With a blind daughter to protect, finding his way back to his loved ones will be a dangerous journey, across treacherous terrain.

From the post-pandemic world of the Traveler series comes a new cast of characters, new obstacles, and the same devastating, world-altering virus that plunges society into the depth of a dystopian hell. Follow Mike Crenshaw and his friends as they try to survive this new landscape and find out how the world in which the Traveler series was set came into being. It's a thrill ride that will keep you up at night with the lights on and the doors locked.

Dune est détruite, vitrifiée, atomisée. Sur tout l'Empire déferlent les hordes furieuses des Honorées Matriarches, massacrant tout sur leur passage. Le Bene Gesserit reste la seule force organisée. Mais la solution n'est peut-être pas dans le pouvoir des armes. Darwi Odrade, la Mère Supérieure, propose de négocier. La Très Honorée Matriarche accepte : elle s'attend à une capitulation sans conditions. Mais Darwi a un plan. Elle sait bien que l'entreprise est des plus risquées.

It is the New Time, a time not so different from our own except that the men are gone. All but eleven percent of them, that is, the minimum required to avoid inbreeding. But they are safely under lock and key in “spa” centers for women’s pleasure (trained by amazons to fulfill all desires) and procreation. A few women protest that the males should be treated better–more space, better food, but all agree that testosterone cannot be allowed to roam free. The old patriarchal cities are crumbling, becoming overgrown; people now live in “round communities.”

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman.

Three years have passed since the Jamaicans caused the apocalypse, and things in post-Armageddon Chicago have settled into a new kind of normal. Unfortunately, that "normal" includes collapsing skyscrapers, bands of bloodthirsty maniacs, and a dwindling cache of survival supplies. After watching his family, friends, and most of the non-sadistic elements of society crumble around him, Patrick decides it's time to cross one last item off his bucket list. He's going to Disney World.

It was a hard-learned lesson but Jim Powell finally understood that isolating his group of friends and family was no longer the best idea. It was a strategy that had once kept them safe, but lately seemed to be doing exactly the opposite. Staying out of town and away from people had led to them missing critical intelligence—that there were people in their community actively plotting against Jim.

Soixante ans après la mort du grand écrivain Aldous Huxley, son chef-d'œuvre, Le Meilleur des Mondes, dans une nouvelle traduction de Josée Kamoun. Un roman qui se lit et se relit, intemporel, visionnaire, absolument génial. 632 après Ford : désormais on compte les années à partir de l'invention de la voiture à moteur. La technologie et la science ont remplacé la liberté et Dieu. La vie humaine, anesthésiée, est une suite de satisfactions, les êtres naissent in vitro, les désirs s'assouvissent sans risque de reproduction, les émotions et les sentiments ont été remplacés par des sensations et des instincts programmés.

Across the world, thousands of people are shocked by a notification that they once chose to have a memory removed. Now they are being given an opportunity to get that memory back. Four individuals are filled with new doubts, grappling with the unexpected question of whether to remember unknown events, or to leave them buried forever.

The year is 2065, and Washington, D.C. stands on the brink of collapse after the United States loses the information war, leaving society fractured into cutthroat tribal factions. In the midst of this chaos, Feonix Cheenoma—a brilliant young editor from one of the city’s poorest wards—receives a desperate plea from her dying uncle: enter a contest to lead Station 7, the last media empire still claiming to be trustworthy, and restore a fragile democracy on the verge of destruction.

My name is Bird Howsley, and I'm a beautiful disaster. Okay, "beautiful" is probably being generous. But the "disaster" part is right. In a brutal dystopian waterworld, where survival depends on skill and smarts, I'm pretty much always one bad decision away from watching my life go completely down the drain. Luckily, I have a lifeline: my cute, level-headed sailing teacher, Sargo Paz. Did I say cute? I didn't mean cute. He's just a friend. I definitely don't have weird sex dreams about him.

The aliens silently floated down from the skies in June of 2026, hovering there at a geostationary orbit above the earth for three months. Without warning on September 3rd, 2026, they attacked. Within three months, 85% of humanity had been wiped out. And we all learned the horrible truth regarding these aliens: "You just...don't...look."

Cal Sounder is a detective working for the police on certain very sensitive cases. So when he’s called in to investigate a homicide at a local apartment, he’s surprised by the routineness of it all. But when he arrives on scene, Cal soon learns that the victim—Roddy Tebbit, an otherwise milquetoast techie—is well over seven feet tall. And although he doesn’t look a day over thirty, he is ninety-one years old. Tebbit is a Titan—one of this dystopian, near-future society’s genetically altered elites. And this case is definitely Cal’s thing.

In the realm of Kravan, children of lower-class citizens are raised in a prison-like structure called "The Tower" from birth until adulthood. Known as the Tethered, they are held in thrall until their powers reveal themselves around the time of their nineteenth birthday. Every year, the Tethered who are tested and deemed harmless are chosen to leave the Tower and join the outside world as servants to live in the households of the ruling class. Those who are deemed threats are taken away—and no one knows what happens to them, though they suspect the worst.

Feed is an electrifying and critically acclaimed novel of a world a half-step from our own that the New York Times calls “Astonishing” a novel of zombies, geeks, politics, social media, and the virus that runs through them all - from New York Times best seller Mira Grant. The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: Feed.

Paxton never thought he’d be working for Cloud, the giant tech company that’s eaten much of the American economy. Much less that he’d be moving into one of the company’s sprawling live-work facilities. But compared to what’s left outside, Cloud’s bland chainstore life of gleaming entertainment halls, open-plan offices, and vast warehouses...well, it doesn’t seem so bad. It’s more than anyone else is offering.

After the first wave, only darkness remains. After the second, only the lucky escape. And after the third, only the unlucky survive. After the fourth wave, only one rule applies: Trust no one. Now, it's the dawn of the fifth wave, and on a lonely stretch of highway, Cassie runs from Them. The beings who only look human, who roam the countryside killing anyone they see. Who have scattered Earth's last survivors. To stay alone is to stay alive, Cassie believes, until she meets Evan Walker.