English Gothic

Charm is a witch, and she is alone. The last of a line of conquered necromantic workers, now confined within the yard of regrown bone trees at Orchard House, and the secrets of their marrow. Charm is a prisoner, and a survivor. Charm tends the trees and their clattering fruit for the sake of her children, painstakingly grown and regrown with its fruit: Shame, Justice, Desire, Pride, and Pain. Charm is a whore, and a madam. The wealthy and powerful of Borenguard come to her house to buy time with the girls who aren't real.

Jessica Tregarth goes to England to visit her grandfather; an invitation that surprises and pleases her. The only link she has with her dead father's family is an antique ring he brought with him to America. This will be a chance to learn more about who she is; it will be fun.

Odessa Hardwicke's life is derailed when she's forced to turn her gun on her partner, Walt Leppo, a decorated FBI agent who turns suddenly, inexplicably violent while apprehending a rampaging murderer. The shooting, justified by self-defense, shakes the young FBI agent to her core. Devastated, Odessa is placed on desk leave pending a full investigation. But what most troubles Odessa isn't the tragedy itself - it's the shadowy presence she thought she saw fleeing the deceased agent's body after his death.

They call me a playboy. Society’s pretty pet. What they don’t know is I’m so much more. My only directive was to keep her hidden, and safe. After everything she’s been through I’m the last person to offer comfort and care. I have little experience with either. Both of us have been broken by our pasts. But mine is catching up to me, and I would deal with it as I usually do: with total decimation. But that puts her in the crosshairs, and that’s unacceptable.

Audrina remembers a better time, when her husband, Arden, was a young man with a heart filled with devotion for her. He didn't used to be this ambitious, this expansive...this cruel. But then, the death of Aurdina's father changed a great many things. When the reading of her father's will reveals that Audrina herself will control 51 percent of the family brokerage, the halls of Whitefern again don't feel safe. Arden's protestations become frantic, nearly violent.

Phoebe Pyncheon hasn’t had an easy life. Alone and out of work, she does her best to make ends meet while she finishes her debut novel. But when even the monthly rent becomes too much for the struggling young writer to afford, she is forced to move into her Great Aunt Hester’s boarding house. Known as the House of Seven Gables, this Victorian mansion is a maze of decrepit halls, musty old furniture, and faded glamour. At first, Phoebe feels at home in the strange, quirky old house. But soon she senses a presence lurking in the shadows, just out of sight.

It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day. But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik’s Cube before, but who can solve it at once. There is something wrong with her, though, something odd.

February in Newfoundland is the longest month of the year. Another blizzard is threatening to tear a strip off downtown St. John’s, while inside The Hazel restaurant, a storm system of sex, betrayal, addiction and hurt is breaking overhead.

Mya's world is falling apart. After a series of earthquakes, deadly animals with glowing red eyes begin attacking people and start the spread of a zombie-like plague. Safety is just a memory as she tries to make her way home. When a different creature attacks the people helping her reach Oklahoma City, Mya is sure she'll never see the light of another day. Despite his eerie green eyes and very sharp teeth, the grey-skinned creature is more intelligent and humanlike than he first appears. He's determined to keep Mya by his side and protect her.

Filmmaker Tessa Shepherd helped free a man she believed was wrongly imprisoned for murder. When he kills again, Tessa’s life is upended. She’s reeling with guilt, her reputation destroyed. Worse, Tessa’s mother has unexpectedly passed away, and her sister, Margot, turns on her after tensions from their past escalate. Hounded by a bullying press, Tessa needs an escape. That’s when she learns of a strange inheritance bequeathed by her mother: a derelict and isolated estate known as Fallbrook. It seems like the perfect refuge.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

As the daughter of a rancher in 1840s Mexico, Nena knows a thing or two about monsters—her home has long been threatened by tensions with Anglo settlers from the north. But something more sinister lurks near the ranch at night, something that drains men of their blood and leaves them for dead.

Maxine Parker expected to lose her life when the Vampire King swept through her city like a plague. She did not expect to lose her heart to him as well. Caught between her desire to protect the living and her love for Dracula, she suddenly finds herself the enemy of the hunters who had once been her allies. As the Vampire King unleashes his army of the damned and turns Boston into a sea of carnage, she must decide if she can love the monster for what he is or if she must be the one to end his bloody crusade through history once and for all....

Two years of my life have been stolen by the Royals of Forsyth. Two years of captivity and hell. Two years at the whim of powerful men. I spent that time seeking freedom. Now, I want nothing more than revenge.

With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War, she warily makes her way to her new home.

Once there was a young woman from a well-to-do New England family who never quite fit with the drawing rooms and parlors of her kin. Called instead to the tangled woods and wild cliffs surrounding her family’s estate, Margaret Harlowe grew both stranger and more beautiful as she cultivated her uncanny power. Soon, whispers of “witch” dogged her footsteps, and Margaret’s power began to wind itself with the tendrils of something darker.

1920s England. Sarah Piper’s lonely, threadbare existence changes when her temporary agency sends her to assist an obsessed ghost hunter. Alistair Gellis—rich, handsome, and scarred by World War I—has been summoned to investigate the spirit of the nineteen-year-old maid Maddy Clare, who is said to haunt the barn where she committed suicide.

Ruth and Nat are orphans packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later Ruth's niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been?

He told me I was his muse. He lied. Anton Sachov, the artist, the man who only sees in monochrome. He wants something from me. Something precious; the meadow green of my eyes, the rich mahogany of my hair, the creamy white of my skin, the stark red of my blood, even the darkness of my soul. And he will do anything to get them.

Erik Hadley is a gifted violinist with a dark past and an even more troubled soul. His only place of safety, a glass room built to protect others from his violent outbursts. But it's nothing more than a prison, and I have every intention of setting him free. It won't be easy. There are those who want to keep him imprisoned, who want to keep him from me and a life beyond those walls. I can't let that stand, I won't. Will I be able to sever the strings that hold his mind hostage? Am I strong enough to cast that first stone?