Earth Science History

At stake in the "Science Wars" that have raged in academe and in the media is nothing less than the standing of science in our culture. One side argues that science is a "social construct," that it does not discover facts about the world, but rather constructs artifacts disguised as objective truths. This view threatens the authority of science and rejects science's claims to objectivity, rationality, and disinterested inquiry. Drawing Out Leviathan examines this argument in the light of some major debates about dinosaurs.

Dinosaurs, with their awe-inspiring size, terrifying claws and teeth, and otherworldly abilities, occupy a sacred place in our childhoods. They loom over museum halls, thunder through movies, and are a fundamental part of our collective imagination. In My Beloved Brontosaurus, the dinosaur fanatic Brian Switek enriches the childlike sense of wonder these amazing creatures instill in us. Investigating the latest discoveries in paleontology, he breathes new life into old bones.

We need a new philosophy of the earth. Geological time used to refer to slow and gradual processes, but today we are watching land sink into the sea and forests transform into deserts. We can even see the creation of new geological strata made of plastic, chicken bones, and other waste that could remain in the fossil record for millennia or longer. Crafting a philosophy of geology that rewrites natural and human history from the broader perspective of movement, Thomas Nail provides a new materialist, kinetic ethics of the earth that speaks to this moment.

The early history of Earth covers such vast stretches of time that years, centuries, and even millennia become virtually meaningless. Instead, paleontologists and scientists who study geochronology divide time into periods and eras. The current view of science is that Earth is around 4.6 billion years old, and the first four billion years of its development are known as the Precambrian period.

In the 19th and early 20th centuries, North American and European governments generously funded the discoveries of such famous paleontologists and geologists as Henry de la Beche, William Buckland, Richard Owen, Thomas Hawkins, Edward Drinker Cope, O. C. Marsh, and Charles W. Gilmore. In this book, Jane Davidson explores the motivation behind this rush to fund exploration, arguing that eagerness to discover strategic resources like coal deposits was further fueled by patrons who had a genuine passion for paleontology and the fascinating creatures that were being unearthed.

Inspired by Nathaniel Rich’s Losing Earth: A Recent History, the acclaimed book that grew out of an August 2018 issue of the New York Times Magazine solely dedicated to it, Saving Earth tells the human story of the climate-change conversation from the recent past into the present day. It wrestles with the long shadow of our failures, what might be ahead for today’s generation, and crucial questions of how we understand the world we live in—and how we can work together to change the outlook for the better.

The year is 1801, and some of the future’s best and brightest want to lead an army of aborigines and freed slaves against the European oppressors. Others prefer a more peaceful strategy to stem the inevitable yet catastrophic industrial revolutions. Meanwhile, a team of twin assassins roams the planet in search of targets, and the artificial intelligence they all rely on is contaminated and becoming unreliable.

Stone walls tell nothing less than the story of how New England was formed, and in Robert Thorson's hands they live and breathe. Millions of years ago, New England's stones belonged to ancient mountains thrust up by prehistoric collisions between continents. Buried again over centuries by forest and soil buildup, the stones gradually worked their way back to the surface, only to become impediments to the farmers cultivating the land in the eighteenth century, who piled them into "linear landfills," a place to hold the stones.

A revitalizing new perspective on Earthcare from Pulitzer Prize finalist William deBuys.