Dystopian Science Fiction

Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, that unmanned drones fill the sky. And when her father is killed and her family is forced into Camp Patience for displaced persons, she quickly begins to be shaped by her particular time and place until, finally, through the influence of a mysterious functionary, she is turned into a deadly instrument of war.

Melanie is a very special girl. Dr. Caldwell calls her "our little genius". Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite, but they don't laugh. Melanie loves school. She loves learning about spelling and sums and the world outside the classroom and the children's cells. She tells her favorite teacher all the things she'll do when she grows up.

In a future world racked by violence and environmental catastrophes, George Orr wakes up one day to discover that his dreams have the ability to alter reality. He seeks help from Dr. William Haber, a psychiatrist who immediately grasps the power George wields. Soon George must preserve reality itself as Dr. Haber becomes adept at manipulating George's dreams for his own purposes.

Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman.

Three years have passed since the Jamaicans caused the apocalypse, and things in post-Armageddon Chicago have settled into a new kind of normal. Unfortunately, that "normal" includes collapsing skyscrapers, bands of bloodthirsty maniacs, and a dwindling cache of survival supplies. After watching his family, friends, and most of the non-sadistic elements of society crumble around him, Patrick decides it's time to cross one last item off his bucket list. He's going to Disney World.

It was a hard-learned lesson but Jim Powell finally understood that isolating his group of friends and family was no longer the best idea. It was a strategy that had once kept them safe, but lately seemed to be doing exactly the opposite. Staying out of town and away from people had led to them missing critical intelligence—that there were people in their community actively plotting against Jim.

Set in a not-too-distant America, I Cheerfully Refuse is the tale of a bereaved and pursued musician embarking under sail on a sentient Lake Superior in search of his departed, deeply beloved, bookselling wife. Rainy, an endearing bear of an Orphean narrator, seeks refuge in the harbors, fogs, and remote islands of the inland sea. Encountering lunatic storms and rising corpses from the warming depths, Rainy finds on land an increasingly desperate and illiterate people, a malignant billionaire ruling class, crumbled infrastructure, and a lawless society.

Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.

When winter comes to the Court of Dreams, the war against the Subterranean of Nightmares freezes. To celebrate, the faerie queen holds a tournament where mortals compete for the prize of a dream come true. For outsider Willow Nightstalk, it's the only way to break the curse making her as ugly as she feels. But the deadly tournament has a darker purpose—to flush out flawed mortal blights on the perfectly pretty fae society… and to kill them.

Soixante ans après la mort du grand écrivain Aldous Huxley, son chef-d'œuvre, Le Meilleur des Mondes, dans une nouvelle traduction de Josée Kamoun. Un roman qui se lit et se relit, intemporel, visionnaire, absolument génial. 632 après Ford : désormais on compte les années à partir de l'invention de la voiture à moteur. La technologie et la science ont remplacé la liberté et Dieu. La vie humaine, anesthésiée, est une suite de satisfactions, les êtres naissent in vitro, les désirs s'assouvissent sans risque de reproduction, les émotions et les sentiments ont été remplacés par des sensations et des instincts programmés.

Across the world, thousands of people are shocked by a notification that they once chose to have a memory removed. Now they are being given an opportunity to get that memory back. Four individuals are filled with new doubts, grappling with the unexpected question of whether to remember unknown events, or to leave them buried forever.

As First Daughter, Princess Lia is expected to have the revered gift of sight - but she doesn't - and she knows her parents are perpetrating a sham when they arrange her marriage to secure an alliance with a neighboring kingdom - to a prince she has never met. On the morning of her wedding, Lia flees to a distant village. She settles into a new life, hopeful when two mysterious and handsome strangers arrive - and unaware that one is the jilted prince and the other an assassin sent to kill her.

The year is 2065, and Washington, D.C. stands on the brink of collapse after the United States loses the information war, leaving society fractured into cutthroat tribal factions. In the midst of this chaos, Feonix Cheenoma—a brilliant young editor from one of the city’s poorest wards—receives a desperate plea from her dying uncle: enter a contest to lead Station 7, the last media empire still claiming to be trustworthy, and restore a fragile democracy on the verge of destruction.

My name is Bird Howsley, and I'm a beautiful disaster. Okay, "beautiful" is probably being generous. But the "disaster" part is right. In a brutal dystopian waterworld, where survival depends on skill and smarts, I'm pretty much always one bad decision away from watching my life go completely down the drain. Luckily, I have a lifeline: my cute, level-headed sailing teacher, Sargo Paz. Did I say cute? I didn't mean cute. He's just a friend. I definitely don't have weird sex dreams about him.

From the post-pandemic world of the Traveler series comes a new cast of characters, new obstacles, and the same devastating, world-altering virus that plunges society into the depth of a dystopian hell. Follow Mike Crenshaw and his friends as they try to survive this new landscape and find out how the world in which the Traveler series was set came into being. It's a thrill ride that will keep you up at night with the lights on and the doors locked.

Contre toute attente, Katniss a survécu une seconde fois aux Hunger Games. Mais le Capitole crie vengeance.

The aliens silently floated down from the skies in June of 2026, hovering there at a geostationary orbit above the earth for three months. Without warning on September 3rd, 2026, they attacked. Within three months, 85% of humanity had been wiped out. And we all learned the horrible truth regarding these aliens: "You just...don't...look."

Jason Sterling had a simple life by all accounts. He had worked the same job his entire adult life, he had never married, and he had no children. He was used to doing things on his own. His comfortable life was shaken to the core the day he learned of his fathers death. It was a mysterious meeting that set life-altering events in motion, and the allure of a new life was too great to walk away from. When an electromagnetic pulse brings the modern world to its knees, Jason's choice proves to be the right one.

Feed is an electrifying and critically acclaimed novel of a world a half-step from our own that the New York Times calls “Astonishing” a novel of zombies, geeks, politics, social media, and the virus that runs through them all - from New York Times best seller Mira Grant. The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: Feed.

Paxton never thought he’d be working for Cloud, the giant tech company that’s eaten much of the American economy. Much less that he’d be moving into one of the company’s sprawling live-work facilities. But compared to what’s left outside, Cloud’s bland chainstore life of gleaming entertainment halls, open-plan offices, and vast warehouses...well, it doesn’t seem so bad. It’s more than anyone else is offering.